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Saman Suttam
''Saman Suttam'' is the religious text created in 1974 by a committee consisting of representatives of each of the major sects of Jainism, Digambaras and Svetambaras, to reconcile the teachings of the sects. After a gap of about nearly two thousand years following composition of Tattvartha Sutra by Acharya Umasvati this was the first text to be recognized by all Jain sects. At Umaswati's time, although multiple orders existed, there was no clear sectarian division. By the 20th century however, Jainism had gradually been divided into several sects. For someone to compile a text at this time, and for it to be approved by all sects, was an exceptional event. Kshullak Jinendra Varni compiled a book, drawing from the original Prakrit (Ardhamagadhi etc.) texts, and as a result of efforts undertaken by Vinoba Bhave. It was critically examined by several monks of different orders including Muni (now Acharya) Vidyanandaji, Muni (later Acharya) Sushil Kumarji, Muni Janakavijaya, Muni N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tattvartha Sutra
''Tattvārthasūtra'', meaning "On the Nature [''artha''] of Reality [''tattva'']" (also known as ''Tattvarth-adhigama-sutra'' or ''Moksha-shastra'') is an ancient Jain text written by ''Acharya (Jainism), Acharya'' Umaswami in Sanskrit, sometime between the 2nd- and 5th-century CE. The ''Tattvārthasūtra'' is regarded as one of the earliest, most authoritative texts in Jainism. It is accepted as authoritative in both its major sub-traditions – ''Digambara'' and ''Śvētāmbara'' – as well as the minor sub-traditions. It is a philosophical text, and its importance in Jainism is comparable with that of the ''Brahma Sutras'' and ''Yoga Sutras of Patanjali'' in Hinduism. In an aphoristic sutra style of ancient Indian texts, it presents the complete Jainism philosophy in 350 sutras over 10 chapters. The text has attracted numerous commentaries, translations and interpretations since the 5th-century. One of its sutras, ''Parasparopagraho Jivanam'' is the motto of Jainism. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umasvati
Umaswati, also spelled as Umasvati and known as Umaswami, was an Indian scholar, possibly between 2nd-century and 5th-century CE, known for his foundational writings on Jainism. He authored the Jain text ''Tattvartha Sutra'' (literally '"All That Is", also called ''Tattvarthadhigama Sutra''). Umaswati's work was the first Sanskrit language text on Jain philosophy, and is the earliest extant comprehensive Jain philosophy text accepted as authoritative by all four Jain traditions. His text has the same importance in Jainism as '' Vedanta Sutras'' and ''Yogasutras'' have in Hinduism. Umaswati is claimed by both the Digambara and Śvētāmbara sects of Jainism as their own. On the basis of his genealogy, he was also called ''Nagaravachka''. Umaswati was influential not only in Jainism, but also other Indian traditions over the centuries. The 13th- to 14th-century Madhvacharya, founder of Dvaita Vedanta school of Hindu philosophy, for example referred to Umaswati in his works as ''Uma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kshullak
A kshullak (or kshullaka, lit. small or junior) is a junior Digambar Jain monk. A kshullak wears two garments as opposed to a full monk who wears no clothes.Jinendra Varni, Jainendra Siddhanta Kosa, V.2, pages, 188-189 Specifically a Kshullaka is a Shravaka of the highest degree at 11th Pratima (Jainism), Pratima. A kshullak is sometimes referred to by the earlier title Varni, even though Varni corresponds to the seventh Pratima (Jainism), Pratima. Well known kshullakas include: * Kshullaka Ganeshprasad Varni * Kshullaka Jinendra Varni A Digambara Jain shravaka at the highest rank of 11th Pratima (Jainism), pratima is either a kshullaka or an ailaka. He is just one step below a full muni. His conduct is prescribed in Vasunandi Sravakachara and Lati Samhita. A kshullaka wears a loin cloth (kaupina) and a white rectangular cloth as a wrap. An ailak uses only a loin cloth. A kshullaka may live in a house or may be a wanderer. He may eat food placed in his palms, or from a cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jinendra Varni
Jinēndra Varṇī, one of the best-known Jain scholars of the 20th century, is known for his pioneering five-volume ''Jainendra Siddhanta Kosha'' and ''Saman Suttam'' compilation,Progressive Jains of India By Satish Kumar Jain, 1975, Shraman Sahitya Sansthan the first text accepted by all Jain orders in 1800 years. Jinēndra Varṇī was born in Panipat in the year 1922 to a prominent Agrawal Jain family. He struggled all his life with health problems. In 1938 he lost one lung due to tuberculosis. Still he studied electrical and wireless engineering. Jinēndra Varṇī left home in 1957 and during his wanderings he joined the well-known Ganesh Varni, who ordained him a kṣullaka or junior monk. However, he was unable to follow the vratas of a ''kṣullaka'' due to his health problems and returned to being a Śrāvaka. In 1983, approaching death, Jinēndra Varṇī began Sallekhana on 12 April 1983 and was ordained again a ''kṣullaka'' by Acharya Vidyasagar. He died i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prakrit
The Prakrits (; sa, prākṛta; psu, 𑀧𑀸𑀉𑀤, ; pka, ) are a group of vernacular Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 3rd century BCE to the 8th century CE. The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding earlier inscriptions and the later Pali. ''Prākṛta'' literally means "natural", as opposed to ''saṃskṛta'', which literally means "constructed" or "refined". Prakrits were considered the regional spoken (informal) languages of people, and Sanskrit was considered the standardized (formal) language used for literary, official and religious purposes across Indian kingdoms of the subcontinent. Literary registers of Prakrits were also used contemporaneously (predominantly by śramaṇa traditions) alongside Classical Sanskrit of higher social classes. Etymology The dictionary of Monier Monier-Williams (1819–1899), and other modern authors however, interpret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardhamagadhi
Ardhamagadhi Prakrit was a Middle Indo-Aryan language and a Dramatic Prakrit thought to have been spoken in modern-day Bihar and Uttar Pradesh and used in some early Buddhist and Jain drama. It was likely a Central Indo-Aryan language, related to Pali and the later Sauraseni Prakrit. It was originally thought to be a predecessor of the vernacular Magadhi Prakrit, hence the name (literally "half-Magadhi"). Relationship with Pali Theravada Buddhist tradition has long held that Pali was synonymous with Magadhi and there are many analogies between it and ', literally 'half-Magadhi'. was prominently used by Jain scholars and is preserved in the Jain Agamas. Both Gautama Buddha and the tirthankara Mahavira preached in the region of Magadha. Ardhamāgadhī differs from later Magadhi Prakrit on similar points as Pāli. For example, Ardhamāgadhī preserves historical unlike later Magadhi, where changed into Additionally, in the noun inflection, Ardhamagadhi shows the ending oinst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinoba Bhave
Vinayak Narahari, also known as Vinoba Bhave (; 11 September 1895 – 15 November 1982), was an Indian advocate of nonviolence and human rights. Often called ''Acharya'' (Sanskrit teacher), he is best known for the Bhoodan Movement. He is considered as National Teacher of India and the spiritual successor of Mahatma Gandhi. He was an eminent philosopher. The Gita has been translated into Marathi language by him with the title ''Geetai'' (meaning 'Mother Gīta' in Marathi). Early life and background Vinayak Narahari Bhave was born on 11 September 1895 in a small village called Gagoji (present day Gagode Budruk) in Kolaba in the Konkan region of what is now Maharashtra. Vinayaka was the eldest son of Narahari Shambhu Rao and Rukmani Devi. The couple had five children; four sons named Vinayaka (affectionately called Vinya), Balakrishna, Shivaji and Dattatreya, and one daughter. His father was a trained weaver with a rationalist modern outlook, and worked in Baroda. Vinayaka was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sushil Kumarji
Sushil Kumar (15 June 1926 – 22 April 1994) was a Jain teacher and monk (later Acharya). He was a self-realized master who devoted more than 50 years to promoting non-violence, peace and knowledge of the self. Guruji (as he is lovingly called by many of his devotees) was born on June 15, 1926 in Sikhopur, a small foothill village in Haryana, India. The village was later named Sushilgarh in Guruji’s honor. As a seven year old he left his home to live with Shri Chotelalji Maharaj, who later become his religious guru. When Guruji was still a young boy, Shri Roop Chandji Maharaj appeared to him in his spirit and told him to become a monk. (MAHARAJ was a great yogi and enlightened master in the family of monks to which Guruji belongs. He left his body 100 years ago. Shri Roop Chandji Maharaj is Guruji’s Spiritual guru). In this life, Guruji was not taught yogic systems from any master. His knowledge was realised through direct experience, and his powers were awakened throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acharya Mahaprajna
In Indian religions and society, an ''acharya'' (Sanskrit: आचार्य, IAST: ; Pali: ''ācariya'') is a preceptor and expert instructor in matters such as religion, or any other subject. An acharya is a highly learned person with a title affixed to the names of learned subject. The designation has different meanings in Hinduism, Buddhism and secular contexts. ''Acharya'' is sometimes used to address an expert teacher or a scholar in any discipline, e.g.: Bhaskaracharya, the expert mathematician. Etymology The Sanskrit phrase ''Acharam Grahayati Acharam Dadati Iti Va'' means ''Acharya'' (or teacher) is the one who teaches good conduct to one's students. A female teacher is called an ''achāryā,'' and a male teacher's wife is called an ''achāryāni'' In Hinduism In Hinduism, an ''acharya'' is a formal title of a teacher or guru, who has attained a degree in Veda and Vedanga. Prominent acharyas in the Hindu tradition are as given below : *Adi Sankaracharya *Ramanu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darbari Lal Kothia
Darbari Kanada, or simply Raga Darbari, (pronounced darbāri kānada), is a raga in the Kanada family, which is thought to have originated in Carnatic music and brought into Hindustani classical music by Miyan Tansen, the legendary 16th-century composer in emperor Akbar's court. This tradition is reflected in the name itself; ''Darbar'' is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or ''pure Kanada''. It belongs to the Asavari thaat. This raag is called raaga Kaanada in Yakshagana Karnataka state dance It is also sometimes written as Durbari and Durbarikanada.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In Hindustani classical music Darbari is a grave raga, played deep into the night, considered to be one of the more difficult to master, and with the potential for profound emotional impact. Darbari is a very serious raga and hence, slow and elab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
