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Symmachi–Nicomachi Diptych
The Symmachi–Nicomachi diptych is a book-size Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan religious practices. Both its style and its content reflect a short-lived revival of traditional Roman religion and Classicism at a time when the Roman world was turning towards Christianity and rejecting the Classical tradition. The diptych takes its name from the inscriptions "Nicomachorum" and "Symmachorum", in reference to two prominent Roman Senatorial families, the Nichomachi and Symmachi. Provenance The diptych remained intact until the nineteenth century.Weitzmann, 186. The earliest description of the leaves dates to 1717, when an inventory of the monastery of Montier-en-Der records them as doors on an early thirteenth century reliquary. Art historian Richard Delbrueck uncovered a mention of the panels in the abbot Adso's tenth century biography of Bercharius, who founded the monastery . Adso wrote ...
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Diptych Nicomachi-Symmachi Collated
A diptych (, ) is any object with two flat plates which form a pair, often attached by a hinge. For example, the standard notebook and school exercise book of the ancient world was a diptych consisting of a pair of such plates that contained a recessed space filled with wax. Writing was accomplished by scratching the wax tablet, wax surface with a stylus. When the notes were no longer needed, the wax could be slightly heated and then smoothed to allow reuse. Ordinary versions had wooden frames, but more luxurious diptychs were crafted with more expensive materials. Etymology The word ''diptych'' is Loanword, borrowed from the Latin , which itself is derived from the Late Greek () . is the neuter plural of () . Art ] As an art term a diptych is an artwork consisting of two pieces or panels that together create a single art piece. These can be fastened together or presented adjoining each other. In medieval times, panels were often hinged so that they could be closed and the a ...
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Nicomachus Flavianus
Nicomachus Flavianus ( 382–432), sometimes referred to as Flavianus the Younger, was a grammarian and a politician of the Roman Empire. He was the son of Virius Nicomachus Flavianus. He held several offices under emperors Valentinian II (371–392), Theodosius I (379–395), Honorius (393–423), and Valentinian III (425–455); together with his father he supported the usurper Eugenius until his defeat and death (392–394). Flavianus also edited a corrected version of Livy's work. Biography Flavianus belonged to the ''Nicomachi'', an influential family of senatorial rank. His father was the pagan politician and historian Virius Nicomachus Flavianus, CIL, VI, 1783 and he had a brother. He married a daughter (who some sources say was called Galla and other sources say is unnamed) of Quintus Aurelius Symmachus, from whom he received over 80 letters, and whose family had a long-time friendship and alliance with the ''Nicomachi''. It may have been in occasion of Flavianus' we ...
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Quintus Aurelius Symmachus
Quintus Aurelius Symmachus Nickname, signo Eusebius (, ; c. 345 – 402) was a Roman statesman, orator, and intellectual. He held the offices of governor of proconsular Africa (province), Africa in 373, urban prefect of Rome in 384 and 385, and Roman consul, consul in 391. Symmachus sought to preserve the traditional Religion in ancient Rome, religions of Rome at a time when the aristocracy was converting to Christianity, and led an unsuccessful delegation of protest against Emperor Gratian's order to remove the Altar of Victory from the curia, the principal meeting place of the Roman Senate in the Forum Romanum. Two years later he made a famous appeal to Gratian's successor, Valentinian II, in a dispatch that was rebutted by Ambrose, the bishop of Milan. Symmachus's career was temporarily derailed when he supported the short-lived usurper Magnus Maximus, but he was rehabilitated and three years later appointed consul. After the death of Theodosius I, he became an ally of Stilicho, ...
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Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ...
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Jupiter (mythology)
Jupiter ( or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (nominative case, nom. and genitive case, gen. ), is the sky god, god of the sky and god of thunder, thunder, and king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roma ...
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Kantharos
A kantharos (; ) or cantharus () is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape.. The kantharos is a cup used to hold wine, probably both for drinking and for ritual use in libations and offerings. The kantharos seems to be an attribute of Dionysus, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to the rank of ...
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Altar
An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ("high"). It displaced the native Old English word ''wikt:weofod#Old English, wēofod''. Altars in antiquity In antiquity, alta ...
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Attis
Attis (; , also , , ) was the consort of Cybele, in Phrygian and Greek mythology. His priests were eunuchs, the '' Galli'', as explained by origin myths pertaining to Attis castrating himself. Attis was also a Phrygian vegetation deity. His self-mutilation, death, and resurrection represents the fruits of the earth, which die in winter only to rise again in the spring. According to Ovid's ''Metamorphoses'', Attis transformed himself into a pine tree. History An Attis cult began around 1250 BCE in Dindymon (today's Murat Dağı of Gediz, Kütahya, Turkey). He was originally a local semi-deity of Phrygia, associated with the great Phrygian trading city of Pessinos, which lay under the lee of Mount Agdistis. The mountain was personified as a '' daemon'', whom foreigners associated with the Great Mother Cybele. In the late 4th century BCE, a cult of Attis became a feature of the Greek world. The story of his origins at Agdistis recorded by the traveller ...
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Cybele
Cybele ( ; Phrygian: ''Matar Kubileya, Kubeleya'' "Kubeleya Mother", perhaps "Mountain Mother"; Lydian: ''Kuvava''; ''Kybélē'', ''Kybēbē'', ''Kybelis'') is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük. She is Phrygia's only known goddess, and likely, its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant western Greek colonies around the sixth century BC. In Greece, Cybele met with a mixed reception. She became partially assimilated to aspects of the Earth-goddess Gaia, of her possibly Minoan equivalent Rhea, and of the harvest–mother goddess Demeter. Some city-states, notably Athens, evoked her as a protector, but her most celebrated Greek rites and processions show her as an essentially foreign, exotic mystery-goddess who arrives in a lion-drawn chariot to the accompaniment of wild music, wine, and a disorderl ...
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Alto-relievo
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ...
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Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ...
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