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Sgian Dubh
The ( ; ) – also anglicized as skene – is a small, single-edged knife ( gd, sgian) worn as part of traditional Scottish Highland dress along with the kilt. Originally used for eating and preparing fruit, meat, and cutting bread and cheese, as well as serving for other more general day-to-day uses such as cutting material and protection, it is now worn as part of traditional Scottish dress tucked into the top of the kilt hose with only the upper portion of the hilt visible. The is normally worn on the same side as the dominant hand. Etymology and spelling The name comes from the Scottish Gaelic '. Although the primary meaning of ' is "black", the secondary meaning of "hidden" is at the root of ', based on the stories and theories surrounding the knife's origin, in particular those associated with the Highland custom of depositing weapons at the entrance to a house prior to entering as a guest. Compare also other Gaelic word-formations such as ' "underwater skerry" (lit. blac ...
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Scottish Stag Antler Sgian Dubh
Scottish usually refers to something of, from, or related to Scotland, including: *Scottish Gaelic, a Celtic Goidelic language of the Indo-European language family native to Scotland *Scottish English *Scottish national identity, the Scottish identity and common culture *Scottish people, a nation and ethnic group native to Scotland *Scots language, a West Germanic language spoken in lowland Scotland * Symphony No. 3 (Mendelssohn), a symphony by Felix Mendelssohn known as ''the Scottish'' See also *Scotch (other) *Scotland (other) *Scots (other) *Scottian (other) *Schottische The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (" chotis"Sp ... * {{disambiguation Language and nationality disambiguation pages ca:Escocès ...
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Dirk
A dirk is a long bladed thrusting dagger.Chisholm, Hugh (ed.), ''Dagger'', The Encyclopædia Britannica, 11th ed., Vol. VII, New York, NY: Cambridge University Press (1910), p. 729 Historically, it gained its name from the Highland Dirk (Scots Gaelic "Dearg") where it was a personal weapon of officers engaged in naval hand-to-hand combat during the Age of SailO'Brian, Patrick, ''Men-of-War: Life In Nelson's Navy'', New York: W.W. Norton & Co., (1974), p. 35 as well as the personal sidearm of Highlanders. It was also the traditional sidearm of the Highland Clansman and later used by the officers, pipers, and drummers of Scottish Highland regiments around 1725 to 1800 and by Japanese naval officers. Etymology The term is associated with Scotland in the Early Modern Era, being attested from about 1600. The term was spelled ''dork'' or ''dirk'' during the 17th century,Head, T.F. ''The Concise Oxford Dictionary of English Etymology'' Oxford University Press (1996) presumed relat ...
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Self-defense
Self-defense (self-defence primarily in Commonwealth English) is a countermeasure that involves defending the health and well-being of oneself from harm. The use of the right of self-defense as a legal justification for the use of force in times of danger is available in many jurisdictions. Physical Physical self-defense is the use of physical force to counter an immediate threat of violence. Such force can be either armed or unarmed. In either case, the chances of success depend on various parameters, related to the severity of the threat on one hand, but also on the mental and physical preparedness of the defender. Unarmed Many styles of martial arts are practiced for self-defense or include self-defense techniques. Some styles train primarily for self-defense, while other combat sports can be effectively applied for self-defense. Some martial arts train how to escape from a knife or gun situation or how to break away from a punch, while others train how to atta ...
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Celtic Knotwork
Celtic knots ( ga, snaidhm Cheilteach, cy, cwlwm Celtaidd, kw, kolm Keltek, gd, snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art. These knots are most known for their adaptation for use in the ornamentation of Christian monuments and manuscripts, such as the 8th-century St. Teilo Gospels, the Book of Kells and the Lindisfarne Gospels. Most are endless knots, and many are varieties of basket weave knots. History The use of interlace patterns had its origins in the late Roman Empire. Knot patterns first appeared in the third and fourth centuries AD and can be seen in Roman floor mosaics of that time. Interesting developments in the artistic use of interlaced knot patterns are found in Byzantine architecture and book illumination, Coptic art, Celtic art, Islamic art, Kievan Rus'ian book illumination, Ethiopian art, and European architecture and book illumi ...
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Scabbard
A scabbard is a sheath for holding a sword, knife, or other large blade. As well, rifles may be stored in a scabbard by horse riders. Military cavalry and cowboys had scabbards for their saddle ring carbine rifles and lever-action rifles on their horses for storage and protection. Scabbards have been made of many materials over the millennia, including leather, wood, and metals such as brass or steel. Most commonly, sword scabbards were worn suspended from a sword belt or shoulder belt called a baldric. Antiquity Wooden scabbards were typically covered in fabric or leather; the leather versions also usually bore metal fittings for added protection and carrying ease. Japanese blades typically have their sharp cutting edge protected by a wooden scabbard called a saya. Many scabbards, such as ones the Greeks and Romans used, were small and light. It was designed for holding the sword rather than protecting it. All-metal scabbards were popular items for a display of wealth among ...
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The National Museum Of Antiquities Of Scotland
The National Museum of Scotland in Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Scottish Museum (opened in 1866 as the Edinburgh Museum of Science and Art, renamed in 1904, and for the period between 1985 and the merger named the Royal Museum of Scotland or simply the Royal Museum), with international collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free. The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861 and partially opened in 1866, with a Victorian Venetian Renaissance facade and a gr ...
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National Gallery Of Scotland
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ...
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Alasdair Ranaldson MacDonell Of Glengarry
Colonel Alexander Ranaldson MacDonell of Glengarry (15 September 1773 – 17 January 1828), sometimes called by the Gaelic version of his name, Alastair or Alasdair, was clan chief of Clan MacDonell of Glengarry. As was customary for a laird (landed proprietor in Scotland), MacDonell was often called Glengarry after his principal estate. Glengarry's haughty and flamboyant personality, as expressed in his character and behaviour, gave Walter Scott the model for the wild Highland clan chieftain Fergus Mac-Ivor in the pioneering 1810 historical novel '' Waverley''. Glengarry was the fifth Lord MacDonell in the Jacobite peerage.Marquis de Ruvigny et Raineval, ''The Jacobite peerage, baronetage, knightage, and grants of honour, extracted, by permission, from the Stuart papers now in possession of his Majesty the King at Windsor Castle, and supplemented by biographical and genealogical notes'' (2003 reprint)p. 88/ref> Life He was born on 15 September 1773, the eldest of the nin ...
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Sir Henry Raeburn
Sir Henry Raeburn (; 4 March 1756 – 8 July 1823) was a Scottish portrait painter. He served as Portrait Painter to King George IV in Scotland. Biography Raeburn was born the son of a manufacturer in Stockbridge, on the Water of Leith: a former village now within the city of Edinburgh. He had an older brother, born in 1744, called William Raeburn. His ancestors were believed to have been soldiers, and may have taken the name "Raeburn" from a hill farm in Annandale, held by Sir Walter Scott's family. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to the goldsmith James Gilliland of Edinburgh, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. When the medical student Charles Darwin died in 1778, his friend and professor Andrew Duncan took a lock of his student's hair to the jeweller whose apprentice, Rae ...
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Dominant Hand
In human biology, handedness is an individual's preferential use of one hand, known as the dominant hand, due to it being stronger, faster or more dextrous. The other hand, comparatively often the weaker, less dextrous or simply less subjectively preferred, is called the non-dominant hand. In a study from 1975 on 7688 children in US grades 1-6, Left handers comprised 9.6% of the sample, with 10.5% of male children and 8.7% of female children being left-handed. Handedness is often defined by one's writing hand, as it is fairly common for people to prefer to do some tasks with each hand. There are examples of true ambidexterity (equal preference of either hand), but it is rare—most people prefer using one hand for most purposes. Most of the current research suggests that left-handedness has an epigenetic marker—a combination of genetics, biology and the environment. Because the vast majority of the population is right-handed, many devices are designed for use by right-han ...
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