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Sala Dei Cento Giorni
The Sala dei Cento Giorni is a large frescoed gallery or room in the Palazzo della Cancelleria or Chancellery in Central Rome, Italy. The frescoes epitomize the Mannerist style of Giorgio Vasari and his studio. History In March 1546, Cardinal Alessandro Farnese (1520–1589), at the suggestion of Paolo Giovio, commissions Vasari to paint ''a fresco'' a hall of the chancery in the Palazzo of San Giorgio, which was remodeled and rebuilt as the massive Palazzo della Cancelleria. The purpose of the frescoes was to celebrate the life of Pope Paul III, Alessandro's grandfather. In his biography of Artists ( ''Vite''), Vasari details the planning, commission and execution of this work. Legend has it that Michelangelo, known for his plodding meticulous style, was shown the work and Vasari bragged about the rapid execution, Michelangelo is reputed to have tartly replied: ''si vede!'' ("it shows!"). The work even in its day was not admired for its quality. Paolo Giovio reports to Cardinal F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sala Dei Cento Giorni - Giorgio Vasari - 1547 - Palazzo Della Cancelleria 2
Sala or SALA may refer to: Places Europe * Sala, the historical name of the river IJssel and home of the Salii Franks * Sala (Estonian island), one of the Uhtju islands * Sala Baganza, a municipality in Emilia-Romagna, Italy * Sala Bolognese, a municipality in Emilia-Romagna, Italy * Sala Consilina, a municipality in Campania, Italy * Sala Municipality, Latvia, a municipality in Latvia * Sala, Sala Parish, a village in Latvia, an administrative centre of Sala municipality * Šaľa, Slovakia, a city in Slovakia * Sala Municipality, Sweden, a municipality in Sweden * Sala, Sweden, a city in Sweden, seat of Sala Municipality * Sala Parish (other), parishes (''socken'') in Sweden Africa * Salé ( ber, Sala, link=no), Morocco * Sala, an ancient city at Rabat, Morocco * Sala, Houet, a village in Satiri Department, Houet Province, Burkina Faso * Sala, Ziro, a village in Ziro Province, Burkina Faso * Sala Colonia, a Phoenician and Roman colony whose ruins are located in pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quattrocento
The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (, , ) from the Italian word for the number 400, in turn from , which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic), the early Renaissance (beginning around 1425), and the start of the High Renaissance, generally asserted to begin between 1495 and 1500. Historical context After the decline of the Western Roman Empire in 476, economic disorder and disruption of trade spread across Europe. This was the beginning of the Early Middle Ages, which lasted roughly until the 11th century, when trade increased, population began to expand and the people regained their authority. In the late Middle Ages, the political structure of the European continent slowly coalesced from small, turbulent fiefdoms into larger, more stable nation states ruled by monarchies. In Italy, urban ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco Paintings In Rome
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Vecchio
The Palazzo Vecchio ( "Old Palace") is the City hall, town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's ''David (Michelangelo), David'' statue, and the gallery of statues in the adjacent Loggia dei Lanzi. Originally called the ''Palazzo della Signoria'', after the Signoria of Florence, the ruling body of the Republic of Florence, this building was also known by several other names: ''Palazzo del Popolo'', ''Palazzo dei Priori'', and ''Palazzo Ducale'', in accordance with the varying use of the palace during its long history. The building acquired its current name when the Medici duke's residence was moved across the Arno River to the Palazzo Pitti. History In 1299, the commune and people of Florence decided to build a palace that would be worthy of the city's importance, and that would be more secure and defensible in times of turbulence for the magistrates of the commune.Bartlett, 37. Arnolfo di Cambio, the architect o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Donation Of Constantine (painting)
''The Donation of Constantine'' or ''Donation of Rome'' is a painting by assistants of the Italian renaissance artist Raphael. It was most likely painted by Gianfrancesco Penni or Giulio Romano, somewhere between 1520 and 1524. After the master's death in 1520, they worked together with other members of Raphael's workshop to finish the commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. ''The Donation of Constantine'' is located in the ''Sala di Costantino'' ("Hall of Constantine"). It was inspired by the famous forged documents that supposedly granted the Popes sovereignty over Rome's territorial dominions. The painting depicts an apocryphal historical event: Emperor Constantine kneels before Pope Sylvester I and offers the Pope and his successors control of the city of Rome and the entire Western Roman Empire. The depiction of Sylvester is modeled after Pope Clement VII who became pope in 152 The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nymphaeum
A ''nymphaeum'' or ''nymphaion'' ( grc, νυμφαῖον), in ancient Greece and Rome, was a monument consecrated to the nymphs, especially those of springs. These monuments were originally natural grottoes, which tradition assigned as habitations to the local nymphs. They were sometimes so arranged as to furnish a supply of water, as at Pamphylian Side. A nymphaeum dedicated to a local water nymph, Coventina, was built along Hadrian's Wall, in the northernmost reach of the Roman Empire. Subsequently, artificial grottoes took the place of natural ones. Roman period The nymphaeum in Jerash, Jordan (''illustration, above right''), was constructed in 191 AD. The fountain was originally embellished with marble facing on the lower level, painted plaster on the upper level, and topped with a half-dome roof, forming a giant niche. Water cascaded through seven carved lion's heads into small basins on the sidewalk. The nymphaea of the Roman period, which extended the sacral use to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblioteca Laurenziana
The Laurentian Library (Biblioteca Medicea Laurenziana or BML) is a historic library in Florence, Italy, containing more than 11,000 manuscripts and 4,500 early printed books. Built in a cloister of the Medicean Basilica di San Lorenzo di Firenze under the patronage of the Medici pope Clement VII, the library was built to emphasize that the Medici were no longer just merchants but members of intelligent and ecclesiastical society. It contains the manuscripts and books belonging to the private library of the Medici family. The library building is renowned for its architecture that was designed by Michelangelo and is an example of Mannerism.Fazio, Michael; Moffett, Marian; Wodehouse, Lawrence, ''Buildings across Time'' (London: Lawrence King Publishing Ltd, 2009), pp. 308–310.Lotz, Wolfgang; Howard, Deborah, ''Architecture in Italy, 1500–1600'' (New Haven: Yale University Press, 1995), pp. 91–94. All of the book-bound manuscripts in the library are identified in its ''Codex La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sydney Freedberg
Sydney Joseph Freedberg (November 11, 1914 – May 6, 1997) was an American art historian and curator, mainly of Italian Renaissance painting. Freedberg was born in Boston and attended the Boston Latin School. He graduated from Harvard College in 1939, and acquired a doctoral degree a year later. One of his mentors was Bernard Berenson. He taught Fine Arts at Harvard from 1954 to 1983. At the time of his retirement in 1983 he was the Arthur Kingsley Porter Professor of Fine Arts at Harvard. He became chief curator from 1983 to 1988 of the National Gallery of Art in Washington, DC in 1983 upon retiring from Harvard. During the Second World War, Freedberg risked disciplinary action by refusing as a matter of conscience to work on intelligence about Rome. Later he would say that "I was worried that the information I might gather might be used in a military operation against that city", and thus lead to irreparable damage to works of art there. Despite his decision, he was made an Hon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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