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Sári Barabás
Sári Barabás (14 March 1914 – 16 April 2012) was a Hungarian operatic soprano, particularly associated with coloratura roles.Obituary : Sári Barábas. ''Opera'', September 2012, Vol 63 No.9, p1076. Biography Sári Barabás was born in Budapest. She planned to be a dancer, but after an injury she turned to singing. She studied in Budapest with Frau Speckler, and made her debut at the Budapest Opera in 1939, as Gilda in ''Rigoletto''. World War II interrupted her career. After the war, she appeared at the Zurich Opera and the Vienna Volksoper, and then joined the Munich State Opera in 1949, where she remained until 1971, she was also a guest at the Vienna State Opera, in ''The Barber of Seville'', ''The Magic Flute'' and ''Capriccio'', where she established a reputation as a soprano of agility and glamorous personality. She made guest appearances as Gilda, at the Royal Opera House in London in 1951, and at the Glyndebourne Festival, where she sang Konstanze in ''Die Entfü ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs and including dances. It is lighter than opera in terms of its music, orchestral size, and length of the work. Apart from its shorter length, the operetta is usually of a light and amusing character. The subject matter may portray "lovers' spats, mistaken identities, sudden reversals of fortune, and glittering parties". It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Zigeunerbaron
''The Gypsy Baron'' () is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. Its German libretto by Ignaz Schnitzer is based on the unpublished 1883 story ''Saffi'' by Mór Jókai. Jokai later published a novel ''A cigánybáró'' (') in 1885 using an expanded version of this same story. While an operetta, ''The Gypsy Baron'' was a departure from Strauss's earlier more comic and light hearted works; displaying more serious tones both musically and dramatically in what musicologist Andrew Lamb described as "a step in Strauss’s quest for the composition of a genuine opera". During the composer's lifetime, the operetta enjoyed great success internationally. It is considered one of Strauss's three best stage works, along with ''Die Fledermaus'' (1874) and ''Eine Nacht in Venedig'' (1883). Composition history Strauss was introduced to Jókai's story prior to its publication as a novel in Pest, Hungary in February 1883 by h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hochzeitsnacht Im Paradies
''Wedding Night in Paradise'' (German: ''Hochzeitsnacht im Paradis'') is an operetta in eight scenes. Book by Heinz Hentschke, lyrics by Gunther Schwenn and music by Friedrich Schröder.Meyer-Dinkgrafe p.22 It was premièred in Berlin at the Metropol Theater on September 24, 1942. It was filmed several times in German and several other languages. Adaptations * '' Wedding Night In Paradise'', a 1950 West German film directed by Géza von Bolváry * '' Wedding Night In Paradise'', a 1962 Austrian film directed by Paul Martin Paul Edgar Philippe Martin (born August 28, 1938), also known as Paul Martin Jr., is a Canadian lawyer and retired politician who served as the 21st prime minister of Canada and the leader of the Liberal Party of Canada from 2003 to 2006. Th ... References Bibliography * Daniel Meyer-Dinkgrafe. ''Boulevard Comedy Theatre in Germany''. Cambridge Scholars Publishing, 2009. {{German-opera-stub 1942 operas German-language operettas Operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Opéra rather than for the Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary ''opéra comique'' genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, ''Le comte Ory'' consists of "highly developed, even massive musical forms linked by accompanied recitative". Although the opera contains some of Rossini's most colorful orchestral writing, the quaint, brief overture is oddly restrained and unassuming, ending with a whisper of pizzicato strings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The premiere of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Figaro,'' composed 30 years earlier in 1786, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gräfin Mariza
''Gräfin Mariza'' (; ''Countess Maritza'') is an operetta in three acts composed by Hungarian composer Emmerich Kálmán, with a German libretto by Julius Brammer and Alfred Grünwald. It premiered in Vienna on 28 February 1924 at the Theater an der Wien. English adaptations As ''Countess Maritza'', it made its New York City debut on 18 September 1926 at the Shubert Theatre, in an adaptation by Harry B. Smith, and with interpolated music by other composers, playing 318 performances, with Yvonne d'Arle in the title role on opening night. The show was staged by J. C. Huffman. As ''Maritza'', it opened in London at the Palace Theatre on 6 July 1938, with Mary Losseff in the title role. A London revival by New Sadler's Wells Opera opened at Sadler's Wells Theatre in February 1983, with a new English book and lyrics by Nigel Douglas, starring Marilyn Hill Smith (Maritza), Ramon Remedios (Tassilo), Laureen Livingstone (Lisa), Lynn Barber (Manja) and Tudor Davies (Zsupan) c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Csárdásfürstin
' ( or ; ''The Csárdás Princess''; translated into English as ''The Riviera Girl'' and ''The Gipsy Princess'') is an operetta in 3 acts by Hungarian composer Emmerich Kálmán, with libretto by Leo Stein and Bela Jenbach. It premiered in Vienna at the Johann Strauss Theater on 17 November 1915. Numerous film versions and recordings have been made. The operetta is widely beloved across Europe, particularly in Hungary, Austria, Germany, and the former Soviet Union, where it was adapted into a popular film. It is arguably Kálmán's most successful work. Roles Synopsis :Place: Budapest and Vienna :Time: shortly before the outbreak of the First World War Act 1 Sylva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri, and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Dollarprinzessin
' is an operetta by Leo Fall. The German libretto was by Alfred Maria Willner and Fritz Grünbaum after the comedy by Emerich von Gatti and Thilo Friedrich Wilhelm von Trotha. Performance history It was first performed at the Theater an der Wien in Vienna on 2 November 1907, conducted by the composer and starring Mizzi Günther as Alice. An English adaptation, called '' The Dollar Princess'' opened in London at Daly's Theatre on 25 September 1909 and ran for 428 performances. Extant score A piano score with German lyrics (but no vocal parts) is kept in Special Collections at the University of Leeds. It was digitised as part of a research project in 2018. Roles References Further reading *"Fall, Leo(pold)" by Andrew Lamb, in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Klarwein
Franz Klarwein (8 March 1914 – 16 December 1991) was a German operatic lyric tenor and later character tenor. He was a member of the Bavarian State Opera from 1942 to 1977 and also appeared at international opera houses and festivals, especially in roles by Richard Strauss. Scheduled to sing in the 1944 world premiere of '' Die Liebe der Danae'' at the Salzburg Festival, which did not take place, he performed in both the English premiere at the Royal Opera House in London and the Swiss premiere at the Zürich Opera House. He sang in world premieres such as '' Capriccio'' in 1942, Hindemith's '' Die Harmonie der Welt'' in 1957, and Ján Cikker's ' in 1969. Life Klarwein was born in Garmisch-Partenkirchen. He met Richard Strauss when he was a boy, and the composer noticed his talent. Klarwein studied voice with Fritz Kertzmann, then at the Musikhochschule Frankfurt and the Musikhochschule Berlin. He made his operatic debut in 1937 at the Volksoper Berlin and remained wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dubarry (1951 Film)
''The Dubarry'' () is a 1951 German musical film directed by Georg Wildhagen and Reinhold Schünzel and starring Sari Barabas, Willy Fritsch and Albert Lieven. It is named after the operetta '' Die Dubarry'', but uses the work only as a background.Gänzl p.546 It was made at the Wandsbek Studios in Hamburg. The film's sets were designed by the art directors Willi Herrmann and Heinrich Weidemann. Synopsis Jeanne Fabian is a singer celebrated for her role as Madame Dubarry, but her financial backing from a wealthy admirer leads to criticism. She decides to change her name and look and start again from her beginnings to prove she really is talented. She falls in love with a man she takes to be poor, but is in fact a wealthy car manufacturer. Cast * Sari Barabas as Jeanne Fabiani / Madame Dubarry * Willy Fritsch as Louis Valmont * Albert Lieven as Alfred Collien * Walter Müller as Cäsar Schnepf * Eva Ingeborg Scholz as Kitty Lenz * Inge Meysel as Charlotte Adrian, Pensionsinh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Mayerl
William Joseph Mayerl (31 May 1902 – 25 March 1959) was an English pianist and composer who built a career in music hall and musical theatre and became an acknowledged master of light music. Best known for his syncopated novelty piano solos, he wrote over 300 piano pieces, many of which were named after flowers and trees, including his best-known composition, ''Marigold'' (1927). He also ran the successful School of Syncopation for whose members he published hundreds of his own arrangements of popular songs. He also composed works for piano and orchestra, often in suites with evocative names such as the 'Aquarium Suite' (1937), comprising "Willow Moss", "Moorish Idol", "Fantail", and "Whirligig". Early life and education Mayerl was born in 1902 on London's Tottenham Court Road, near the West End theatre district. His father, a violin player, attempted to introduce him to the violin age of four, but failed. After noticing his affinity to the piano, he started him with piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
