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Suprasegmentals
In linguistics, prosody () is the study of elements of speech, including intonation, stress, rhythm and loudness, that occur simultaneously with individual phonetic segments: vowels and consonants. Often, prosody specifically refers to such elements, known as ''suprasegmentals'', when they extend across more than one phonetic segment. Prosody reflects the nuanced emotional features of the speaker or of their utterances: their obvious or underlying emotional state, the form of utterance (statement, question, or command), the presence of irony or sarcasm, certain emphasis on words or morphemes, contrast, focus, and so on. Prosody displays elements of language that are not encoded by grammar, punctuation or choice of vocabulary. Attributes of prosody In the study of prosodic aspects of speech, it is usual to distinguish between auditory measures ( subjective impressions produced in the mind of the listener) and objective measures (physical properties of the sound wave and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intonation (linguistics)
In linguistics, intonation is the variation in Pitch (music), pitch used to indicate the speaker's attitudes and emotions, to highlight or focus (linguistics), focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse. For example, the English language, English question "Does Maria speak Spanish or French?" is interpreted as a yes-or-no question when it is uttered with a single rising intonation contour, but is interpreted as an alternative question when uttered with a rising contour on "Spanish" and a falling contour on "French". Although intonation is primarily a matter of pitch variation, its effects almost always work hand-in-hand with other Prosody (linguistics), prosodic features. Intonation is distinct from Tone (linguistics), tone, the phenomenon where pitch is used to distinguish words (as in Mandarin Chinese, Mandarin) or to mark grammatical features (as in Kinyarwanda). Transcription Most transcription convention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a smallest unit of timing, equal to or shorter than a syllable, that theoretically or perceptually exists in some spoken languages in which phonetic length (such as vowel length) matters significantly. For example, in the Japanese language, the name of the city '' Ōsaka'' () consists of three syllables (''O-sa-ka'') but four morae (), since the first syllable, ''Ō'', is pronounced with a long vowel (the others being short). Thus, a short vowel contains one mora and is called ''monomoraic'', while a long vowel contains two and is called ''bimoraic''. Extra-long syllables with three morae (''trimoraic'') are relatively rare. Such metrics based on syllables are also referred to as syllable weight. In Japanese, certain consonants also stand on their own as individual morae and thus are monomoraic. The term comes from the Latin word for 'linger, delay', which was also used to translate the Greek word : ('time') in it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stress (linguistics)
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or Sentence (linguistics), sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in Tone (linguistics), tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''Pitch-accent language, pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of Phonetics, phonetic properties, such as loudness, vowel length, and pitch (which are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isochrony
Isochrony is a linguistic analysis or hypothesis assuming that any spoken language's utterances are divisible into equal rhythmic portions of some kind. Under this assumption, languages are proposed to broadly fall into one of two categories based on rhythm or timing: syllable-timed or stress-timed languages (or, in some analyses, a third category: mora-timed languages). However, empirical studies have been unable to directly or fully support the hypothesis, so the concept remains controversial in linguistics. History Rhythm is an aspect of prosody, others being intonation, stress, and tempo of speech. ''Isochrony'' refers to rhythmic division of time into equal portions by a language. The idea of was first expressed thus by Kenneth L. Pike in 1945, though the concept of language naturally occurring in chronologically and rhythmically equal measures is found at least as early as 1775 (in '' Prosodia Rationalis''). Soames (1889) attributed the idea to Curwen. This has impl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosodic Stress
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm (linguistics)
Isochrony is a linguistic analysis or hypothesis assuming that any spoken language's utterances are divisible into equal rhythmic portions of some kind. Under this assumption, languages are proposed to broadly fall into one of two categories based on rhythm or timing: syllable-timed or stress-timed languages (or, in some analyses, a third category: mora-timed languages). However, empirical studies have been unable to directly or fully support the hypothesis, so the concept remains controversial in linguistics. History Rhythm is an aspect of prosody, others being intonation, stress, and tempo of speech. ''Isochrony'' refers to rhythmic division of time into equal portions by a language. The idea of was first expressed thus by Kenneth L. Pike in 1945, though the concept of language naturally occurring in chronologically and rhythmically equal measures is found at least as early as 1775 (in ''Prosodia Rationalis''). Soames (1889) attributed the idea to Curwen. This has implic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stress (linguistics)
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or Sentence (linguistics), sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in Tone (linguistics), tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''Pitch-accent language, pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of Phonetics, phonetic properties, such as loudness, vowel length, and pitch (which are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice (phonetics)
Voice or voicing is a term used in phonetics and phonology to characterize speech sounds (usually consonants). Speech sounds can be described as either voiceless (otherwise known as ''unvoiced'') or voiced. The term, however, is used to refer to two separate concepts: *Voicing can refer to the ''articulatory process'' in which the vocal folds vibrate, its primary use in phonetics to describe phones, which are particular speech sounds. *It can also refer to a classification of speech sounds that tend to be associated with vocal cord vibration but may not actually be voiced at the articulatory level. That is the term's primary use in phonology: to describe phonemes; while in phonetics its primary use is to describe phones. For example, voicing accounts for the difference between the pair of sounds associated with the English letters ⟨s⟩ and ⟨z⟩. The two sounds are transcribed as and to distinguish them from the English letters, which have several possible pronunci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juncture
Juncture, in linguistics, is the manner of moving (transition) between two successive syllables in speech. An important type of juncture is the suprasegmental phonemic cue by means of which a listener can distinguish between two otherwise identical sequences of sounds that have different meanings. Typology There are several kinds of juncture, the most widely used typology of which is: ;plus juncture:Also known as open juncture, this is subdivided into internal open juncture and external open juncture. It is the juncture that occurs at word boundaries. In phonetic transcription open juncture is transcribed , hence the name ''plus'' juncture. ;close juncture:Also known as a normal transition, this is a transition between segments (sounds) within a word. ;terminal juncture:Also known as falling, clause terminal or terminal contour, this is the juncture at the end of a clause or utterance with falling pitch before a silence. Other less common typologies exist, such as the divi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perception, perceptual property that allows sounds to be ordered on a frequency-related scale (music), scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melody, melodies. Pitch is a major auditory system, auditory attribute of musical tones, along with duration (music), duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective Psychoacoustics, psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their percep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Spectrum
In signal processing, the power spectrum S_(f) of a continuous time signal x(t) describes the distribution of Power (physics), power into frequency components f composing that signal. According to Fourier analysis, any physical signal can be decomposed into a number of discrete frequencies, or a spectrum of frequencies over a continuous range. The statistical average of any sort of signal (including Noise (electronics), noise) as analyzed in terms of its frequency content, is called its spectrum. When the energy of the signal is concentrated around a finite time interval, especially if its total energy is finite, one may compute the energy spectral density. More commonly used is the power spectral density (PSD, or simply power spectrum), which applies to signals existing over ''all'' time, or over a time period large enough (especially in relation to the duration of a measurement) that it could as well have been over an infinite time interval. The PSD then refers to the spectr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fundamental Frequency
The fundamental frequency, often referred to simply as the ''fundamental'' (abbreviated as 0 or 1 ), is defined as the lowest frequency of a Periodic signal, periodic waveform. In music, the fundamental is the musical pitch (music), pitch of a note that is perceived as the lowest Harmonic series (music)#Partial, partial present. In terms of a superposition of Sine wave, sinusoids, the fundamental frequency is the lowest frequency sinusoidal in the sum of harmonically related frequencies, or the frequency of the difference between adjacent frequencies. In some contexts, the fundamental is usually abbreviated as 0, indicating the lowest frequency Zero-based numbering, counting from zero. In other contexts, it is more common to abbreviate it as 1, the first harmonic. (The second harmonic is then 2 = 2⋅1, etc.) According to Benward and Saker's ''Music: In Theory and Practice'': Explanation All sinusoidal and many non-sinusoidal waveforms repeat exactly over time – they are per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
