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Sustain
In sound and music, an envelope describes how a sound changes over time. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. An envelope may relate to elements such as amplitude (volume), frequency (with the use of filters) or pitch. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). Envelope generators Development The envelope generator was created by the American engineer Robert Moog, the creator of the Moog synthesizer, in the 1960s. The composer Herbert Deutsch suggested Moog find a way to articulate his synthesizer so notes did not simply trigger on and off. Moog wired a doorbell button to the synthesizer and used a capacitor to store and slowly release v ...
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Synthesiser Modules
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ...
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Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ...
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Capacitor
In electrical engineering, a capacitor is a device that stores electrical energy by accumulating electric charges on two closely spaced surfaces that are insulated from each other. The capacitor was originally known as the condenser, a term still encountered in a few compound names, such as the '' condenser microphone''. It is a passive electronic component with two terminals. The utility of a capacitor depends on its capacitance. While some capacitance exists between any two electrical conductors in proximity in a circuit, a capacitor is a component designed specifically to add capacitance to some part of the circuit. The physical form and construction of practical capacitors vary widely and many types of capacitor are in common use. Most capacitors contain at least two electrical conductors, often in the form of metallic plates or surfaces separated by a dielectric medium. A conductor may be a foil, thin film, sintered bead of metal, or an electrolyte. The nonconductin ...
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ADSR Parameter
ADSR may refer to: * ADSR envelope In sound and music, an envelope describes how a sound changes over time. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. An envelope may relate to elements such ... (attack–decay–sustain–release), a common type of music envelope * Accelerator-driven subcritical reactor, a nuclear reactor using a particle accelerator to generate a fission reaction in a sub-critical assembly of fissionable material * '' Attack Decay Sustain Release'', the debut album from Simian Mobile Disco, released on 18 June 2007 {{disambiguation ...
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Envelope Detector
An envelope detector (sometimes called a peak detector) is an electronic circuit that takes a (relatively) high-frequency signal as input and outputs the '' envelope'' of the original signal. Diode detector A simple form of envelope detector used in detectors for early radios is the diode detector. Its output approximates a voltage-shifted version of the input's upper envelope. Between the circuit's input and output is a diode that performs half-wave rectification, allowing substantial current flow only when the input voltage is around a diode drop higher than the output terminal. The output is connected to a capacitor of value C and resistor of value R in parallel to ground. The capacitor is charged as the input voltage approaches its positive peaks. At other times, the capacitor is gradually discharged through the resistor. The resistor and capacitor form a 1st-order low pass filter, which attenuates higher frequencies at a rate of -6 dB per octave above its cu ...
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Amplitude
The amplitude of a periodic variable is a measure of its change in a single period (such as time or spatial period). The amplitude of a non-periodic signal is its magnitude compared with a reference value. There are various definitions of amplitude (see below), which are all functions of the magnitude of the differences between the variable's extreme values. In older texts, the phase of a periodic function is sometimes called the amplitude. Definitions Peak amplitude and semi-amplitude For symmetric periodic waves, like sine waves or triangle waves, ''peak amplitude'' and ''semi amplitude'' are the same. Peak amplitude In audio system measurements, telecommunications and others where the measurand is a signal that swings above and below a reference value but is not sinusoidal, peak amplitude is often used. If the reference is zero, this is the maximum absolute value of the signal; if the reference is a mean value ( DC component), the peak amplitude is the maximum ab ...
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Envelope (waves)
In physics and engineering, the envelope of an oscillating signal is a smooth curve outlining its extremes. The envelope thus generalizes the concept of a constant amplitude into an instantaneous amplitude. The figure illustrates a modulated sine wave varying between an ''upper envelope'' and a ''lower envelope''. The envelope function may be a function of time, space, angle, or indeed of any variable. In beating waves A common situation resulting in an envelope function in both space ''x'' and time ''t'' is the superposition of two waves of almost the same wavelength and frequency: : \begin F(x, \ t) & = \sin \left[ 2 \pi \left( \frac - ( f + \Delta f )t \right) \right] + \sin \left[ 2 \pi \left( \frac - ( f - \Delta f )t \right) \right] \\[6pt] & \approx 2\cos \left[ 2 \pi \left( \frac - \Delta f \ t \right) \right] \ \sin \left[ 2 \pi \left( \frac - f \ t \right) \right] \end which uses the trigonometric formula for the Trigonometric identity#Product-to-sum an ...
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Oscillator Sync
Oscillator sync is a feature in some synthesizers with two or more VCOs, DCOs, or "virtual" oscillators. As one oscillator finishes a cycle, it resets the period of another oscillator, forcing the latter to have the same base frequency. This can produce a harmonically rich sound, the timbre of which can be altered by varying the synced oscillator's frequency. A synced oscillator that resets other oscillator(s) is called the leader; the oscillators which it resets are called followers. There are two common forms of oscillator sync which appear on synthesizers: Hard Sync and Soft Sync. According to ''Sound on Sound'' journalist Gordon Reid, oscillator sync is "one of the least understood facilities on any synthesizer". Hard Sync The leader oscillator's pitch is generated by user input (typically the synthesizer's keyboard), and is arbitrary. The follower oscillator's pitch may be tuned to (or detuned from) this frequency, or may remain constant. Every time the leader oscillator' ...
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FL Studio
FL Studio (known as FruityLoops before 2003) is a digital audio workstation (DAW) developed by the Belgian company Image-Line. It features a graphical user interface with a pattern-based music sequencer. It is available in four different editions for Microsoft Windows and macOS. After their initial purchase, lifetime updates of the software are free to registered users. Image-Line also develops FL Studio Mobile for Android, iOS, macOS, and Universal Windows Platform devices. FL Studio can be used as either a Virtual Studio Technology (VST) or Audio Unit (AU) instrument in other audio workstation programs, and as a ReWire client. Image-Line offers its own VST and AU instruments and audio applications. FL Studio has been used by many notable hip hop and EDM producers, including 9th Wonder, Cardo, Basshunter, Metro Boomin, Hit-Boy, Porter Robinson, Alan Walker, Madeon, Soulja Boy, Southside, Martin Garrix, Avicii, Imanbek, Lex Luger, Deadmau5, and ...
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Software Synthesizers
A software synthesizer or softsynth is a computer program that generates digital audio, usually for music. Computer software that can create sounds or music is not new, but advances in processing speed now allow softsynths to accomplish the same tasks that previously required the dedicated hardware of a conventional synthesizer. Softsynths may be readily interfaced with other music software such as music sequencers typically in the context of a digital audio workstation. Softsynths are usually less expensive and can be more portable than dedicated hardware. Types Softsynths can cover a range of synthesis methods, including subtractive synthesis (including analog modeling, a subtype), FM synthesis (including the similar phase distortion synthesis), physical modelling synthesis, additive synthesis (including the related resynthesis), and sample-based synthesis. Many popular hardware synthesizers are no longer manufactured but have been emulated in software. The emulation can ev ...
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Prophet '08
The Prophet '08 is a polyphonic analog synthesizer released by Dave Smith Instruments (DSI) in 2007. As with DSI's other instruments, the Prophet '08 uses analog subtractive synthesis. Similar in functionality to the renowned Sequential Circuits Prophet-5 popularized in the 1970s (also designed by Dave Smith), the Prophet '08 has an all analog signal path; however its envelopes are generated digitally. In 2017, the Prophet '08 was superseded by the Prophet Rev2, which is available in 8-voice and 16-voice versions as well as keyboard and module variants. The Prophet Rev2 added waveshape modulation, improved onboard effects, a sub oscillator and a polyphonic sequencer. Sound architecture The Prophet '08 is an eight-voice analog synthesizer featuring all-analog audio paths with digital parameter control. It offers three playing modes: uniform eight-voice, a split mode dividing the keyboard between two different sounds, and a stacked mode for layered four-voice textures. Each voi ...
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