HOME





Stella Adler
Stella Adler (February 10, 1901 – December 21, 1992) was an American actress and acting teacher. A member of Yiddish Theater's Adler dynasty, Adler began acting at a young age. She shifted to producing, directing, and teaching, founding the Stella Adler Studio of Acting in New York City in 1949. Later in life she taught part time in Los Angeles, with the assistance of her protégée, actress Joanne Linville, who continued to teach Adler's technique.Stella Adler, 91, an Actress And Teacher of the Method
'''', December 22, 1992.


Early life

Stella Adler was born in Manhattan's

Shadow Of The Thin Man
''Shadow of the Thin Man'' is a 1941 American murder mystery comedy film directed by W. S. Van Dyke and starring William Powell and Myrna Loy as Nick and Nora Charles. It was produced and released by Metro-Goldwyn-Mayer as the fourth in the series of six ''The Thin Man'' films. In this film their son Nick Jr. (Dickie Hall) is old enough to figure in the comic subplot. Other cast members include Donna Reed and Barry Nelson. This was one of three films in which Stella Adler appeared. Plot Nick and Nora Charles are looking forward to a relaxing day at a racetrack, but when a jockey accused of throwing a race is found shot to death, Police Lieutenant Abrams requests Nick's help. The trail leads to a gambling syndicate that operates out of a wrestling arena, a murdered reporter, and a pretty secretary whose boyfriend has been framed. Along the way, Nick and Nora must contend with a wild wrestling match, a dizzying day at a merry-go-round (accompanied by Nick, Jr.), and a table-cle ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Joanne Linville
Joanne Linville (January 15, 1928 – June 20, 2021) was an American actress. She later taught at the Stella Adler Academy, Los Angeles. Biography Early life Linville was born in Bakersfield, California, on January 15, 1928. She attended high school in Long Beach, California, and worked as an oral surgeon's assistant before studying acting. While she studied with Stella Adler, she danced professionally to pay her tuition. Acting career Linville's motion-picture credits include '' The Goddess'' (1958), '' Scorpio'' (1973), '' Gable and Lombard'' (1976), '' A Star Is Born'' (1976), '' The Seduction'' (1982), and ''James Dean'' (2001). In 1959, Linville appeared on the CBS daytime drama ''The Guiding Light'' as Amy Sinclair, a runaway drug addict whose daughter was nearly taken from her as part of an illegal adoption scam ring. Linville starred in two television presentations of ''One Step Beyond''— as Aunt Mina in the episode "The Dead Part of the House" (1959) and as Karen W ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Maria Ouspenskaya
Maria Alekseyevna Ouspenskaya (; 29 July 1876 – 3 December 1949) was a Russian actress and acting teacher.Nissen, Axel. 2006. ''Actresses of a Certain Character: Forty Familiar Hollywood Faces from the Thirties to the Fifties.'' Illustrated ed. Jefferson, NC: McFarland & Co.; , p. 141. She achieved success as a stage actress as a young woman in Russia, and as an older woman in Hollywood films.Obituary for Maria Ouspenskaya, '' Variety'', 7 December 1949; page 63. She was twice nominated for the Academy Award for Best Supporting Actress for '' Dodsworth'' (1936) and '' Love Affair'' (1939). Life and career Ouspenskaya was born in Tula, Tsarist Russia. She studied singing in Warsaw and acting in Moscow. She was a founding member of the First Studio, a theatre studio of the Moscow Art Theatre. There she was trained by Konstantin Stanislavsky and his assistant Leopold Sulerzhitsky. The Moscow Art Theatre traveled widely throughout Europe, and when it arrived in New York City in ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Richard Boleslavsky
Richard Boleslawski (born Bolesław Ryszard Srzednicki; February 4, 1889 – January 17, 1937) was a Polish theatre and film director, actor and teacher of acting. Biography Richard Boleslawski was born Bolesław Ryszard Srzednicki on February 4, 1889, in Mohyliv-Podilskyi, in the Russian Empire to an ethnic Polish family of Catholic faith. He graduated from the Tver Cavalry Officers School. He trained as an actor at the First Studio of the Moscow Art Theatre under Konstantin Stanislavski and his assistant Leopold Sulerzhitsky, where he was introduced to the 'system'. During World War I, Boleslawski fought as a cavalry lieutenant on the Tsarist Russian side until the fall of the Russian Empire. He left Russia after the October Revolution of 1917 for his native Poland, where he directed his first movies. As his birth name was difficult to pronounce, he took the name Ryszard Bolesławski. His ''Miracle at the Vistula'' (''Cud nad Wisłą'') was a semi-documentary about the mira ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Moscow Art Theater
The Moscow Art Theatre (or MAT; , ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ) was a theatre company in Moscow. It was founded in by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama. It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Moscow Gorky Academic Art Theatre and the Moscow Chekhov Art Theatre. Beginnings At the end of the 19th-century, Stanislavski and Nemirovich-Danchenko both wanted to reform Russian theatre to high-quality art that was available to the general public. They ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




American Laboratory Theatre
The American Laboratory Theatre was an American drama school and theatrical company located in New York City that existed during the 1920s and 1930s. It was a publicly subsidized, student-subscription organization that held fund-raising campaigns to support itself. History The school itself was known as the Theatre Arts Institute. It was founded in 1923 by former Moscow Art Theatre members Richard Boleslavsky and Maria Ouspenskaya and stressed Stanislavski's system as its teaching method. Students were taught to be uninhibited, with exercises such as acting as a fish under water, a melting ice cream cone, or (for women) the mother of a sick child praying to the Madonna. Both actors and directors were trained, and Boleslavsky and Ouspenskaya became known as the leading promulgators of Stanislavski's ideas in America. Some five hundred students were trained at the school during its years of existence. These included Lee Strasberg, Harold Clurman, and Stella Adler, all of whom wo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Moscow Art Theatre
The Moscow Art Theatre (or MAT; , ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ) was a theatre company in Moscow. It was founded in by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for Naturalism (theatre), naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama. It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two theatre company, troupes, the Moscow Gorky Academic Art Theatre and the Moscow Chekhov Art Theatre. Beginnings At the end of the 19th-century, Stanislavski and Nemirovich-Danchenko both wanted to reform Russian theatre to high-quality art that was a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Konstantin Stanislavski
Konstantin Sergeyevich Stanislavski ( rus, Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈɡʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj, links=yes; ; 7 August 1938) was a seminal Russian and Soviet theatre practitioner. He was widely recognized as an outstanding character actor, and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation an ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment which began in France in the middle of the 19th century. A ''vaudeville'' was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs and dances. Vaudeville became popular in the United States and Canada from the early 1880s until the early 1930s, while changing over time. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and films. A vaudeville performer ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Yiddish Theatre
Yiddish theatre consists of plays written and performed primarily by Jews in Yiddish, the language of the Ashkenazi Jewish community. The range of Yiddish theatre is broad: operetta, musical comedy, and satire, satiric or nostalgic revues; melodrama; Naturalism (theatre), naturalist drama; expressionism, expressionist and modernism, modernist plays. At its height, its geographical scope was comparably broad: from the late 19th century until just before World War II, professional Yiddish theatre could be found throughout the heavily Jewish areas of Eastern Europe, Eastern and East Central Europe, but also in Berlin, London, Paris, Buenos Aires and New York City. Yiddish theatre's roots include the often satire, satiric plays traditionally performed during religious holiday of Purim (known as Purimshpils); the singing of Hazzan, cantors in the synagogues; Jewish secularism, secular song and dramatic improvisation; exposure to the theatre traditions of various European countries, and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Yiddish Theater District
The Yiddish Theatre District, also called the Jewish Rialto and the Yiddish Realto, was the center of New York City's Yiddish theatre scene in the early 20th century. It was located primarily on Second Avenue, though it extended to Avenue B, between Houston Street and East 14th Street in the East Village in Manhattan. The District hosted performances in Yiddish of Jewish, Shakespearean, classic, and original plays, comedies, operettas, and dramas, as well as vaudeville, burlesque, and musical shows. By World War I, the Yiddish Theatre District was cited by journalists Lincoln Steffens, Norman Hapgood, and others as the best in the city. It was the leading Yiddish theater district in the world. The District's theaters hosted as many as 20 to 30 shows a night. After World War II, however, Yiddish theater became less popular. By the mid-1950s, few theaters were still extant in the District. History The United States' first Yiddish theater production was hosted in 1882 at t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jacob P
Jacob, later known as Israel, is a Patriarchs (Bible), Hebrew patriarch of the Abrahamic religions. He first appears in the Torah, where he is described in the Book of Genesis as a son of Isaac and Rebecca. Accordingly, alongside his older fraternal twin brother Esau, Jacob's paternal grandparents are Abraham and Sarah and his maternal grandfather is Bethuel, whose wife is not mentioned. He is said to have bought Esau's birthright and, with his mother's help, deceived his aging father to bless him instead of Esau. Then, following a severe drought in his homeland Canaan, Jacob and his descendants migrated to neighbouring Biblical Egypt, Egypt through the efforts of his son Joseph (Genesis), Joseph, who had become a confidant of the Pharaohs in the Bible, pharaoh. After dying in Egypt at the age of 147, he is supposed to have been buried in the Cave of Machpelah in Hebron. Per the Hebrew Bible, Jacob's progeny were beget by four women: his wives (and maternal cousins) Leah and Rach ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]