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Skeumorph
A skeuomorph (also spelled skiamorph, ) is a derivative object that retains ornamental design cues (attributes) from structures that were necessary in the original. Skeuomorphs are typically used to make something new feel familiar in an effort to speed understanding and acclimation. They employ elements that, while essential to the original object, serve no pragmatic purpose in the new system, except for identification. Examples include pottery embellished with imitation rivets reminiscent of similar pots made of metal and a software calendar that imitates the appearance of binding on a paper desk calendar. Definition and purpose The term ''skeuomorph'' is compounded from the Greek ''skeuos'' (σκεῦος), meaning "container or tool", and ''morphḗ'' (μορφή), meaning "shape". It has been applied to material objects since 1890. With the advent of graphical computer systems in the 1980s, skeuomorph is used to characterize the many "old fashioned" icons utilized in graphi ...
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Masonry
Masonry is the craft of building a structure with brick, stone, or similar material, including mortar plastering which are often laid in, bound, and pasted together by mortar (masonry), mortar. The term ''masonry'' can also refer to the building units (stone, brick, etc.) themselves. The common materials of masonry construction are bricks and building stone, rock (geology), rocks such as marble, granite, and limestone, cast stone, concrete masonry unit, concrete blocks, glass brick, glass blocks, and adobe. Masonry is generally a highly durable form of construction. However, the materials used, the quality of the mortar and workmanship, and the pattern in which the units are assembled can substantially affect the durability of the overall masonry construction. A person who constructs masonry is called a mason or bricklayer. These are both classified as construction worker, construction trades. History Masonry is one of the oldest building crafts in the world. The constructio ...
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One-armed Bandit
A slot machine, fruit machine (British English), poker machine or pokie (Australian English and New Zealand English) is a gambling machine that creates a game of chance for its customers. A slot machine's standard layout features a screen displaying three or more reels that "spin" when the game is activated. Some modern slot machines still include a lever as a skeuomorphic design trait to trigger play. However, the mechanical operations of early machines have been superseded by Random number generation, random number generators, and most are now operated using buttons and touchscreens. Slot machines include one or more currency detectors that validate the form of payment, whether coin, banknote, voucher, or token coin, token. The machine pays out according to the pattern of symbols displayed when the reels stop "spinning". Slot machines are the most popular gambling method in casinos and contribute about 70% of the average U.S. casino's income. Digital technology has resulted ...
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Decorative Arts
] The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-renaissance art of the West, where the distinction is for the most part meaningful. Thi ...
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Thames And Hudson
Thames & Hudson (sometimes T&H for brevity) is a publisher of illustrated books in all visually creative categories: art, architecture, design, photography, fashion, film, and the performing arts. It also publishes books on archaeology, history, and popular culture. Headquartered in London, it has a sister company in New York City, and subsidiaries in Melbourne, Singapore, and Hong Kong. In Paris it has a sister company, Éditions Thames & Hudson, and a subsidiary called Interart which distributes English-language books. The Thames & Hudson group currently employs approximately 150 staff in London and approximately 65 more around the world. The publishing company was founded in 1949 by Walter and Eva Neurath, who aimed to make the world of art and the research of top scholars available to a wider public. The company's name reflects its international presence, particularly in London and New York. It remains an independent, family-owned company, and is one of the largest publishe ...
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The Classical Language Of Architecture
''The Classical Language of Architecture'' is a 1965 compilation of six BBC radio lectures given in 1963 by Sir John Summerson.Summerson, 6 It is a 60-some page discussion of the origins of classical architecture and its movement through Antiquity, Renaissance, Mannerist, Baroque, Neoclassical, and Georgian periods. A discussion of the rules and elements in classical terms of the Orders, architectural harmony of design, are included. In 2017 it remains in print in several countries, in illustrated editions of about 144 pages,Summerson, 144 with 119 illustrations, plus small diagrams. For the original radio broadcasts the BBC published a booklet with 60 photographs of the buildings discussed (or plans etc.), which were expanded in the book editions. *Summerson, John. ''The Classical Language of Architecture.'' in UK now Thames and Hudson ''World of Art'' series (1980), etc. In US Boston: MIT Press, 1965, and other editions. References * Summerson, John, ''The Classical Langua ...
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John Summerson
Sir John Newenham Summerson (25 November 1904 – 10 November 1992) was one of the leading British architectural historians of the 20th century. Early life John Summerson was born at Barnstead, Coniscliffe Road, Darlington. His grandfather worked for the Darlington and Stockton Railway and founded the family foundry of Thomas Summerson and Sons in Darlington in 1869. After the premature death of his father, Samuel James Summerson, in 1907, Summerson travelled extensively in England and Europe with his mother Dorothea and then attended a prep school at Riber Castle in Derbyshire, before going to Harrow (1918–1922) and the Bartlett School of Architecture at University College London, where he gained a bachelor's degree. Career After graduation, Summerson worked in several junior roles, most notably in the office of Sir Giles Gilbert Scott, but architectural practice was not for him and he became a tutor at the Edinburgh College of Art, School of Architecture in 1929. Hi ...
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Modillions
A modillion is an ornate bracket, more horizontal in shape and less imposing than a corbel. They are often seen underneath a cornice which helps to support them. Modillions are more elaborate than dentils (literally translated as small teeth). All three are selectively used as adjectival historic past participles (''corbelled, modillioned, dentillated'') as to what co-supports or simply adorns any high structure of a building, such as a terrace of a roof (a flat area of a roof), parapet, pediment/entablature, balcony, cornice band or roof cornice. Modillions occur classically under a Corinthian or a Composite cornice but may support any type of eaves cornice. They may be carved or plain. See also * Glossary of architecture Gallery Abbaye Ste Foy à Conques (25) - Frises et corbeaux du chevet.jpg, Modillions carved with animal heads in the Abbaye Ste Foy in Conques (France). 20130809 dublin036.JPG, Trinity College, in Dublin. Disegno di Modiglione (mensola, chiave di volta) a ...
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Guttae
A gutta (Latin pl. guttae, "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. At the top of the architrave blocks, a row of six ''guttae'' below the narrow projection of the taenia (fillet) formed an element called a regula. A ''regula'' was aligned under each triglyph of the Doric frieze. In addition, the underside of the projecting geison above the frieze had rectangular protrusions termed '' mutules'' that each had three rows of six ''guttae''. These mutules were aligned above each triglyph and each metope. It is thought that the guttae were a skeuomorphic representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building. Outside the Doric In the strict tradition of classical architecture, a set of guttae al ...
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Mutules
This page is a glossary of architecture. A B C The Caryatid Porch of the Athens.html" ;"title="Erechtheion, Athens">Erechtheion, Athens, 421–407 BC D E In historical gardening, an ''estrade'' plant was pruned and trained with the main stem bare in sections, to achieve an appearance often likened to a "wedding cake"."The medieval Garden Enclosed"
Met Museum blog, 2009


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Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate p ...
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