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Symphony No. 2 (Furtwängler)
Symphony No. 2 in E minor was written by Wilhelm Furtwängler between 1945 and 1946 in Switzerland. It is in four movements: # Assai moderato - Allmählich belebend (bis Allegro) - Von hier ab festes Tempo (Allegro) # Andante semplice (Tranquillo) (in C major) # Un poco moderato - Più Allegro - Più Moderato - Allegro - Moderato - Allegro (movement is in A minor) # Langsam - Moderato andante - Allegro molto - Moderato - Langsam - Moderato - Presto The symphony is scored for Piccolo, 3 flutes, 2 oboes, cor anglais, 3 clarinets, 2 bassoons, double-bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (tamtam), and strings. The outer movements are in sonata form, with some related material. The third movement, which follows the second movement without pause ("attacca Scherzo!") is a scherzo with trio. Unlike Bruckner, Furtwängler makes smooth transitions into and out of the trio. Like Furtwängler's other symphonic works, the Symphony No. 2 is very rarely performed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Furtwängler
Gustav Heinrich Ernst Martin Wilhelm Furtwängler ( , ; ; 25 January 188630 November 1954) was a German conductor and composer. He is regarded as one of the greatest Symphony, symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles. Furtwängler was principal conductor of the Berlin Philharmonic between 1922 and 1945, and from 1952 until 1954. He was also principal conductor of the Gewandhaus Orchestra (1922–26), and was a guest conductor of other major orchestras including the Vienna Philharmonic. Although not an adherent of Nazism, he was the foremost conductor to remain in Germany during the Nazi Germany, Nazi era. Despite his open opposition to antisemitism and the ubiquity of Nazi symbolism, the regime did not seek to suppress him, at Joseph Goebbels' insistence, for propaganda reasons. This situation caused lasting controversy, and the extent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Wilhelm Furtwängler
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss-French composer who was born in France and lived a large part of his life in Paris. Honegger was a member of Les Six. For Halbreich, '' Jeanne d'Arc au bûcher'' is "more even than '' Le Roi David'' or '' Pacific 231'', his most universally popular work". Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work) and violin in Le Havre. He then moved to Switzerland, where he spent two years (September 1909 – June 1911) at the Zurich Conservatory being taught by Lothar Kempter and Friedrich Hegar. In 1911, he enrolled in the Paris Conservatoire from 1911 to 1918 (except for a brief period during the winter of 1914–1915, when he was mobilised in Switzerland), studying with Charles-Marie Widor, Lucien Capet, André Gédalge and Vincent d'Indy. Gédal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Barenboim
Daniel Moses Barenboim (; born 15 November 1942) is an Argentines, Argentine-Israeli classical pianist and conductor based in Berlin, who also has Spain, Spanish and State of Palestine, Palestinian citizenship. From 1992 until January 2023, Barenboim was the general music director of the Berlin State Opera and "Staatskapellmeister" of its orchestra, the Staatskapelle Berlin. Barenboim previously served as music director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli-occupied territories, Israeli occupation of Palestinian territories. Barenboim has received many awards and prizes, including seven Grammy Award, Grammy awards, an honorary Knight Commander of the Order of the British Empire, France's Legion of Honour as a Commander, Grand Officier and Grand Cross, and the Gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bavarian Radio Symphony Orchestra
The Bavarian Radio Symphony Orchestra (, BRSO) is a German radio orchestra. Based in Munich, Germany, it is one of the city's four orchestras. The BRSO is one of two full-size symphony orchestras operated under the auspices of Bayerischer Rundfunk, or Bavarian Broadcasting (BR). Its primary concert venues are the ''Philharmonie'' of the Gasteig Cultural Centre and the ''Herkulessaal'' in the Munich Residenz. History The orchestra was founded in 1949, with members of an earlier radio orchestra in Munich as the core personnel. Eugen Jochum was the orchestra's first chief conductor, from 1949 until 1960. Subsequent chief conductors have included Rafael Kubelík, Sir Colin Davis and Lorin Maazel. Mariss Jansons was the orchestra's chief conductor from 2003 until his death in 2019. Jansons regularly campaigned for a new concert hall during his tenure. In 2010, Sir Simon Rattle first guest-conducted the BRSO. In January 2021, the BRSO announced the appointment of Rattle as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugen Jochum
Eugen Jochum (; 1 November 1902 – 26 March 1987) was a German conducting, conductor, best known for his interpretations of the music of Anton Bruckner, Carl Orff, and Johannes Brahms, among others. Biography Jochum was born to a Roman Catholic family in Babenhausen, Bavaria, Babenhausen, near Augsburg, Germany; his father was an organist and conductor. Jochum studied the piano and organ (music), organ in Augsburg, enrolling in its Academy of Music from 1914 to 1922. He then studied at the Munich Conservatory, with his composition teacher being Hermann von Waltershausen; it was there that he changed his focus to conducting, his teacher being Siegmund von Hausegger, who conducted the first performance of the original version of the Ninth Symphony of Anton Bruckner and made the first recording of it. Jochum's first post was as a rehearsal pianist at Mönchengladbach, Mönchen-Gladbach, and then in Kiel. He made his conducting debut with the Munich Philharmonic Orchestra in 1926 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Fifield
Christopher Fifield (4 September 1945 – 19 January 2025) was an English conductor, classical music historian and musicologist based in London. Life and career From 1982 until 2022 music director of the Lambeth Orchestra, Fifield is known for his exploration of neglected compositions, often from the 19th century Romantic repertoire. He is also known to the classical music listening public for his concert intermission talks from The Proms and other broadcasts for BBC Radio 3, the BBC World Service, and Classic FM. He recorded for the Swedish label Sterling world premiere cds of late-19th century orchestral music (Frederic Cliffe, Xaver and Philipp Scharwenka, Andreas Hallen, Robert Hermann, Franz Xaver Schnyder von Wartensee and Richard Franck). He was the biographer of Max Bruch and Hans Richter, edited the Letters and Diaries of Kathleen Ferrier and wrote a meticulously researched history of Ibbs and Tillett, the artists and management agency. A native of Croydon, Chris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like Aria, arias and Recitative, recitatives. He described this vision in a List of prose works by Richard Wagner, series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Joseph Anton Bruckner (; ; 4 September 182411 October 1896) was an Austrian composer and organist best known for his Symphonies by Anton Bruckner, symphonies and sacred music, which includes List of masses by Anton Bruckner, Masses, Te Deum (Bruckner), Te Deum and List of motets by Anton Bruckner, motets. The symphonies are considered emblematic of the final stage of Austrian German, Austro-German Romanticism because of their rich harmonic language, strongly polyphony, polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their Consonance and dissonance, dissonances, unprepared modulation (music), modulations, and roving harmony, harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism (music)
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means " joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
