Slippery Jim
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Slippery Jim
''Slippery Jim'' (French: ''Pickpock ne craint pas les entraves'') is an 8 minute 1909 French silent trick film directed by Segundo de Chomón and produced by Pathe-Freres. The film heavily utilizes stop-motion to aide in its visual comedy. It bares similarities to other films by Chomón, such as ''Diabolical Pickpocket'' (''L'insaisissable pickpocket'') produced in 1908 and ''The Invisible Thief'' (''Le voleur invisible'') also produced in 1909. The films share a thief capable of supernatural abilities while escaping the law. Background The film is known for its tricks and employs tactics such as reverse-motion and stop motion to make these tricks believable on the screen. In fact, Chomón is notorious for implementing such camera tricks in his other films. For example, he is able to make objects appear to move on their own in ''L’homme Invisible.'' A similar effect is also achieved in Chomón's ''Hôtel électrique''. Plot A mischievous pickpocket, Slippery Jim, is cap ...
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Segundo De Chomón
Segundo Víctor Aurelio Chomón y Ruiz (also Chomont or Chaumont ; 17 October 1871 – 2 May 1929) was a pioneering Spanish film director, cinematographer and screenwriter. He produced many short films in France while working for Pathé, Pathé Frères and has been compared to Georges Méliès, due to his frequent camera tricks and optical illusions. He is regarded as the most significant Spanish silent film director in an international context. Biography Born in Aragon (Spain), Segundo de Chomón reportedly got into film through the efforts of his French actress wife, Julienne Mathieu, who appeared in early Pathé-Frères, Pathé Frères productions and worked in some special effects Parisian workshops like Élisabeth and Berthe Thuillier, Thuillier's studio. Around 1900 he became an agent for Pathé Frères in Spain, publicizing and distributing their films out of Barcelona. In 1901, Chomón began producing actuality films in Spain on an independent basis and distributing ...
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Special Effect
Special effects (often abbreviated as F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the fictional events in a story or virtual world. It is sometimes abbreviated as SFX, but this may also refer to ''sound effects''. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital filmmaking a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanised props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by ...
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Films Directed By Segundo De Chomón
A film, also known as a movie or motion picture, is a work of Visual arts, visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, Sound film, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual Recording medium, medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to ...
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