Sí Bheag, Sí Mhór
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Sí Bheag, Sí Mhór
''Sí Bheag, Sí Mhór'' (traditional feminine form, the alternative masculine form being "Sí Beag, Sí Mór"), anglicized as Sheebeg, Sheemore, is a traditional Irish folk tune. The title uses the word , the Irish for .Dictionary of the Irish Language: síd, síth' Origins The tune is usually attributed to blind harpist and singer Turlough O'Carolan (1670–1738) as his first song, written to the tune of "The Bonnie Cuckoo" ( Roud 24351). One author describes it as a "beautiful old Irish air, usually played simply and leisurely, and occasionally played as a waltz". Sí Mór (Sheemore) and Sí Beag (Sheebeg) are the names given to two small hills, situated close to each other in south County Leitrim, said to be ancient burial sites, and to a site in Carolan's birth county of Meath. Recordings In modern times the tune has been recorded by many artists, first by Planxty on their 1973 debut album ''Planxty'' and by The Boys of the Lough on their 1973 debut album '' The Boys of t ...
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Anglicisation (linguistics)
In linguistics, anglicisation or anglicization is the practice of modifying foreign words, names, and phrases to make them easier to spell, pronounce or understand in English. The term commonly refers to the respelling of foreign words or loan words in English, often to a more drastic degree than that implied in, for example, romanisation. One instance is the word "dandelion", modified from the French ''dent-de-lion'' ("lion's tooth", a reference to the plant's sharply indented leaves). The term can also refer to Phonology, phonological Hobson-Jobson#Law of Hobson-Jobson, adaptation without spelling change: for example, ''pasta'' (pronounced in Italian) is accepted in English with Italian spelling, but anglicised phonetically in being pronounced in American English and in British English. The anglicisation of non-English words for use in English is just one case of the more widespread Loanword, domestication of foreign words that is a feature of many languages, sometimes involv ...
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The Chieftains 5
''The Chieftains 5'' is an album by The Chieftains, released in 1975. It was the band's first album as a professional group. Derek Bell played the tiompan (the Irish hammered dulcimer) for the first time on the album. It marked the last album appearance of Peader Mercier. Critical reception ''The New York Times'' called the album "highly innovative" and the music "quite descriptive," praising the "wild jigs and reels, impish hornpipes and raucous slides." Track listing # "The Timpán Reel" – 3:12 # " Tabhair dom do Lámh (Give me your Hand)" – 2:37 # "Three Kerry Polkas" – 2:54 # "Ceol Bhriotánach (Breton Music)" – 5:08 # "The Chieftains' Knock on the Door" – 7:16 # "The Robber's Glen" – 3:51 # "An Ghé agus Grá Geal (The Goose & Bright Love)" – 3:23 # "The Humours of Carolan" – 8:26 # "Samhradh, Samhradh (Summertime, Summertime)" – 4:07 # "Kerry Slides" – 3:45 Personnel ;The Chieftains *Paddy Moloney - Uilleann pipes, tin whistle, arrangements, musical di ...
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Milladoiro
Milladoiro (English: "billionaire") is a traditional Celtic-Galician music group that records and performs music with roots in Galicia, Spain. Members of the group have also composed and recorded their own pieces, in the style of Galician music. Often compared to The Chieftains of Ireland—with whom they have shared the stage and recording studio—, Milladoiro is among the world's top Celtic music groups, and is one of the most successful traditional/folk groups to come out of the Iberian Peninsula, as a whole. Biography In 1978, Rodrigo Romaní and Antón Seoane released an album named "Milladoiro", on which they were joined by Xosé V. Ferreirós, then credited as a guest artist. The album received a critic's award the same year. Ferreirós, along with Nando Casal and Moncho García Rei, from his group Faíscas do Xiabre, invited Romaní and Seoane as guests in their next album. The fusion of the two groups, with the addition of the flautist Xosé A. Méndez and the violin ...
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Pierre Bensusan
Pierre Bensusan (born 30 October 1957) is a French-Algerian acoustic guitarist. As Sephardic Jews, his family came from Spain, Spanish Morocco, and French Algeria. His music has been characterized as Celtic, folk, world music, New-age, and chamber jazz. He has published three books of music and tablature. He plays in DADGAD tuning. Biography Bensusan was born in 1957 in Oran, French Algeria. Born in the middle of the Algerian War of Independence, he moved to Paris with his family as a child. He studied piano and classical music at the age of seven. Four years later, he began to teach himself guitar after his father had bought him a steel string acoustic guitar and a classmate taught him "a few chords". At seventeen, he signed a contract for his debut album, ''Près de Paris'', which won the Grand Prix du Disque at the Montreux Festival. His influences include Big Bill Broonzy, Larry Carlton, Martin Carthy, Ry Cooder, Joan Baez, Reverend Gary Davis, Davey Graham, Jimi Hendrix ...
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Joe Chester
Joseph Chester, also known as Joe Chester, is an Irish composer and musician. His albums have won acclaim, including ''A Murder of Crows'', ''The Easter Vigil'' (which was named the "Best Irish Album" of 2017), and ''Jupiter's Wife'' (the Best Irish album of 2020 according to the ''Irish Daily Mirror''). In recent years, he has turned his attention to composing contemporary music for classical guitar. His first major commission, ''LUCIA'', was commissioned by Axis Ballymun for the centenary of James Joyce's Ulysses (novel), ''Ulysses''. The piece was inspired by fragments of the life of Lucia Joyce, James Joyce's daughter. According to ''The Irish Times'', it was "deft and well-considered, the work spins and soars. An elegant, discordant gem." ''The Times'' called it "a stunning tribute." He has been a guitarist for many groups, including The Waterboys and for Gemma Hayes. He is also the producer and guitarist of Dublin band A Lazarus Soul. 1990 - 2000 From 1990, he worked as ...
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Tony McManus (musician)
Tony McManus (born 1965) is a guitarist from Paisley, Renfrewshire, Paisley, Scotland, who plays finger-style acoustic guitar arrangements of tunes from Celtic music, classical music, and other genres. He emigrated from Scotland to Canada in 2003. Music career In 1988, McManus substituted for the guitarist Soig Siberil in the supergroup Celtic Fiddle Festival, which consisted of the fiddlers Johnny Cunningham, Kevin Burke (musician), Kevin Burke and Christian Lemaitre. He has worked as an accompanist for Catriona MacDonald and for the singer, guitarist and fiddler Brian McNeill. His album, ''Return to Kintail'', was a duet with the Scottish fiddler Alasdair Fraser. In addition to traditional Celtic music, McManus plays classical music and other genres. He performed a piece by Erik Satie for the soundtrack of a movie by Neil Jordan. The mandolin player Mike Marshall (musician), Mike Marshall prodded him to learn Bach's ''E Major Prelude''. He performed a Partita for Violin No. 2 ( ...
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Fingerstyle Guitar
Fingerstyle guitar is the technique of guitar picking, playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of Folk music, folk, blues and Country music, country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo. Music arranged for fingerstyle playing can include chord (music), chords, arpeggios (the ...
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Simon Nicol
Simon John Breckenridge Nicol (born 13 October 1950) is an English guitarist, singer, multi-instrumentalist and record producer. He was a founding member of British folk rock group Fairport Convention and is the only founding member still in the band. He has also been involved with the Albion Band and a wide range of musical projects, both as a collaborator, producer and as a solo artist. He has received several awards for his work and career. History Early career Born in Muswell Hill, North London, England, Nicol was the son of a general practitioner, who died in 1964. He began to play guitar at the age of 11 and left school at 15. In 1966 he was asked to join local band the Ethnic Shuffle Orchestra by bass guitarist Ashley Hutchings, and soon left his job at a local cinema to play full-time. They rehearsed above his father's old surgery in Fairport House, which gave its name to the band he and Hutchings formed with Richard Thompson and Shaun Frater as Fairport Convention i ...
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Dave Swarbrick
David Cyril Eric Swarbrick (5 April 1941 – 3 June 2016) was an English traditional folk musician and songwriter and one of the greatest fiddlers in the world. He was one of the most highly regarded musicians produced by the second British folk revival, contributing to some of the most important groups and projects of the 1960s, and he became a much sought-after session musician, which led him throughout his career to work with many of the major figures in folk and folk rock music. A member of Fairport Convention from 1969, he assisted on their influential album '' Liege & Lief'' (1969) which is credited with initiating the British folk rock movement. This, and his subsequent career, helped create greater interest in British traditional music and was also influential within mainstream rock. After 1970 he emerged as Fairport Convention's leading figure and guided the band through a series of important albums until their temporary disbandment in 1979. Fairport Conventio ...
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Fiddle
A fiddle is a Bow (music), bowed String instrument, string musical instrument, most often a violin or a bass. It is a colloquial term for the violin, used by players in all genres, including European classical music, classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a Violin construction and mechanics#Bridge, bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a Timbre#Brightness, ''brighter'' tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (Folk music, folk) styles, which are typically Music#Oral and aural tradition, aural traditions— ...
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Meet On The Ledge
"Meet on the Ledge" is a song written by British singer-songwriter Richard Thompson and recorded by British folk rock band Fairport Convention in 1968 on Island Records. It was their second single. Background The song was taken from the album ''What We Did on Our Holidays''. The band had performed the song on the 1969 launch of ''From the Roundhouse'', a short-lived BBC television youth and arts programme about the London "underground scene". The vocals were performed by Sandy Denny and Iain Matthews. The song's title came from a large, low-hanging tree limb on which Richard Thompson used to play as a child, and which he and his friends had dubbed "The Ledge". Reception Thompson has acknowledged that some people interpret "the ledge" as some sort of code for the afterlife and that it is popular at funerals. In an interview with ''Mojo'' magazine in March 2011, Thompson said: "The hardest thing about being a 17-year-old songwriter is that you're embarrassed – you're never g ...
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B-side
The A-side and B-side are the two sides of phonograph record, vinyl records and Compact cassette, cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a Single (music), single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards Digital audio, digital formats without physical sides, such as music download, downloads and Music streaming, streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of co ...
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