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Staatsphilharmonie Nürnberg
The Staatsphilharmonie Nürnberg is the largest Bavarian opera orchestra after the Bavarian State Orchestra. It has 91 musicians and is the orchestra of the Staatstheater Nürnberg. History of the Staatsphilharmonie The history of the Nuremberg State Philharmonic dates back to the old Nuremberg Imperial City Council Music, which can be traced back to 1377. After Nuremberg had already become a centre of the new art form of opera in the Baroque period, the Nuremberg council musicians were continuously called upon to perform at the newly founded "Nuremberg National Theatre" from 1801 onwards. In 1833, the orchestra moved into the newly built city theatre on Lorenzer Platz. After the opening of the opera house on the Ring (1905), in 1922 the municipal theatre orchestra was merged with the privately supported Philharmonic Orchestra, founded around 1880 by Hans Winderstein, and the orchestra was transferred to the municipal service. This created the Nuremberg Philharmonic Orchestra, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best-known works include '' Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', '' Polish Requiem'', '' Anaklasis'' and '' Utrenja''. His ''oeuvre'' includes five operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works. Born in Dębica, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His ''Threnody to the Victims of Hiroshima'' for string orchestra and the choral work ''St. Luke Passion'' have received popular acclaim. His first opera, '' The Devils of Loudun'', was not immediately successful. In the mid-1970s, Penderecki became a professor a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde music, avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hochschule für Musik und Theater Hamburg, where he worked until retiring in 1989. His students included Hans Abrahamsen, Unsuk Chin and Michael Daugherty. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Killmayer
Wilhelm Killmayer (21 August 1927 – 20 August 2017) was a German composer of classical music, a conductor and an academic teacher of composition at the Hochschule für Musik und Theater München from 1973 to 1992. He composed symphonies and song cycles on poems by Friedrich Hölderlin, Joseph von Eichendorff, Georg Trakl and Peter Härtling, among others. Early life Wilhelm Killmayer was born on 21 August 1927 in Munich, Germany. He studied conducting and composition from 1945 to 1951 in Munich at Hermann Wolfgang von Waltershausen’s Musikseminar. At the same time, he was enrolled at the Munich University where he studied musicology with Rudolf von Ficker and Walter Riezler, and German studies. He was a private student of Carl Orff from 1951 and was admitted to his master class at the Staatliche Musikhochschule in 1953. He was a scholar at the Villa Massimo twice, in 1958 and 1965/66. Career Killmayer was a teacher of music theory and counterpoint at the Trappsches Kon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith ( ; ; 16 November 189528 December 1963) was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (New Objectivity) style of music in the 1920s, with compositions such as ''Kammermusik (Hindemith), Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), Das Unaufhörliche (1931), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler (opera), Mathis der Maler'' (1938), the ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd (Hindemith), When Lilacs Last in the Dooryard Bloom'd'' (1946), a requiem based on When Lilacs Last in the Dooryard Bloom'd, Walt Whitman's poem. Hindem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfried Hiller
Wilfried Hiller (born 15 March 1941) is a German composer. He became known above all for his stage works for families, children and young people. Life and work Hiller was born the son of the teacher August Hiller and his wife Josepha Hiller, née Hauser, in the Swabian town of Weißenhorn near Ulm. In 1944, the year of the war, his father was killed in Russia and Wilfried became a half-orphan at the age of three. Hiller himself described early childhood experiences in connection with his composition ''Alkor'' thus: Training After attending the , he took up piano studies with Wilhelm Heckmann at the Augsburg Leopold Mozart Centre in 1956. From 1958 to 1961, Hiller wrote his first play with music ''(Die Räuber von Hiller)'' as well as piano compositions and chamber music and worked as an organist and ballet répétiteur. From 1962, he took part in the Darmstädter Ferienkurse for Neue Musik and was a guest student of Pierre Boulez, Bruno Maderna and Karlheinz Stockhausen. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Werner Henze
Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large List of compositions by Hans Werner Henze, oeuvre is extremely varied in style, having been influenced by serialism, atonality, Igor Stravinsky, Stravinsky, Music of Italy, Italian music, Arabic music and jazz, as well as traditional schools of German composition. In particular, his stage works reflect "his consistent cultivation of music for the theatre throughout his life". Henze was also known for his political convictions. He left Germany for Italy in 1953 because of a perceived intolerance towards his Left-wing politics, leftist politics and homosexuality. Late in life he lived in the village of Marino, Lazio, Marino in the central Italian region of Lazio, and in his final years still travelled extensively, in particular to Britain and Germany, as part of his work. An avowed Marxism, Marxist and member of the Italian Communist Party, Henze produced compositions honoring Ho Chi Minh and Che ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Heider
Werner Heider (born 1 January 1930) is a German composer, pianist and conductor. Life Born in Fürth, Heider studied with Willy Spilling in Nuremberg and at the University of Music and Performing Arts Munich between 1945 and 1951. From 1949, he worked for the Bayerischer Rundfunk. Within his compositions, he has been exploring both, strict construction principles and the dialogue between contemporary music and jazz (Third Stream). He participated during the ''Colloquium musicale'' of Carla Henius in Rome;. As a pianist he formed, among others, the ensemble ''Confronto'' and a trio with Oliver Colbentson (violin) and Hans Deinzer (clarinet). As a conductor, Heider appeared at the NDR Radiophilharmonie Hannover, the Bamberg Symphony, the Staatsphilharmonie Nürnberg and the Nuremberg Symphony, as well as the symphony orchestras of the Stuttgart Radio Symphony Orchestra, the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern and the hr-Sinfonieorchester. In 1968 he formed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Blacher
Boris Blacher (30 January 1975) was a German composer and librettist. Life Blacher was born when his parents (of German-Estonian and Russian backgrounds) were living within a Russian-speaking community in the Manchurian town of Niuzhuang () (hence the use of the Julian calendar on his birth record). He spent his first years in China and in the Asian parts of Russia, and in 1919, he eventually came to live in Harbin. In 1922 he went to Berlin where he began to study first architecture, mathematics, and then music at the Berlin Hochschule fuer Musik. He found work arranging popular and film music. Two years later, he turned to music and studied composition with Friedrich Koch. His career was interrupted by National Socialism. He was accused of writing degenerate music and lost his teaching post at the Dresden Conservatory. His career resumed after 1945, and he later became president of the Academy of Arts, Berlin, and is today regarded as one of the most influential mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joana Mallwitz
Joana Mallwitz (born 23 September 1986) is a German conductor and pianist. Biography Born in Hildesheim in 1986, Mallwitz began to study violin at age 3, and piano at age 5. At age 14, she became a pupil of Christa-Maria Hartmann and Karl-Heinz Kämmerling. She continued her music studies at the Hochschule für Musik und Theater Hannover, where her teachers included Martin Brauss and Eiji Ōue, in conducting, and she continued piano studies with Kämmerling and with Bernd Goetzke. In 2004, she received a conducting scholarship from the ''Studienstiftung des deutschen Volkes''. In 2006, Mallwitz joined the conducting staff of the Theater und Orchester Heidelberg, at the invitation of then-GMD Cornelius Meister, as a repetiteur. During her third month of work in Heidelberg, she made her debut professional conducting appearance there, at 6 hours' notice, at the first night of the company's new production of ''Madama Butterfly''. From 2007 to 2011, she worked in Heidelberg as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and Dvořák has been described as "arguably the most versatile... composer of his time". Dvořák displayed his musical gifts at an early age, being a talented violin student. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with Johannes Brahms on the jury of the Austrian State Competit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
