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San Giovanni Fuorcivitas
San Giovanni Fuoricivitas (also called San Giovanni Evangelista Fuorcivitas or ''Forcivitas'') is a Romanesque religious church and adjacent buildings in Pistoia, Tuscany, central Italy. The adjective ''fuoricivitas'' (a mix of Italian and Latin meaning "outside the city") refers to it location, outside of the first set of city walls, when it was founded during the era of Lombard rule in Italy. History No traces remain of the original Lombard edifice. The first document mentioning the church dates to 1119, when the church was described by Bishop Ildebrand as "nearly in ruins". In his ''Guide to Pistoia'', the author Tolomei cites references to this church as a priory in either 12th or 13th century. Others mention it was likely a collegiate church before that time. The current building was most likely begun soon afterward, erected in the typical orientation with apse to the west. Construction lasted until 1344. The church was severely damaged by the Allied bombings during World W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic Glaze
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted. Most pottery produced in recent centuries has been glazed, other than pieces in unglazed biscuit porcelain, terracotta, or some other types. Tiles are almost always glazed on the surface face, and modern architectural terracotta is very often glazed. Glazed brick is also common. Domestic sanitary ware is invariably glazed, as are many ceramics u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taddeo Gaddi
Taddeo Gaddi (c. 1290, in Florence – 1366, in Florence) was a medieval Italian painter and architect. He was the son of Gaddo di Zanobi, called Gaddo Gaddi. He was a member of Giotto's workshop from 1313 until the master's death in 1337. According to Giorgio Vasari, he was considered Giotto's most talented pupil: in 1347 he was placed at the top in a list of Florence's most renowned painters. He also traded as a merchant, and had a branch establishment in Venice. As well as a painter, he was a mosaicist and architect. His main work is the cycle of ''Stories of the Virgin'' in the Baroncelli Chapel of the Basilica of Santa Croce in Florence (1328–1338). Later he perhaps painted the cabinet tiles in the sacristy of the same church, now divided among the Galleria dell'Accademia of Florence and museums in Munich and Berlin. These works show his mastership of Giotto's new style, to which he added a personal experimentation in the architectural backgrounds, such as in the sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apuan Alps
The Apuan Alps ( it, Alpi Apuane) are a mountain range in northern Tuscany, Italy. They are included between the valleys of the Serchio and Magra rivers, and, to the northwest, the Garfagnana and Lunigiana, with a total length of approximately . The name derives from the Apuani Ligures tribe that lived there in ancient times. The mountain range is known for its Carrara marble. Due to its extraction height environmental impact, the No Cav movement strongly opposes this activity. Geology and geography The chain formed out of sea sediments in the middle Triassic period, somewhat earlier than the rest of the Apennines, and on a rather different geological structure. Over time, these sediments hardened into limestone, dolomite, sandstone, and shale. Harsh pressure approximately 25 million years ago transformed the limestone in many places into the Carrara marble (named for the nearby city of Carrara) for which the range is renowned. Erosion carved much of the remaining sedimentary r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Presbytery (architecture)
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfo Di Cambio
Arnolfo di Cambio (c. 1240 – 1300/1310) was an Italian architect and sculptor. He designed Florence Cathedral and the sixth city wall around Florence (1284–1333), while his most important surviving work as a sculptor is the tomb of Cardinal de Braye in S. Domenico, Orvieto. Biography Arnolfo was born in Colle Val d'Elsa, Tuscany. He was Nicola Pisano’s chief assistant on the marble Siena Cathedral Pulpit for the Duomo in Siena Cathedral (1265–1268), but he soon began to work independently on an important tomb sculpture. In 1266–1267 he worked in Rome for King Charles I of Anjou, portraying him in the famous statue housed in the Campidoglio. Around 1282 he finished the monument to Cardinal Guillaume de Braye in the church of San Domenico in Orvieto, including an enthroned Madonna (a ''Maestà'') for which he took as a model an ancient Roman statue of the goddess Abundantia; the Madonna's tiara and jewels reproduce antique models. In Rome Arnolfo had seen the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambon (liturgy)
The ambon or ambo ( gr, ἄμβων, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the emperor Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably by his hand. "The head of a young girl" (now displayed in the Museo del Palazzo Venez ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theological Virtues
Theological virtues are virtues associated in Christian theology and philosophy with salvation resulting from the grace of God. Virtues are traits or qualities which dispose one to conduct oneself in a morally good manner. Traditionally they have been named Faith, Hope, and Charity (Love), and can trace their importance in Christian theology to Paul the Apostle in 1 Corinthians 13, who also pointed out that “the greatest of these is love.” The medieval Catholic philosopher Thomas Aquinas explained that these virtues are called theological virtues "because they have God for their object, both in so far as by them we are properly directed to Him, and because they are infused into our souls by God alone, as also, finally, because we come to know of them only by Divine revelation in the Sacred Scriptures". Background 1 Corinthians 13 The first mention in Christian literature of the three theological virtues is in St. Paul's first letter to the Thessalonians 1:3, "...calling to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caryatid
A caryatid ( or or ; grc, Καρυᾶτις, pl. ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or telamon is a male version of a caryatid, i.e. a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that the female figures of the Erechtheion represented the punishment of the women of Caryae, a town near Spart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pisano
Giovanni Pisano (c. 1250 – c. 1315) was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor". History Born in Pisa, Giovanni Pisano was the son of the famous sculptor Nicola Pisano. He received his training in the workshop of his father and in 1265–1268 he worked with his father on the pulpit in Siena Cathedral. His next major work with his father was the fountain ''Fontana Maggiore'' in Perugia (completed 1278). Nicola Pisano is thought to have died either around 1278 or in 1284 when Giovanni took up residence in Siena. These first works were made in Nicola's style and it is difficult to separate the contributions of the two artists. However the ''Madonna with Child'' can be attributed with certainty to Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
