Société Des Aquafortistes
   HOME



picture info

Société Des Aquafortistes
The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated. A strong collector's market developed, with the most sought-after artists achieving very high prices. This came to an abrupt end after the 1929 Wall Street crash wrecked what had become a very strong market among collectors, at a time when the typical style of the movement, still based on 19th-century developments, was becoming outdated. According to Bamber Gascoigne, the "most visible characteristic of he movement.. was an obsession with surface tone", created by deliberately not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. This and other characteristics reflected the influence of Rembrandt, whose reputation had by ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

David Young Cameron - Cameron-98301 - Horse Guards, St James’s Park
David (; , "beloved one") was a king of ancient Israel and Judah and the Kings of Israel and Judah, third king of the Kingdom of Israel (united monarchy), United Monarchy, according to the Hebrew Bible and Old Testament. The Tel Dan stele, an Canaanite and Aramaic inscriptions, Aramaic-inscribed stone erected by a king of Aram-Damascus in the late 9th/early 8th centuries BCE to commemorate a victory over two enemy kings, contains the phrase (), which is translated as "Davidic line, House of David" by most scholars. The Mesha Stele, erected by King Mesha of Moab in the 9th century BCE, may also refer to the "House of David", although this is disputed. According to Jewish works such as the ''Seder Olam Rabbah'', ''Seder Olam Zutta'', and ''Sefer ha-Qabbalah'' (all written over a thousand years later), David ascended the throne as the king of Judah in 885 BCE. Apart from this, all that is known of David comes from biblical literature, Historicity of the Bible, the historicit ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Giovanni Battista Piranesi
Giovanni Battista (or Giambattista) Piranesi (; also known as simply Piranesi; 4 October 1720 – 9 November 1778) was an Italian classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons" (''Carceri d'invenzione''). He was the father of Francesco Piranesi, Laura Piranesi and Pietro Piranesi. Biography Piranesi was born in Venice, in the parish of San Moisè, Venice, San Moisè, where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and Classical antiquity, ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in the ''Magistrato alle Acque'', the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a Drawing, draughtsman for Marco Foscarini, the Venetian ambassador (and future Doge of Venice) to the new Pope Bened ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Charles Jacque
Charles-Émile Jacque (23 May 1813 – 7 May 1894) was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army. Biography Fleeing the Cholera epidemics that besieged Paris in the mid-nineteenth century, Charles Jacque relocated to Barbizon in 1849 with Millet. There, he painted rustic or pastoral subject matter: shepherds, flocks of sheep, pigs, and scenes of farm life. In addition to painting, Jacque was also famous for his etchings and engravings. He, along with Félix Bracquemond and Felix Buhot, is credited with the nineteenth-century revival of seventeenth-century techniques. He began his career as an engraver around 1841 by publishing a series of etchings with Louis Marvy. He followed this work with a series of engravings based on the works of Adriaen van Ostade, after which he began to create original engravings / artworks. Charles Baud ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jean-François Millet
Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings. Life and work Youth Millet was the first child of Jean-Louis-Nicolas and Aimée-Henriette-Adélaïde Henry Millet, members of the farming community in the village of Gruchy, in Gréville-Hague, Normandy, close to the coast.Murphy, p.xix. Under the guidance of two village priests—one of them was vicar Jean Lebrisseux—Millet acquired a knowledge of Latin and modern authors. But soon he had to help his father with the farm work, because Millet was the eldest of the sons. So all the farmer's work was familiar to him: to ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Charles-François Daubigny
Charles-François Daubigny ( , , ; 15 February 181719 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism. He was also a prolific printmaker, mostly in etching, and one of the main artists who used the cliché verre technique. Biography Daubigny was born in Paris, into a family of painters; taught art by his father, , and his uncle, Portrait miniature, miniaturist Pierre Daubigny (1793-1858). He was also a pupil of Jean-Victor Bertin, Jacques Raymond Brascassat and Paul Delaroche, from whom he would quickly emancipate himself. Though best known for his painted landscapes, Daubigny survived for many years as a graphic artist, illustrating books, magazines and travel guides for publication. In 1838, he set up, at the Rue des Amandiers-Popincourt, a community of artists, a phalanstery, with Adolphe-Victor Geoffroy-Dechaume, Hippolyte Lavoignat, Ernest Meissonnier, Auguste Steinheil, Louis Joseph T ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Old Master Print
An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition (mostly by Old Masters). The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master print ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Colour Printing
Color printing or colour printing is the reproduction of an image or text in color (as opposed to simpler black and white or monochrome printing). History of color printing Woodblock printing on textiles preceded printing on paper in both East Asia and Europe, and the use of different blocks to produce patterns in color was common. The earliest way of adding color to items printed on paper was by hand-coloring, and this was widely used for printed images in both Europe and East Asia. Chinese woodcuts have this from at least the 13th century, and European ones from very shortly after their introduction in the 15th century, where it continued to be practiced, sometimes at a very skilled level, until the 19th century—elements of the official British Ordnance Survey maps were hand-colored by boys until 1875. Early European printed books often left spaces for initials, rubrics and other elements to be added by hand, just as they had been in manuscripts, and a few early printed b ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Lithography
Lithography () is a planographic method of printing originally based on the miscibility, immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for sheet music, musical scores and maps.Meggs, Philip B. ''A History of Graphic Design''. (1998) John Wiley & Sons, Inc. p 146, .Carter, Rob, Ben Day, Philip Meggs. ''Typographic Design: Form and Communication'', Third Edition. (2002) John Wiley & Sons, Inc. p. 11. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for printmaking, fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Traditionally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax on ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Etching Club
The Etching Club (also known as Etching Club, the London Etching Club, and the British Etching Club; or the Junior Etching Club for its younger membership grouped separately) was an artists' society founded in London, England, in 1838 by Charles West Cope. It was part of the Etching Revival in printmaking. The club published illustrated editions of works by authors such as Oliver Goldsmith, Shakespeare, John Milton and Thomas Gray in small editions, normally using actual etchings rather reproductions of them by other techniques. It effectively ceased to exist in 1878.Lang, p. 39. Membership *Richard Ansdell *Thomas Oldham Barlow *Charles West Cope (1811–1890) *Thomas Creswick * William Charles Thomas Dobson * Edwin Austin Forbes (1839–1895) (Honorary member) *William Edward Frost * Francis Seymour Haden *James Clarke Hook *John Callcott Horsley * William Henry Hunt *William Holman Hunt *John Everett Millais * George B. O'Neill *Samuel Palmer *Richard Redgrave (1804 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

John Crome
John Crome (22 December 176822 April 1821), once known as Old Crome to distinguish him from his artist son John Berney Crome, was an English Landscape painting, landscape painter of the Romanticism, Romantic era, one of the principal artists and founding members of the Norwich School of painters. He lived in the English city of Norwich for all his life. Most of his works are of Norfolk landscapes. Crome's work is in the collections of public art galleries, including the Tate Gallery and the Royal Academy in London, and the Norwich Castle, Castle Museum in Norwich. He produced etchings and taught art. Biography John Crome was born on 22 December 1768 in Norwich, and baptised on 25 December at St George's Church, Tombland, Norwich. He was the son of John Crome, a Weaver (occupation), weaver (who is also described as either an innkeeper or a lodger at a Norwich inn), and his wife Elizabeth. After a period working as an errand boy for a doctor (from the age of 12), he was apprent ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

John Sell Cotman
John Sell Cotman (16 May 1782 – 24 July 1842) was an English Marine art, marine and Landscape painting, landscape painter, Etching, etcher, illustrator, and a leading member of the Norwich School of painters. Born in Norwich, the son of a silk merchant and lace dealer, Cotman was educated at the Norwich School, Norwich Grammar School. He showed an early talent for art. It was intended that he followed his father into the family business but, intent on a career in art, he moved to London in 1798, where he met artists such as J. M. W. Turner, Peter de Wint and Thomas Girtin, whose sketching club he joined, and whom he travelled with to Wales and Surrey. By 1800 he was Exhibition, exhibiting at the Royal Academy, showing scenes of the Welsh countryside there in 1801 and 1802. His drawing expeditions took him throughout southern Britain, and to Yorkshire, where he stayed with the Cholmeley family during the three summers of 1803–1805. His sons Miles Edmund Cotman, Miles Edmund ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]