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Straight, No Chaser (Thelonious Monk Album)
''Straight, No Chaser'' is the sixth studio album Thelonious Monk recorded for Columbia Records, released in 1967. The album was reissued on CD in 1996, including restored versions of previously abridged performances and three additional tracks. Music and lyrics "Japanese Folk Song" was based on ''Kōjō no Tsuki'', a Japanese song written in the Meiji period. It can be heard in the 2016 American movie ''La La Land'' as one of the main characters tries to memorize and play it. Track listing All songs by Thelonious Monk unless otherwise noted Side One # "Locomotive" – 6:38 # " I Didn't Know About You" (Ellington) – 6:50 # " Straight, No Chaser" – 10:31 Side Two # "Japanese Folk Song" (R. Taki)* – 11:03 # " Between the Devil and the Deep Blue Sea" (Arlen, Koehler) – 7:34 # " We See" – 8:48 *On the original LP, the song "Kōjō no Tsuki" by Rentarō Taki was incorrectly identified as a "Japanese folk song" of unknown provenance. This has been corrected on re-issue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Period
The was an era of Japanese history that extended from October 23, 1868, to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Riley
Benjamin Alexander Riley Jr. (July 17, 1933 – November 18, 2017) was an American jazz drummer known for his work with Thelonious Monk, as well as Alice Coltrane, Stan Getz, Eddie "Lockjaw" Davis, Ahmad Jamal, and as a member of the group Sphere. During the 1970s and 1980s he was a member of the New York Jazz Quartet. Biography Benjamin Alexander Riley Jr. was born in Savannah, Georgia, on July 17, 1933, and at the age of four moved with his family to New York City. Riley performed with Randy Weston, Sonny Stitt, Stan Getz, Junior Mance, Kenny Burrell, Eddie "Lockjaw" Davis–Johnny Griffin (1960–1962), Ahmad Jamal, Billy Taylor, and Ray Bryant. He then spent 1964 to 1967 in Thelonious Monk's quartet. After Monk, he played with Alice Coltrane (intermittently between 1968 and 1975), Ron Carter (1975–1977), Jim Hall (1981), and the bands the New York Jazz Quartet (1970s and 1980s) and Sphere. He also played frequently with pianist Abdullah Ibrahim. Riley died of l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an Electric guitar, electric but with a longer neck (music), neck and scale length (string instruments), scale length. The electric bass guitar most commonly has four strings, though five- and six-stringed models are also built. Since the mid-1950s, the bass guitar has replaced the double bass in popular music due to its lighter weight, smaller size, most models' inclusion of Fret, frets for easier Intonation_(music), intonation, and electromagnetic pickups for amplification. Another reason the bass guitar replaced the double bass is because the double bass is "acoustically imperfect" like the viola. For a double bass to be acoustically perfect, its body size would have to be twice as that of a cello rendering it unplayable, so the double bass is made smaller to make it playable. The elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Gales
Lawrence Bernard Gales (March 25, 1936 – September 12, 1995) was an American jazz double-bassist. Life Gales began playing bass at age 11, and attended the Manhattan School of Music in the late 1950s. In that decade and the beginning of the next he worked with J.C. Heard, Eddie "Lockjaw" Davis, Johnny Griffin, Herbie Mann, Junior Mance, and Joe Williams. From 1964 to 1969 he was a member of the Thelonious Monk Quartet, where he recorded extensively and toured worldwide.Scott Yanow, Larry Galesat Allmusic After 1969, Gales relocated to Los Angeles, where he worked frequently on the local scene with Erroll Garner, Willie Bobo, Red Rodney, Sweets Edison, Benny Carter, Blue Mitchell, Clark Terry, and Kenny Burrell. He also recorded with Buddy Tate, Bennie Green, Sonny Stitt, Mary Lou Williams, Jimmy Smith, Sonny Criss, and Big Joe Turner, among others. His first session as a leader was released in 1990 on Candid Records; comprising one original and five Thelonious Monk tunes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Sax
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Rouse
Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years. Biography Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette. He was a member of Thelonious Monk's quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk. Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phoebe Knapp
Phoebe Knapp ( Palmer; March 9, 1839 – July 10, 1908) was an American composer of music for hymns and an organist. She composed the music for over five hundred hymns.Wojciechowski, Jennifer. (2020)Phoebe Palmer and the Holy Life" ''Word & World,'' 40(4). p. 356. Biography Knapp was born in New York City. Her parents were Walter C. Palmer and Phoebe (Worrall) Palmer. She married Joseph Fairchild Knapp, one of the founders and the second president of the Metropolitan Life Insurance Company. He had a pipe organ installed in their apartment. Notably, her husband copyrighted all of the tunes she composed as she wrote them. She and her husband were members of the John Street Methodist Episcopal Church in New York City. The hymn writer Fanny Crosby was also a member of that church and a friend of Palmer. She wrote over 500 hymn tunes. The most enduring melody she composed is that of the 1873 hymn "Blessed Assurance," for which Fanny Crosby wrote the text. Knapp and Crosby also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blessed Assurance
"Blessed Assurance" is a well-known Christian hymn. The lyrics were written in 1873 by blind hymn writer Fanny Crosby to the music written in 1873 by Phoebe Knapp. History Crosby was visiting her friend Phoebe Knapp as the Knapp home was having a large pipe organ installed. The organ was incomplete, so Mrs. Knapp, using the piano, played a new melody she had just composed. When Knapp asked Crosby, "What do you think the tune says?", Crosby replied, "Blessed assurance; Jesus is mine." The hymn appeared in the July 1873 issue of Palmer's ''Guide to Holiness and Revival Miscellany'', a magazine printed by Dr. and Mrs. W. C. Palmer of 14 Bible House, New York City. It appeared on page 36 (the last page) with complete text and piano score, and indicated it had been copyrighted by Crosby that year. It is not certain that this was the first printing of the hymn, but it certainly helped to popularize what became one of the most beloved hymns of all time. The popular song reflects Crosb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Thelonious Monk
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Between The Devil And The Deep Blue Sea (song)
"Between the Devil and the Deep Blue Sea" is an American popular song published in 1931, with music by Harold Arlen and lyrics by Ted Koehler, and first recorded by Cab Calloway in 1931. It was introduced in the 1931 Cotton Club show ''Rhythmania'' and is now a widely recorded standard. Early hits Joel Whitburn identified the most successful early recordings as being by: # Cab Calloway recorded October 21, 1931 for Brunswick Records (catalogue No. 6209) # Louis Armstrong performed a version featuring a trumpet solo which was recorded on January 25, 1932 and released by Columbia Records, catalogue No. 2600D. # The Boswell Sisters with The Dorsey Brothers (Recorded March 21, 1932, Brunswick Records, No. 6291) Other recordings *Blossom Dearie on '' Give Him the Ooh-La-La'' (1958) *George Harrison on '' Brainwashed'' (2002) Film appearances *1933 '' Sing, Bing, Sing'' – Bing Crosby sang an abridged version of the song in this Mack Sennett short. *1969 '' They Shoot Horses, Don' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
