Société Du Jing-lar
The Société du Jing-lar, or Jing-lar Club, was a club of Japonists founded by Philippe Burty in Paris in 1867. Berger, Klaus. (1992) ''Japonisme in Western Painting from Whistler to Matisse''. Trans. by David Britt. Cambridge: Cambridge University Press. p. 7. See also *International Exposition (1867) The of 1867 (), better known in English as the 1867 Paris Exposition, was a world's fair held in Paris, Second French Empire, France, from 1 April to 3 November 1867. It was the List of world expositions, second of ten major expositions held i ... References Japonisme 1867 establishments in France {{art-org-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Japonism
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert and Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Philippe Burty
Philippe Burty (6 February 1830 – 3 June 1890) was a French art critic. He contributed to the popularization of Japonism and the etching revival, supported the Impressionists, and published the letters of Eugène Delacroix. Burty was born in Paris in 1830. He was best known for his art criticism, and was also an informed art collector, artist, and lithographer. He contributed to the art magazine ''Gazette des Beaux-Arts'' since its foundation in 1859, in which he chronicled the arts and other curiosities and shared his tastes in prints and etchings. Burty coined the term "Japonism" in 1872 to describe the vogue in Japanese art then current in Europe. Burty died in Astaffort in Lot-et-Garonne Lot-et-Garonne (, ) is a department in the Nouvelle-Aquitaine region of Southwestern France. Named after the rivers Lot and Garonne, it had a population of 331,271 in 2019. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Klaus Berger (art Historian)
Klaus Berger (24 March 1901 - 13 February 2000) was a German art historian and professor at the University of Kansas. Dictionary of Art Historians. Retrieved 12 December 2016. He wrote books on Gericault, and . Selected publications * ''Das Problem der Entwicklung in der modernen Kunstwissenschaft. Erster Teil: Wölfflins Formauffassung und ihr Umkreis''. Dissertation, Ms.; Auszug in: ''Jahrbuch der Philosophischen Fakultät Göttingen''. 1924, S. 1–12. * ''Géricault. Drawings and Waterc ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cambridge University Press
Cambridge University Press was the university press of the University of Cambridge. Granted a letters patent by King Henry VIII in 1534, it was the oldest university press in the world. Cambridge University Press merged with Cambridge Assessment to form Cambridge University Press and Assessment under Queen Elizabeth II's approval in August 2021. With a global sales presence, publishing hubs, and offices in more than 40 countries, it published over 50,000 titles by authors from over 100 countries. Its publications include more than 420 academic journals, monographs, reference works, school and university textbooks, and English language teaching and learning publications. It also published Bibles, runs a bookshop in Cambridge, sells through Amazon, and has a conference venues business in Cambridge at the Pitt Building and the Sir Geoffrey Cass Sports and Social Centre. It also served as the King's Printer. Cambridge University Press, as part of the University of Cambridge, was a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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International Exposition (1867)
The of 1867 (), better known in English as the 1867 Paris Exposition, was a world's fair held in Paris, Second French Empire, France, from 1 April to 3 November 1867. It was the List of world expositions, second of ten major expositions held in the city between 1855 and 1937. A number of nations were represented at the fair. Following a decree of Napoleon III of France, Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of Haussmann's renovation of Paris, the renovation of Paris, marking the culmination of the Second French Empire. Visitors included Tsar Alexander II of Russia, a brother of the William I, German Emperor, King William and Otto von Bismarck of Prussia, Prince Metternich and Franz Josef of Austria, Ottoman Sultan Abdülaziz, and the Khedive of Egypt Isma'il Pasha, Isma'il. Conception In 1864, Napoleon III of France, Napoleon III issued a decree stating that an international exposition should be held in Paris in 1867. A Government a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Japonisme
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the Bakumatsu, forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert and Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' moku hanga, Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the origin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |