Salome Zurabishvili
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Salome Zurabishvili
Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, and stepdaughter of Herod Antipas. She is known from the New Testament, where she is not named, and from an account by Flavius Josephus. In the New Testament, the stepdaughter of Herod Antipas demands and receives the head of John the Baptist. According to Josephus, she was first married to her uncle Philip the Tetrarch, after whose death (AD 34), she married her cousin Aristobulus of Chalcis, thus becoming queen of Chalcis and Armenia Minor. The gospel story of her dance at the birthday celebration of her stepfather, who had John the Baptist beheaded at her request, inspired art, literature and music over an extended period of time. Among the paintings are those by Titian and Gustave Moreau. Oscar Wilde's 1891 eponymous play, and its 1905 ...
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Salome With The Baptist's Head - Charles Mellin
Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, and stepdaughter of Herod Antipas. She is known from the New Testament, where she is not named, and from an account by Flavius Josephus. In the New Testament, the stepdaughter of Herod Antipas demands and receives the head of John the Baptist. According to Josephus, she was first married to her uncle Philip the Tetrarch, after whose death (AD 34), she married her cousin Aristobulus of Chalcis, thus becoming queen of Chalcis and Armenia Minor. The gospel story of her dance at the birthday celebration of her stepfather, who had John the Baptist beheaded at her request, inspired art, literature and music over an extended period of time. Among the paintings are those by Titian and Gustave Moreau. Oscar Wilde's 1891 eponymous play, and its 19 ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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New Revised Standard Version
The New Revised Standard Version (NRSV) is an English translation of the Bible published in 1989 by the National Council of Churches.Preface to the NRSV
from the website
The NRSV was intended as a translation to serve devotional, liturgical and scholarly needs of the broadest possible range of Christian religious adherents. At present, the New Revised Standard Version is the version most commonly preferred by ; this is due to its basis on what are often considered the oldest and most reliable manusc ...
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Parallel Passage
In Christian theology, a parallel passage is a passage in another portion of the Bible which describes the same event. Comparison of parallel passages within the Bible is a major area of Biblical scholarship. The Bible frequently describes the same event from different points of view in different canonical books yielding a more complete picture of the event than a single passage on the subject does. Some of the biblical passages describe an area of biblical study in an up close context whereas other passages provide information on the bigger picture surrounding the subject at hand. The Bible also provides partial information on some subjects in a given passage then adds additional information in other biblical passages. The technique of comparing Scripture with Scripture is important for determining correct biblical doctrine. Formulating a doctrine on a single Scripture and ignoring the other Scriptures on the subject can lead to erroneous conclusions. For example, comparisons of ...
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English Standard Version
The English Standard Version (ESV) is an English translation of the Bible. Published in 2001 by Crossway, the ESV was "created by a team of more than 100 leading evangelical scholars and pastors." The ESV relies on recently published critical editions of the original Hebrew and Greek texts. Crossway claims that the ESV continues a legacy of precision and faithfulness in English translation of the original text. It describes the ESV as a translation that "emphasizes 'word-for-word' accuracy, literary excellence, and depth of meaning." It also describes the ESV as a translation that adheres to an "essentially literal" translation philosophy, taking into account "differences in grammar, syntax, and idiom between current literary English and the original languages." Since publication, the ESV has been endorsed by numerous evangelical pastors and theologians, including John Piper, R. C. Sproul, and Kevin DeYoung. As of July 2015, over 100 million printed copies of the translati ...
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Antiquities Of The Jews
''Antiquities of the Jews'' ( la, Antiquitates Iudaicae; el, Ἰουδαϊκὴ ἀρχαιολογία, ''Ioudaikē archaiologia'') is a 20-volume historiographical work, written in Greek, by historian Flavius Josephus in the 13th year of the reign of Roman emperor Flavius Domitian which was around AD 93 or 94.Freedman, David Noel, ed., ''The Anchor Bible Dictionary'', (New York: Doubleday, 1997, 1992). ''Antiquities of the Jews'' contains an account of the history of the Jewish people for Josephus' gentile patrons. In the first ten volumes, Josephus follows the events of the Hebrew Bible beginning with the creation of Adam and Eve. The second ten volumes continues the history of the Jewish people beyond the biblical text and up to the Jewish War, or the First Jewish–Roman War, 66 to 73 CE. This work, along with Josephus's other major work, ''The Jewish War'' (''De Bello Iudaico''), provides valuable background material for historians wishing to understand 1st-century AD Jud ...
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Gospel Of Matthew
The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and forms a community of disciples, of how he taught the people through such events as the Sermon on the Mount and its Beatitudes, and how Israel becomes divided and how Jesus condemns this hostile Israel. This culminates in his departure from the Temple and his execution. At this point many people reject Jesus, and on his resurrection he sends the disciples to the gentiles. Matthew seems to emphasize that the Jewish tradition should not be lost in a church that was increasingly becoming gentile. The gospel reflects the struggles and conflicts between the evangelist's community and the other Jews, particularly with its sharp criticism of the scribes and Pharisees with the position that through their rejection of Christ, the Kingdom of God h ...
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Gospel Of Mark
The Gospel of Mark), or simply Mark (which is also its most common form of abbreviation). is the second of the four canonical gospels and of the three synoptic Gospels. It tells of the ministry of Jesus from his baptism by John the Baptist to his death, burial, and the discovery of his empty tomb. There is no miraculous birth or doctrine of divine pre-existence, nor, in the original ending ( Mark 16:1–8), any post-resurrection appearances of Jesus. It portrays Jesus as a teacher, an exorcist, a healer, and a miracle worker. He refers to himself as the Son of Man. He is called the Son of God, but keeps his messianic nature secret; even his disciples fail to understand him. All this is in keeping with Christian interpretation of prophecy, which is believed to foretell the fate of the messiah as suffering servant. The gospel ends, in its original version, with the discovery of the empty tomb, a promise to meet again in Galilee, and an unheeded instruction to spread the good ne ...
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Rita Hayworth
Rita Hayworth (born Margarita Carmen Cansino; October 17, 1918May 14, 1987) was an American actress, dancer and producer. She achieved fame during the 1940s as one of the era's top stars, appearing in 61 films over 37 years. The press coined the term "The Love Goddess" to describe Hayworth after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II. Hayworth is perhaps best known for her performance in the 1946 film noir ''Gilda'', opposite Glenn Ford, in which she played the '' femme fatale'' in her first major dramatic role. She is also known for her performances in ''Only Angels Have Wings'' (1939), ''The Strawberry Blonde'' (1941), '' Blood and Sand'' (1941), ''The Lady from Shanghai'' (1947), '' Pal Joey'' (1957), and ''Separate Tables'' (1958). Fred Astaire, with whom she made two films, ''You'll Never Get Rich'' (1941) and ''You Were Never Lovelier'' (1942), once called her his favorite dance partner. She also ...
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Salome (1953 Film)
''Salome'' is a 1953 American drama Biblical film directed by William Dieterle and produced by Buddy Adler from a screenplay by Harry Kleiner and Jesse Lasky Jr. The music score was by George Duning, the dance music by Daniele Amfitheatrof and the cinematography by Charles Lang. Rita Hayworth's costumes were designed by Jean Louis. Hayworth's dances for this film were choreographed by Valerie Bettis. This film was the last produced by Hayworth's production company, the Beckworth Corporation. The film stars Rita Hayworth as Salome, as well as Stewart Granger, Charles Laughton and Judith Anderson, with Cedric Hardwicke, Alan Badel and Basil Sydney. Plot Although based on the New Testament story, the film does not follow the Biblical text, critically passing the blame of John the Baptist's death wholly upon her mother. In Galilee, during the rule of Rome's Tiberius Caesar (Cedric Hardwicke), King Herod ( Charles Laughton) and Queen Herodias (Judith Anderson) sit on the ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ...
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