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Susanna And The Elders (Artemisia Gentileschi, Pommersfelden)
''Susanna and the Elders'' is a 1610 painting by the Italian Baroque artist Artemisia Gentileschi and is her earliest-known signed and dated work. Artemisia painted several variations of the scene in her career. This one hangs at Schloss Weißenstein in Pommersfelden, Germany. The work shows a frightened Susanna accosted by two men (shown above her) while she is bathing. This was a popular scene to paint during the Baroque period. The subject comes from the deuterocanonical Book of Susanna in the Additions to Daniel. Description Subject matter The painting is a representation of a biblical narrative featured in chapter 13 of the Book of Daniel according to the text as maintained by the Catholic and Eastern Orthodox churches, although not generally by Protestants. Two elders are shown disturbing a young married woman named Susanna. Susanna had gone out to the garden one day to bathe. The elders were hiding in the garden. They demanded sexual favors from her, which s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi Gentileschi ( ; ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th century, 17th-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia delle Arti del Disegno, Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best-known subjects are ''Susanna and the Elders'' (particularly Susanna and the Elders (Artemisia Gentileschi, Pommersfelden), 1610 version in Schloss Weißenstein, Pommersfelden), ''Judith Slaying Holofernes'' (her Judith Slaying Holofernes (Artemisia Gentileschi, Florence), 1614–1620 version is in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci ( , , ; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother Agostino Carracci, Agostino and cousin Ludovico Carracci, Ludovico (with whom the Carracci, he also worked collectively), Annibale was one of the progenitors, if not founders of a leading strand of the Baroque art, Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino Carracci, Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathleen Gilje
Kathleen Gilje (born 1945) is an American art restorer and artist. She is best known for her appropriations of Old Master Paintings which combine their historical provenance with contemporary ideas and perspective. Early life and education Gilje was born in Bay Ridge, Brooklyn. She received her BFA from the City College of New York and trained as a conservator from 1967 to 1971 at the Museo di Capodimonte in Naples, Italy. Gilje apprenticed in Rome with the restorer of antique paintings, Antonio de Mata, from 1966 to 1968. Gilje continued her apprenticeship from 1968 to 1972 at the Museo di Capodimonte in Naples. Career Restoration In 1973, she returned to New York and worked in the conservation studio of Marco Grassi, where she restored Old Master paintings for private and museum clients, including Stanley Moss, E.V. Thaw, Robert Dance, the Metropolitan Museum of Art in New York, the Norton Simon Collection in Pasadena, and the Thyssen-Bornemisza Collection. In 1976, she opene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainz
Mainz (; #Names and etymology, see below) is the capital and largest city of the German state of Rhineland-Palatinate, and with around 223,000 inhabitants, it is List of cities in Germany by population, Germany's 35th-largest city. It lies in the Frankfurt Rhine-Main, Rhine-Main Metropolitan Region—Germany's second-largest metropolitan region after Rhine-Ruhr—which also encompasses the cities of Frankfurt am Main, Wiesbaden, Darmstadt, Offenbach am Main, and Hanau. Mainz is located at the northern end of the Upper Rhine Plain, on the left bank of the Rhine. It is the largest city of Rhenish Hesse, a region of Rhineland-Palatinate that was historically part of Grand Duchy of Hesse, Hesse, and is Rheinhessen (wine region), one of Germany's most important wine regions because of its mild climate. Mainz is connected to Frankfurt am Main by the Rhine-Main S-Bahn rapid transit system. Before 1945, Mainz had six boroughs on the other side of the Rhine (see: :de:Rechtsrheinische St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetto Luti
Benedetto Luti (17 November 1666 – 17 June 1724) was an Italian Baroque painter, draftsman, and pastelist. Early life Luti was born in Florence on 17 November 1666. He trained under Anton Domenico Gabbiani before moving to Rome in 1690. Career In Rome he gained the patronage of Cosimo III de' Medici, Grand Duke of Tuscany, an enthusiast of Luti's pastel portraiture. Luti was one of the first artists to work in pastels as the final composition as opposed to initial studies for paintings or frescoes. Luti was employed by many of the leading Roman families of the day, including the Colonna family, Colonna, Pallavicini, Barberini, and Odescalchi. He also worked in oil painting, oils and painted frescoes, including for the Basilica di San Giovanni in Laterano. He became a member of the Accademia di San Luca in 1694. Luti was also a successful art dealer and ran a school of drawing; among his pupils were Giovanni Domenico Piastrini, Giovanni Paolo Panini, Claude Arnulphy, Jean-Bapt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Tassi
Agostino Tassi (born Agostino Buonamici; bapt. 3 August 1578 – January 1644) was an Italians, Italian landscape and seascape painter who was convicted of raping Artemisia Gentileschi in 1612. Because he aspired to nobility he modified the details of his early life. Though he was born in Perugia he claimed to have been born in Rome. His family name was Buonamici, but Agostino adopted the surname Tassi to give substance to his story that he was adopted by the Marchese Tassi. He was actually the son of a furrier named Domenico. Career Tassi may have worked for a time in Livorno, as well as in Florence. Among his followers or pupils in Livorno is thought to be Pietro Ciafferi. During his sojourn in Florence it is believed that he was made a galley slave in the Grand Duke's convict galleys for some unspecified crime. However, he was allowed to move about freely on the ship instead of pulling on an oar. More importantly, he was able to paint and draw on the galley, and was thus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Kingdom of Naples, Naples, Hospitaller Malta, Malta, and Kingdom of Sicily, Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy, officially the Italian Republic, is a country in Southern Europe, Southern and Western Europe, Western Europe. It consists of Italian Peninsula, a peninsula that extends into the Mediterranean Sea, with the Alps on its northern land border, as well as List of islands of Italy, nearly 800 islands, notably Sicily and Sardinia. Italy shares land borders with France to the west; Switzerland and Austria to the north; Slovenia to the east; and the two enclaves of Vatican City and San Marino. It is the List of European countries by area, tenth-largest country in Europe by area, covering , and the third-most populous member state of the European Union, with nearly 59 million inhabitants. Italy's capital and List of cities in Italy, largest city is Rome; other major cities include Milan, Naples, Turin, Palermo, Bologna, Florence, Genoa, and Venice. The history of Italy goes back to numerous List of ancient peoples of Italy, Italic peoples—notably including the ancient Romans, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Gentileschi
Orazio Lomi Gentileschi (; 1563 – 7 February 1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists. After 1600, he came under the influence of the more naturalistic style of Caravaggio. He received important commissions in Fabriano and Genoa before moving to Paris to the court of Marie de' Medici. He spent the last part of his life at the court of Charles I of England and died in London. He was the father of the painter Artemisia Gentileschi. Life Gentileschi was born in Tuscany, the son of a Florentine goldsmith called Giovanni Battista Lomi, and baptised at Pisa on 9 July 1563. He later took the name Gentileschi from an uncle with whom he lived after moving to Rome in either 1576 or 1578. His two older brothers Baccio and Aurelio Lomi were also painters. Early years in Rome Much of Gentileschi's early work in Rome was c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Garrard
Mary DuBose Garrard (born 1937) is an American art historian and emerita professor at American University. She is recognized as "one of the founders of feminist art theory" and is particularly known for her work on the Baroque painter Artemisia Gentileschi. Education Garrard earned her B.A. degree at H. Sophie Newcomb Memorial College in 1958, her M.A. degree at Harvard University in 1960, and her Ph.D. at Johns Hopkins University in 1970. writing her dissertation on "The Early Sculpture of Jacopo Sansovino—Florence and Rome."Mary DuBose Garrard. "The Early Sculpture of Jacopo Sansovino: Florence and Rome." PhD diss.The Johns Hopkins University, 1970. Work From 1974 to 1976, Garrard served as the second national president of the Women’s Caucus for Art. Garrard's feminist scholarship began with articles in the 1970s, including "Of Men, Women and Art: Some Historical Reflections" ('' Art Journal'', 1976) and "Feminism: Has It Changed Art History?" (''Heresies'', 1978). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smithsonian (magazine)
''Smithsonian'' is a magazine covering science, history, art, popular culture and innovation. The first issue was published in 1970. History The history of ''Smithsonian'' began when Edward K. Thompson, the retired editor of ''Life'' magazine, was asked by then-Secretary of the Smithsonian, S. Dillon Ripley, to produce a magazine "about things in which the Smithsonian nstitutionis interested, might be interested or ought to be interested." Thompson later recalled that his philosophy for the new magazine was that it "would stir curiosity in already receptive minds. It would deal with history as it is relevant to the present. It would present art, since true art is never dated, in the richest possible reproduction. It would peer into the future via coverage of social progress and of science and technology. Technical matters would be digested and made intelligible by skilled writers who would stimulate readers to reach upward while not turning them off with jargon. We would fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Ward Bissell
Raymond Ward Bissell, Jr. (October 23, 1936 – October 26, 2019) was an American art historian and educator. A scholar of Italian Baroque art, Bissell was a professor of art history at the University of Michigan. Career Born in New York City to Raymond Sr. and Elizabeth Weston, Bissell graduated from Towson High School in 1954. He then received a Bachelor of Arts in 1958 and a Doctor of Philosophy in 1966, both from the University of Michigan. Bissell wrote a doctoral dissertation on the Italian Baroque painter Orazio Gentileschi. He would dedicate the rest of his career to studying that period of art, as well as Orazio's daughter, Artemisia. While studying at Michigan, Bissell began his teaching career in 1964 as an instructor of art history at the University of Wisconsin. In 1971, Bissell returned to Michigan and was hired as Assistant Professor of Art History. He rose through the professional ranks to become full Professor, and eventually chaired the department. Bissell rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
