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Spirit DataCine
Spirit DataCine is a telecine and a motion picture film scanner. This device is able to transfer 16 mm film, 16mm and 35mm movie film, 35mm Color motion picture film, motion picture film to NTSC or PAL television standards or one of many High-definition television standards. With the Data transmission, data transfer option a Spirit DataCine can output DPX data files. The Spirit DataCine is made by DFT Digital Film Technology GmbH in Darmstadt, Germany. The operator of the unit is called a Colorist or Colorist Assistant. The Spirit DataCine has become the standard for high-end real-time film transfer and scanning. Over 370 units are used in post-production facilities around the world. Most current film productions are transferred on Spirit DataCines for television, digital television, cable television, satellite television, direct-to-video, DVD, Blu-ray Disc, pay-per-view, in-flight entertainment, stock footage, dailies, film preservation, digital intermediates, and digital cinema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blu-ray Disc
Blu-ray (Blu-ray Disc or BD) is a Digital media, digital optical disc data storage format designed to supersede the DVD format. It was invented and developed in 2005 and released worldwide on June 20, 2006, capable of storing several hours of high-definition video (HDTV 720p and 1080p). The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X and Series S, Xbox Series X. The name refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs, resulting in an increased capacity. The polycarbonate disc is in diameter and thick, the same size as DVDs and Compact disc, CDs. Conventional (or "pre-BDXL") Blu-ray discs contain 25gigabyte, GB per layer, with dual-layer discs (50GB) being the industry standard for fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Telecine
A virtual telecine is a piece of video equipment that can play back data files in real time. The colorist-video operator controls the virtual telecine like a normal telecine, although without controls like focus and framing. The data files can be from a Spirit DataCine, motion picture film scanner (like a Cineon), CGI animation computer, or an Acquisition professional video camera. The normal input data file standard is DPX. The output of data files are often used in digital intermediate post-production using a film recorder for film-out. The control room for the virtual telecine is called the color suite. * The 2000 movie '' O Brother, Where Art Thou?'' was scanned with Spirit DataCine, color corrected with a VDC-2000 and a Pandora Int. Pogle Color Corrector with MegaDEF. A Kodak Lightning II film recorder was used to output the data back on to film. * Virtual telecines are also used in film restoration. * Another advantage of a virtual telecine is once the film is on the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodak
The Eastman Kodak Company, referred to simply as Kodak (), is an American public company that produces various products related to its historic basis in film photography. The company is headquartered in Rochester, New York, and is incorporated in New Jersey. It is best known for photographic film products, which it brought to a mass market for the first time. Kodak began as a partnership between George Eastman and Henry A. Strong to develop a film roll camera. After the release of the Kodak camera, Eastman Kodak was incorporated on May 23, 1892. Under Eastman's direction, the company became one of the world's largest film and camera manufacturers, and also developed a model of welfare capitalism and a close relationship with the city of Rochester. During most of the 20th century, Kodak held a dominant position in photographic film, and produced a number of technological innovations through heavy investment in research and development at Kodak Research Laboratories. Kodak produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Telecine
A virtual telecine is a piece of video equipment that can play back data files in real time. The colorist-video operator controls the virtual telecine like a normal telecine, although without controls like focus and framing. The data files can be from a Spirit DataCine, motion picture film scanner (like a Cineon), CGI animation computer, or an Acquisition professional video camera. The normal input data file standard is DPX. The output of data files are often used in digital intermediate post-production using a film recorder for film-out. The control room for the virtual telecine is called the color suite. * The 2000 movie '' O Brother, Where Art Thou?'' was scanned with Spirit DataCine, color corrected with a VDC-2000 and a Pandora Int. Pogle Color Corrector with MegaDEF. A Kodak Lightning II film recorder was used to output the data back on to film. * Virtual telecines are also used in film restoration. * Another advantage of a virtual telecine is once the film is on the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Brother, Where Art Thou?
''O Brother, Where Art Thou?'' is a 2000 satirical comedy-drama musical film written, produced, co-edited, and directed by Joel and Ethan Coen. It stars George Clooney, John Turturro, and Tim Blake Nelson, with Charles Durning, Michael Badalucco, John Goodman and Holly Hunter in supporting roles. The film is set in rural Mississippi in 1937, and it follows three escaped convicts searching for hidden treasure while a sheriff relentlessly pursues them. Its story is a modern satire which, while incorporating social features of the American South, is loosely based on Homer's epic Greek poem ''The Odyssey''. Some examples of this include Sirens, a Cyclops, and the main character's name, "Ulysses", which is the Roman name for "Odysseus". The title of the film is a reference to the 1941 Preston Sturges film '' Sullivan's Travels'', in which the protagonist is a director who wants to film ''O Brother, Where Art Thou?'', a fictitious book about the Great Depression. Much of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Association Of Broadcasters
The National Association of Broadcasters (NAB) is a Industry trade group, trade association and lobbying, lobby group representing the interests of commercial and non-commercial over-the-air radio and television broadcasting, broadcasters in the United States. The NAB represents more than 8,300 :Lists of radio stations in the United States, terrestrial radio and List of United States over-the-air television networks, television stations as well as broadcast networks. As of 2022, the president and CEO of the NAB is Curtis LeGeyt. Founding The NAB was founded as the National Association of Radio Broadcasters (NARB) in April 1923 at the Drake Hotel (Chicago), Drake Hotel in Chicago. The association's founder and first president was Eugene F. McDonald, Eugene F. McDonald Jr., who also launched the Zenith Electronics, Zenith corporation. In 1951 it changed its name to the National Association of Radio and Television Broadcasters (NARTB) to include the television industry. In 1958 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grass Valley (company)
Grass Valley (formerly known as Thomson Grass Valley and Grass Valley Group) is a manufacturer of television production and broadcasting equipment. Headquartered in Montreal, Montreal, Quebec, it was formed by the March 2014 merger of the original Grass Valley with Miranda Technologies, which were both acquired by American networking company Belden (electronics company), Belden in 2014 and 2012, respectively. In February 2018, owners Belden merged Grass Valley with newly acquired Snell Limited, Snell Advanced Media (formerly known as Quantel, Quantel Ltd, Snell Limited, Snell, Snell & Wilcox, Snell Limited, SAM, and Snell Group). On July 2, 2020, Grass Valley announced the completion of its acquisition by private equity firm Black Dragon Capital from Belden Inc. History Grass Valley Group was founded as a research and development company in 1959 by Dr. Donald Hare in Grass Valley, California, in the foothills of California's Sierra Nevada (U.S.), Sierra Nevada range. Hare chose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Cinema
Digital cinema is the digital technology used within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film. Whereas film reels have to be shipped to movie theaters, a digital movie can be distributed to cinemas in a number of ways: over the Internet or dedicated satellite links, or by sending hard drives or optical discs such as Blu-ray discs, then projected using a digital video projector instead of a film projector. Typically, digital movies are shot using digital movie cameras or in animation transferred from a file and are edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the original footage from a remote server, share or gain access to computing resources for rendering the final video, and allow several editors to work on the same timeline or project. Alternatively a d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Intermediate
Digital intermediate (DI) is a motion picture finishing process which classically involves digitizing a motion picture and manipulating the color and other image characteristics. Definition and overview A digital intermediate often replaces or augments the photochemical timing process and is usually the final creative adjustment to a movie before distribution in theaters. It is distinguished from the telecine process in which film is scanned and color is manipulated early in the process to facilitate editing. However the lines between telecine and DI are continually blurred and are often executed on the same hardware by colorists of the same background. These two steps are typically part of the overall color management process in a motion picture at different points in time. A digital intermediate is also customarily done at higher resolution and with greater color fidelity than telecine transfers. Although originally used to describe a process that started with film scanning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Preservation
Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible. For many years the term "preservation" was synonymous with "duplication" of film. The goal of a preservationist was to create a durable copy without any significant loss of quality. In more modern terms, film preservation includes the concepts of handling, duplication, storage, and access. The archivist seeks to protect the film and share its content with the public. Film preservation is not to be confused with film revisionism, in which long-completed films are modified with the insertion of outtakes or new musical scores, the addition of sound effects, black-and-white film being colorized, older soundtracks converted to Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dailies
In filmmaking, dailies or rushes are the raw, film editing, unedited footage shot during the making of a motion picture. The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synchronization, synced to sound, and printed on film in a batch (in the future telecined onto videotape or disk) for viewing the next day by the director, selected actors, and film crew members. With the advent of digital filmmaking, "dailies" were available instantly after the take and the review process was no longer tied to the overnight processing of film and became more asynchronous. Now some reviewing may be done at the shoot or even on location, and raw footage may be immediately sent electronically to anyone in the world who needs to review the takes. For example, a director may review takes from a second unit while the crew is still on location or producers can get timely updates while travelling. Dailies serve as an indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
