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Stereolab EPs
Stereolab are an English people, Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's sound incorporates repetitive motorik beats with the use of vintage electronic keyboards and female vocals sung in English and French, drawing influences from krautrock, funk, jazz, 1960s Yé-yé, French pop and Brazilian music. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist International, Situationist art movements. Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy (band), McCarthy. The two were romantically involved for fourteen years and are the group's only consistent members. Other longtime members included 1992 addition Mary Hansen (backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). The High Llamas' leader Sean O'Hagan (guitar and keyboards) was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Festival
Pitchfork Music Festival was an annual music festival in Union Park (Chicago), Union Park in Chicago, Illinois, organized by the online magazine ''Pitchfork (website), Pitchfork.'' Starting in 2011, the festival announced a branch staged in Paris at Grande halle de la Villette. The festival, which is normally held over three days (Friday, Saturday, and Sunday) in July, focuses primarily on artists and bands from the alternative rock, hip hop music, hip hop, electronic music, electronic and dance music genres, although it has also ranged into hardcore punk, experimental rock and jazz in its lineups. A festival planned for Berlin at Tempodrom in 2020 was cancelled. In addition to music, Pitchfork Festival also includes food, beverages, art, and gig posters from local, regional, and national vendors. Pitchfork Festival also hosts a record fair that is organized and managed by Chicago Independent Radio Project, CHIRP Radio, a Chicago community radio station. In November 2024, Condé Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Hansen
Mary Therese Hansen (1 November 1966 9 December 2002) was an Australian guitarist and singer. She joined the London-based avant-pop band Stereolab in 1992. As a member, Hansen recorded six studio albums from '' Transient Random-Noise Bursts with Announcements'' (August 1993) to '' Sound-Dust'' (August 2001). As a side-project, in late 1999 she formed the space rock group Schema with members of Seattle-based band Hovercraft, and they issued their debut album, ''Schema'', on 19 September 2000. On 9 December 2002, Hansen was struck and killed by a truck while bicycling in London. Early life Mary Therese Hansen was born on 1 November 1966 in Maryborough, Queensland, Australia. Her father, Brendan Percival Hansen, OAM (19221999), was a trade unionist and Australian Labor Party parliamentarian; and her mother, Moira Ann Hansen (née O'Sullivan), was a light opera singer and is contributor to the Maryborough arts community. Hansen and her family were of Irish Catholic and Dani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The High Llamas
The High Llamas are an Anglo-Irish chamber pop band formed in London circa 1991. They were founded by singer-songwriter Sean O'Hagan, formerly of Microdisney, with drummer Rob Allum and ex-Microdisney bassist Jon Fell. O'Hagan has led the group since its formation. Their music is often compared to the Beach Boys, a band he acknowledges as an influence, although more prominent influences were drawn from bossa nova and European film soundtracks. O'Hagan formed the High Llamas after the breakup of his group Microdisney. The band initially played in a more conventional acoustic indie pop style, but after he joined Stereolab as a keyboardist, he was inspired to revamp the High Llamas' style closer to the Electronic music, electronic and orchestral sound he preferred. Their second album, ''Gideon Gaye'' (1994), anticipated the mid 1990s easy-listening revivalist movement, and its follow-up ''Hawaii (The High Llamas album), Hawaii'' (1996) nearly led to a collaboration with the Beach Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through images. The situationists believed that the shift from individual expression through di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Music
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, has received much attention abroad since the 1950s, when the song " Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Music p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yé-yé
''Yé-yé'' () or ''yeyé'' () was a style of pop music that emerged in Western Europe, Western and Southern Europe in the early 1960s. The French term ''yé-yé'' was derived from the English "yeah! yeah!", popularized by British beat music bands such as the Beatles. The style expanded worldwide as the result of the success of figures such as French singer-songwriters Sylvie Vartan, Serge Gainsbourg and Françoise Hardy. Yé-yé was a particular form of counterculture that derived most of its inspiration from British and American rock and roll. Additional stylistic elements of ''yé-yé'' song composition include baroque, exotica, pop, jazz and the French ''chanson.'' Origin The movement had its origins in the radio program (loosely translated as "Hello, mates" or "Hello, pals"), created by Jean Frydman and hosted by Daniel Filipacchi and Frank Ténot, which first aired in December 1959. The phrase "''Salut les copains''" dates back to the title of a 1957 song by Gilbert Béca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock that developed in Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia. The term "krautrock" was popularised by British music journalists as a humorous umbrella-label for the diverse German scene, and although many such artists disliked the term, it is no longer considered controversial by German artists in the 21st century. Despite this, English-languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motorik
Motorik is the 4/4 beat often used by, and heavily associated with, krautrock bands. Coined by music journalists, the term is German for "motor skill". The motorik beat was pioneered by Jaki Liebezeit, drummer with German experimental rock band Can. Klaus Dinger of Neu!, another early pioneer of motorik, later called it the "Apache beat". The motorik beat is heard in one section of Kraftwerk's "Autobahn", a song composed to convey the feeling of driving on the German highway. It is heard throughout Neu!'s "Hallogallo", from their self-titled album ''Neu!'', and used on all subsequent Neu! albums with differing tempos and variations; Hawkwind reproduced Neu!'s "Hallogallo" motorik beat on the track "Opa-Loka" on their 1975 '' Warrior on the Edge of Time'' album. Some music critics observed that the motorik style conveys a similar sense of forward momentum as the music of Beethoven and Rossini and bears a resemblance to the rhythmic drumming in jazz. They opined that it ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-pop
Avant-pop is popular music that is experimental, new, and distinct from previous styles while retaining an immediate accessibility for the listener. The term implies a combination of avant-garde sensibilities with existing elements from popular music in the service of novel or idiosyncratic artistic visions. Definition "Avant-pop" has been used to label music which balances experimental or avant-garde approaches with stylistic elements from popular music, and which probes mainstream conventions of structure or form. Writer Tejumola Olaniyan describes "avant-pop music" as transgressing "the boundaries of established styles, the meanings those styles reference, and the social norms they support or imply." Music writer Sean Albiez describes "avant-pop" as identifying idiosyncratic artists working in "a liminal space between contemporary classical music and the many popular music genres that developed in the second half of the twentieth century." He noted avant-pop's basis in experi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
