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Sèvres Egyptian Service
The Sèvres Egyptian Service is a name used for two sets of tableware made by the Manufacture nationale de Sèvres during the First French Empire. The first was produced between 1804 and 1806 for Napoleon I and was presented by him to Alexander I of Russia in 1808, as a diplomatic gift following the Treaties of Tilsit. It is now held in the State Museum of Ceramics in Russia. The second set was produced between 1810 and 1812. It was intended as a gift from Napoleon to Empress Joséphine. The service consisted of 72 plates with the wells depicting scenes from Egypt based on sketches made by Vivant Denon. Joséphine refused to accept the service, which she described as "too severe". It was returned to the factory and given as a gift to the Duke of Wellington by Louis XVIII in 1818, following the Bourbon Restoration. The service was purchased by the Victoria and Albert Museum in 1979 and, except for one plate, was loaned to English Heritage to display at Apsley House, London, t ...
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Plate Showing Statues Of Amenhotep III At Luxor, Egypt
Plate may refer to: Cooking * Plate (dishware), broad, mainly flat vessel commonly used to serve food * Plates, tableware, dishes or dishware used for setting a table, serving food and dining * Plate, the content of such a plate (for example: rice plate) * Plate, to present food, on a plate * Plate, forequarter cut of beef Places * Plate, Germany, municipality in Parchim, Mecklenburg-Vorpommern, Germany * Plate, borough of Lüchow, Lower Saxony, Germany * River Plate (other) * Tourelle de la Plate, lighthouse in France Science and technology Biology and medicine * Plate (anatomy), several meanings * Dental plate, also known as dentures * Dynamic compression plate, metallic plate used in orthopedics to fix bone * Microtiter plate (or microplate or microwell plate), flat plate with multiple "wells" used as small test tubes * Orthopedic plate, internal fixation used in orthopaedic surgery * Petri dish or Petri plate, shallow dish on which biological cultures may ...
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Ancient Egypt In The Western Imagination
upright=1.1, The Nile Mosaic of Palestrina. The culture of Ancient Egypt has fascinated outsiders from its own day well into our own, long after that culture was subsumed first by Greco-Roman, then Christian, then Muslim currents. And while the concept of the "Western world" owes its origin to Christian writers of early medieval Europe and Asia Minor, those same writers were keen to imagine themselves as part of—or heirs to—a cultural continuum that began with classical antiquity and evolved to include the Biblical history of the Jews. In Western cultures' collective imaginings, the idea of "Ancient Egypt" has developed and changed over millennia no less than those cultures themselves changed. From classical and late antiquity through the Middle Ages, the Renaissance, the Enlightenment, and into the modern era, this imagined "Egypt" has served as a powerful symbol, variously representing profound antiquity, esoteric wisdom, evil, the exotic, or timeless grandeur. An e ...
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Individual Pieces Of Porcelain
An individual is one that exists as a distinct entity. Individuality (or self-hood) is the state or quality of living as an individual; particularly (in the case of humans) as a person unique from other people and possessing one's own needs or goals, rights and responsibilities. The concept of an individual features in many fields, including biology, law, and philosophy. Every individual contributes significantly to the growth of a civilization. Society is a multifaceted concept that is shaped and influenced by a wide range of different things, including human behaviors, attitudes, and ideas. The culture, morals, and beliefs of others as well as the general direction and trajectory of the society can all be influenced and shaped by an individual's activities. Etymology From the 15th century and earlier (and also today within the fields of statistics and metaphysics) ''individual'' meant " indivisible", typically describing any numerically singular thing, but sometimes meanin ...
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Porcelain Of France
French porcelain has a history spanning a period from the 17th century to the present. The French were heavily involved in the early European efforts to discover the secrets of making the hard-paste porcelain known from Chinese export porcelain, Chinese and Japanese export porcelain. They succeeded in developing soft-paste porcelain, but Meissen porcelain was the first to make true hard-paste, around 1710, and the French took over 50 years to catch up with Meissen and the other German factories. But by the 1760s, kaolin had been discovered near Limoges, and the relocated royal-owned Manufacture nationale de Sèvres, Sèvres factory took the lead in European porcelain design as rococo turned into what is broadly known as the Louis XVI style and then the Empire style. French styles were soon being imitated in porcelain in Germany, England, and as far afield as Russia. They were also imitated in the cheaper French faience, and this and other materials elsewhere. This dominance las ...
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Roy Strong
Sir Roy Colin Strong, (born 23 August 1935) is an English art historian, museum curator, writer, broadcaster and landscape designer. He has served as director of both the National Portrait Gallery and the Victoria and Albert Museum in London. Strong was knighted in 1982. Early years Roy Colin Strong was born at Winchmore Hill, London Borough of Enfield (then in Middlesex), the third son of hat manufacturer's commercial traveller George Edward Clement Strong, and Mabel Ada Strong (''née'' Smart). He was raised in "an Enfield terrace sans books, with linoleum 'in shades of unutterable green'", and attended nearby Edmonton County School, a grammar school in Edmonton. Strong graduated with a first class honours degree in history from Queen Mary College, University of London. He then earned his PhD from the Warburg Institute and became a research fellow at the Institute of Historical Research. His passionate interest in the portraiture of Queen Elizabeth I was sidelined "while ...
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Colossi Of Memnon
The Colossi of Memnon ( or ''es-Salamat'') are two massive stone statues of the Pharaoh Amenhotep III, which stand at the front of the ruined Mortuary Temple of Amenhotep III, the largest temple in the Theban Necropolis. They have stood since 1350 BC, and were well known to ancient Greeks and Romans, as well as early modern travelers and Egyptologists. The statues contain 107 Roman-era inscriptions in Greek and Latin, dated to between AD 20 and 250; many of these inscriptions on the northernmost statue make reference to the Greek mythological king Memnon, whom the statue was then – erroneously – thought to represent. Scholars have debated how the identification of the northern colossus as "Memnon" is connected to the Greek name for the entire Theban Necropolis as the Memnonium. Description The twin statues depict Amenhotep III (fl. 14th century BC) in a seated position, his hands resting on his knees and his gaze facing eastwards (actually ESE in modern bearings) tow ...
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Duke Of Wellington (title)
Duke of Wellington is a title in the Peerage of the United Kingdom. The name derived from Wellington in Somerset. The title was created in 1814 for Arthur Wellesley, 1st Marquess of Wellington (1769–1852; born as The Hon. Arthur Wesley), the Anglo-Irish military commander who is best known for leading the decisive victory with Field Marshal von Blücher over Napoleon's forces at Waterloo in Brabant (now Walloon Brabant, Belgium). Wellesley later served twice as British prime minister. In historical texts, unqualified use of the title typically refers to the 1st Duke. The first Duke's father, Garret Wesley, had been granted the title of Earl of Mornington in 1760. His male-line ancestors were wealthy agricultural and urban landowners in both countries, among the Anglo-Irish Protestant Ascendancy. The dukedom has descended to heirs male of the body, along with eleven other hereditary titles. History The titles of Duke of Wellington and Marquess Douro were bestowed ...
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British Museum
The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative art, decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. Established in 1753, the British Museum was the first public national museum. In 2023, the museum received 5,820,860 visitors, 42% more than the previous y ...
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Sèvres – Cité De La Céramique
Sèvres – Cité de la céramique (Sèvres City of Ceramics) is a French national ceramics museum located at the Place de la Manufacture, Sèvres, Hauts-de-Seine, a suburb of Paris, France. It was created in January 2010, from the merger of the Musée national de Céramique-Sèvres and the Manufacture nationale de Sèvres. The museum is open daily except Tuesday; an admission fee is charged. Access to the museum by public transportation is available from Tramway d'Île-de-France (''Trans Val-de-Seine'') station Musée de Sèvres on Tramway T2, and by Paris Métro station Pont de Sèvres on Line 9. History The museum was inaugurated in 1824 by Alexandre Brongniart, director of the Manufacture nationale de Sèvres, becoming the first museum dedicated to fine ceramic arts in the world. Denis-Desire Riocreux, a renowned painter at the manufacture became the director with a goal of collecting and studying fine ceramics from all over the world. Brongniart published his treatise on ...
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Napoleonic Wars
{{Infobox military conflict , conflict = Napoleonic Wars , partof = the French Revolutionary and Napoleonic Wars , image = Napoleonic Wars (revision).jpg , caption = Left to right, top to bottom:Battles of Battle of Austerlitz, Austerlitz, Fall of Berlin (1806), Berlin, Battle of Friedland, Friedland, Battle of Aspern-Essling, Aspern-Essling, French occupation of Moscow, Moscow, Battle of Leipzig, Leipzig and Battle of Paris (1814), Paris , date = {{start and end dates, 1803, 5, 18, 1815, 11, 20, df=yes({{Age in years, months, weeks and days, month1=05, day1=18, year1=1803, month2=11, day2=20, year2=1815) , place = Atlantic Ocean, Caucasus, Europe, French Guiana, Mediterranean Sea, North Sea, West Indies, Ottoman Egypt, Egypt, East Indies. , result = Coalition victory , combatant1 = Coalition forces of the Napoleonic Wars, Coalition forces:{{flagcountry, United Kingdom of Great Britain and ...
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Château De Malmaison
The Château de Malmaison () is a French château situated near the left bank of the Seine, about west of the centre of Paris, in the commune of Rueil-Malmaison. Formerly the residence of Empress Joséphine de Beauharnais, along with the Tuileries it was the headquarters of the French government from 1800 to 1802, and Napoleon's last residence in France at the end of the Hundred Days in 1815. History Joséphine de Beauharnais bought the manor house in April 1799 for herself and her husband, General Napoléon Bonaparte, the future Napoléon I of France, at that time away fighting the Egyptian Campaign. Malmaison was a run-down estate, west of central Paris that encompassed nearly of woods and meadows. Upon his return, Bonaparte expressed fury at Joséphine for purchasing such an expensive house with the money she had expected him to bring back from the Egyptian campaign. The house, for which she had paid well over 300,000 francs, needed extensive renovations; she spen ...
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Alexandre-Théodore Brongniart
Alexandre-Théodore Brongniart (; 15 February 1739 – 6 June 1813) was a prominent French architect, born in Paris. Biography In 1767, Alexandre-Théodore Brongniart married Anne Louise Degrémont (1744–1829). The couple became friends of the royal portrait painter, Marie Louise Élisabeth Vigée-Lebrun who painted the portrait of their daughter, Emilie Louise Alexandrine Brongniart (1780–1847) that now hangs in the National Gallery in London, known as ''Mademoiselle Brongniart, 1788.'' During the Reign of Terror, Vigée-Lebrun hid in Brongniart's home before fleeing the country. Alexandre-Théodore Brongniart was also a close friend of Jean Antoine Houdon, the pre-eminent French sculptor of the day who sculpted busts of his daughter Alexandrine-Emilie and his son Alexandre Jr. that are now in the Louvre Museum in Paris. Alexandre-Théodore Brongniart designed several '' hôtels particuliers,'' including the Hôtel de Bourbon-Condé and the Hotel de Monaco. In 17 ...
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