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Suling
The suling ( Sundanese: ) is a musical instrument of the Sundanese people in Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asia, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of ''tamiang'' bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method To play the suling, performers blow into a gap between the rattan band and the bamboo tube at one end of the instrument. There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. This factor also should be supported with the position of the mouth around the blowing hole. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suling Tambur
The suling (Sundanese script, Sundanese: ) is a musical instrument of the Sundanese people in Indonesia. It is used in the Gamelan degung, Degung ensemble. Bamboo ring flute can also be found in Southeast Asia, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of ''tamiang'' bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method To play the suling, performers blow into a gap between the rattan band and the bamboo tube at one end of the instrument. There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. This factor also should be supported with the position of the mouth around the blowing hole. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suling Bambu
The suling ( Sundanese: ) is a musical instrument of the Sundanese people in Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asia, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of ''tamiang'' bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method To play the suling, performers blow into a gap between the rattan band and the bamboo tube at one end of the instrument. There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. This factor also should be supported with the position of the mouth around the blowing hole. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi
The kacapi is a traditional zither of Sundanese people in Indonesia. This musical instrument is similar to Chinese , Japanese '' koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling ( tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives the instrument a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Suling
Kacapi suling is a form of Sundanese music from Indonesia. It is essentially '' tembang Sunda'' minus vocals, and also at interludes between songs at a typical Tembang Sunda performance. The higher pitched kacapi rincik, the lower pitched kacapi indung and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four, in laras sorog are more slow and grave. The change to laras sorog usually takes place at midnight and lasts until sunrise. Many hotels in Indonesia, especially in Bali, and other parts of the world like in Shenzhen China play this Sundanese music genre in their lobbies. Malaysia itself invited Sundanese Kacapi Suling experts from the Province of West Java West Java (, ) is an Indonesian Provinces of Indonesia, province on the western part of the island of Java, with its provincial capital in Bandung. West Java is border ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Degung
''Gamelan degung'' is a form of Sundanese musical ensemble that uses a subset of modified gamelan instruments with a particular mode of '' degung'' scale. The instruments are manufactured under local conditions in towns in West Java such as Bogor and Bandung. ''Degung'' music is often played at public gatherings in West Java, such as at local elections, as well as many other events. There is international interest in ''degung'' as well among communities in other countries interested in Indonesian and gamelan music.Dewi Anggraeni"Melbourne: Gamelan, elephants and 'Jackpot'" , ''The Jakarta Post'', 22 February 2004. Gamelan degung also playable in '' madenda'' scale, which is included in the set as a complementary tone, usually marked as a -3/''ni'' tone in the set. Playing gamelan degung in this scale requires the substitution of the 3/''na'' metal bars into -3/''ni'' tones on all instruments. Instruments The instrumentation of ''gamelan degung'' is quite flexible. It may i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circular Breathing
Circular breathing is a breathing technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by inhaling through the nose while simultaneously pushing air out through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. Mongolian metalsmiths have long used circular breathing on flames to achieve sustained, consistent metal temperatures. Uses It is used extensively in playing the Eastern zurna, the Mongolian limbe, the Tibetan gyaling, the Sardinian launeddas, the Greek aulos, the Egyptian arghul, the Australian didgeridoo, the Basque alboka, many traditional oboes and flutes of Asia and the Middle East, and the saluang, a traditional bamboo flute from Minangkabau ethnic, West Sumatra, Indonesia. Some jazz and classical wind and brass players also use some form of circular breathing. Although many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelog
Pelog (, , ) is one of the essential tuning systems used in gamelan instruments that has a heptatonic scale. The other, older, scale commonly used is called ''slendro''. ''Pelog'' has seven notes, but many gamelan ensembles only have keys for five of the pitches. Even in ensembles that have all seven notes, many pieces only use a subset of five notes, sometimes the additional 4th tone is also used in a piece like western accidentals. Etymology Pelog is a Javanese term for one of the scales in gamelan. In Javanese, the term is said to be a variant of the word ''pelag'' meaning "fine" or "beautiful". Tuning Since the tuning varies so widely from island to island, village to village, and even among ''gamelan'', it is difficult to characterize in terms of intervals. One rough approximation expresses the seven pitches of Central Javanese ''pelog'' as a subset of 9-tone equal temperament. An analysis of 27 Central Javanese gamelans by Surjodiningrat (1972) revealed a statistical p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
