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Stéphane Grappelli
Stéphane Grappelli (; 26 January 1908 – 1 December 1997, born Stefano Grappelli) was a French jazz violinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called "the grandfather of jazz violinists" and continued playing concerts around the world well into his eighties. For the first three decades of his career, he was billed using a gallicised spelling of his last name, ''Grappelly'', reverting to ''Grappelli'' in 1969. The latter, Italian spelling is now used almost universally when referring to the violinist, including reissues of his early work. Biography Early years Grappelli was born at Hôpital Lariboisière in Paris, France, and christened with the name Stefano. His father, Italian marchese Ernesto Grappelli, was born in Alatri, Lazio, while his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Warren
Michael Allan Warren (born 26 October 1948) is an English portrait photographer, primarily known for his images of members of high society. An actor and talent manager in his youth, he rose to prominence for portraits of British nobility, politicians, and celebrities. His subjects include Alec Douglas-Home, Cary Grant, Sophia Loren, Charles III, Louis Mountbatten and Laurence Olivier. Early life and education After growing up in post-war London with his mother, Warren attended Terry's Juveniles, a stage school based in the Drury Lane Theatre. It was during this period that he attended auditions through which he received several assignments. One such piece of work was as a child presenter in "The Five O'clock Club", which afforded him the opportunity to associate with individuals such as Marc Bolan (then performing as "Toby Tyler"), who would later employ Warren as his first manager. Career Warren started his photographic career at the age of 20, when he was acting in Ala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isadora Duncan
Angela Isadora Duncan (May 26, 1877 or May 27, 1878 – September 14, 1927) was an American dancer and choreographer, who was a pioneer of modern contemporary dance, who performed to great acclaim throughout Europe and the US. Born and raised in California, she lived and danced in Western Europe, the US and the Soviet Union from the age of 22 until her death at age 50 when her scarf became entangled in the wheel and axle of the car in which she was travelling in Nice, France. Early life Isadora Duncan was born in San Francisco, the youngest of the four children of Joseph Charles Duncan (1819–1898), a banker, mining engineer and connoisseur of the arts, and Mary Isadora Gray (1849–1922). Her brothers were Augustin Duncan and Raymond Duncan; her sister, Elizabeth Duncan, was also a dancer. Soon after Isadora's birth, her father was found to have been using funds from two banks he had helped set up to finance his private stock speculations. Although he avoided prison time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Warlop
Michel Maurice Armand Warlop (23 January 1911 – 6 March 1947) was a French classical and jazz violinist professionally active from 1929 to 1947. Early life and education Michel Warlop (Michou to his friends) was a child prodigy who began musical studies with his mother, a music professor, and entered the Conservatory of Douai, the second oldest in France, aged six. There he was a student of Victor Gallois who had won the Prix de Rome for composition in 1905. Aged seven, he performed his first public concert accompanied by his mother on piano in Douai. Aged eight in 1919 he played his first concert in Paris, to benefit victims of World War I. He transferred to the Conservatory of Lille around the age of 10 and started his studies at the Conservatoire de Paris (university level) aged 13. Work with the Raymond Legrand Orchestra In mid-1939, Warlop started working as a permanent member of the Raymond Legrand Orchestra, the most popular big band in France during the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinah (song)
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show '' Kid Boots''. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson. One singer, Fanny Rose Shore, became so identified with the song that DJ Martin Block called her "Dinah Shore", which then stuck as her stage name for the next 50 years. Other versions * Louis Armstrong. Recorded in New York City on May 4, 1930, it was released by Okeh. "Dinah" became a frequent number in Armstrong's live performances and radio broadcasts after the making of this recording. * Chet Baker. Recorded at Phil Turetsky's House, Los Angeles, on July 9, 1952, it was released on ''The Complete Pacific Jazz and Capitol Recordings of the Original Gerry Mulligan Quartet and Tentette with Chet Baker'' (Mosaic) and ''The Complete Pacific Jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Venuti
Giuseppe "Joe" Venuti (September 16, 1903 – August 14, 1978) was an American jazz musician and pioneer jazz violinist. Considered the father of jazz violin, he pioneered the use of string instruments in jazz along with the guitarist Eddie Lang, a friend since childhood. Through the 1920s and early 1930s, Venuti and Lang made many recordings as leader and as featured soloists. He and Lang became so well known for their 'hot' violin and guitar solos that on many commercial dance recordings they were hired to do 12- or 24-bar duos towards the end of otherwise stock dance arrangements. In 1926, Venuti and Lang started recording for the OKeh label as a duet (after a solitary duet issued on Columbia), followed by "Blue Four" combinations, which are considered milestone jazz recordings. Venuti also recorded commercial dance records for OKeh under the name "New Yorkers". He worked with Benny Goodman, Adrian Rollini, the Dorsey Brothers, Bing Crosby, Bix Beiderbecke, Jack Teagard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Whiteman
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include " Whispering", "Valencia", " Three O'Clock in the Morning", " In a Little Spanish Town", and " Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of '' Rhapsody in Blue'' by George Gershwin. Whiteman recorded many jazz and pop standards during his career, including " Wang Wang Blues", " Mississippi Mud", "Rhapsody in Blue", " Wonderful One", " Hot Lips (He's Got Hot Lips When He Plays Jazz)", " Mississippi Suite", "Grand Canyon Suite", and " Trav'lin' Light". He co-wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brasserie
In France, Flanders, and the Francophone world, a brasserie () is a type of French restaurant with a relaxed setting, which serves single dishes and other meals. The word ''brasserie'' is also French for "brewery" and, by extension, "the brewing business". A brasserie can be expected to have professional service, printed menus, and, traditionally, white linen—unlike a bistro which may have none of these. Typically, a brasserie is open Wednesday to Sunday and serves the same menu all day. A classic example of a brasserie dish is steak frites. Etymology The term ''brasserie'' is French for "brewery", from Middle French ''brasser'' "to brew", from Old French ''bracier'', from Vulgar Latin ''braciare'', of Celtic origin. Its first usage in English was in 1864. The origin of the word probably stems from the fact that beer was brewed on the premises rather than brought in: thus an inn Inns are generally establishments or buildings where travelers can seek lodging, and u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strasbourg
Strasbourg (, , ; german: Straßburg ; gsw, label=Bas Rhin Bas-Rhin (; Alsatian: ''Unterelsàss'', ' or '; traditional german: links=no, Niederrhein; en, Lower Rhine) is a department in Alsace which is a part of the Grand Est super-region of France. The name means 'Lower Rhine', referring to its lowe ... Alsatian dialect, Alsatian, Strossburi , gsw, label=Haut Rhin Alsatian dialect, Alsatian, Strossburig ) is the Prefectures in France, prefecture and largest city of the Grand Est Regions of France, region of Geography of France, eastern France and the Seat of the European Parliament in Strasbourg, official seat of the European Parliament. Located at the France–Germany border, border with Germany in the historic region of Alsace, it is the prefecture of the Bas-Rhin Departments of France, department. In 2019, the city proper had 287,228 inhabitants and both the Eurométropole de Strasbourg (Greater Strasbourg) and the Arrondissement of Strasbourg had 505,272 inhabita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ear-training
Ear training or aural skills is a music theory study in which musicians learn to identify pitches, intervals, melody, chords, rhythms, solfeges, and other basic elements of music, solely by hearing. The application of this skill is analogous to taking dictation in written/spoken language. As a process, ear training is in essence the inverse of sight-reading, the latter being analogous to reading a written text aloud without prior opportunity to review the material. Ear training is typically a component of formal musical training and is a fundamental, essential skill required in music schools. Functional pitch recognition Functional pitch recognition involves identifying the function or role of a single pitch in the context of an established tonic. Once a tonic has been established, each subsequent pitch may be classified without direct reference to accompanying pitches. For example, once the tonic G has been established, listeners may recognize that the pitch D plays the ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "Elements of music, rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of Definition of music, what constitutes music, a more inclusive definition could be the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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