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Sieben Stücke, Op. 145
''Sieben Stücke für Orgel'' (Seven organ pieces), List of compositions by Max Reger#145, Op. 145, is a collection of seven compositions for Organ (music), organ by Max Reger. He composed the work in three groups in 1915 and 1916. The titles of seven individual character pieces reflect aspects of World War I and Christian feasts. The compositions are based on traditional German hymns, sometimes combining several in one piece. Reger's last work for organ, it was published, again in three instalments, in 1915 and 1916. Background Reger was raised Catholic but was fascinated by the variety of melodies of Protestant hymns, and used quotations from them throughout his life. He was deeply affected by the World War I, World War and wrote an unfinished Latin Requiem in 1914 and the setting ''Requiem (Reger), Requiem'' of a German poem in 1915, thinking of the victims of the battles. He composed next the seven pieces for organ in Jena, based on Christian hymns. He wrote numbers 1 to 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ Music
The organ repertoire is considered to be the largest and oldest repertory of all musical instruments. Because of the organ's (or pipe organ's) prominence in worship in Western Europe from the Middle Ages on, a significant portion of organ repertoire is sacred in nature. The organ's suitability for improvisation by a single performer is well adapted to this liturgical role and has allowed many blind organists to achieve fame; it also accounts for the relatively late emergence of written compositions for the instrument in the Renaissance. Although instruments are still disallowed in most Eastern churches, organs have found their way into a few synagogues as well as secular venues where organ recitals take place. Renaissance The earliest surviving keyboard compositions (keyboard music was not instrument-specific until the sixteenth century) are from England ( Robertsbridge Codex c. 1365) and Italy ( Faenza Codex, 15th century). The organ is specified in Marco Antonio Cavazzoni' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel () is a German Music publisher, music publishing house. Founded in 1719 in Leipzig by Bernhard Christoph Breitkopf, it is the world's oldest music publisher. Overview The catalogue contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. Breitkopf pianos were highly esteemed in the 19th century by such pianists as Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported composers and had close editorial collaboration with Ludwig van Beethoven, Beethoven, Joseph Haydn, Haydn, Felix Mendelssohn, Mendelssohn, Robert Schumann, Schumann, Frédéric Chopin, Chopin, Franz Liszt, Liszt, Richard Wagner, Wagner a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herzliebster Jesu, Was Hast Du Verbrochen
"Herzliebster Jesu" (often translated into English as "Ah, Holy Jesus", sometimes as "O Dearest Jesus") is a Lutheran Passion hymn in German, written in 1630 by Johann Heermann, in 15 stanzas of 4 lines, first published in ''Devoti Musica Cordis'' in Breslau. As the original headline reveals, it is based on Augustine of Hippo; this means the seventh chapter of the so-called "Meditationes Divi Augustini", presently ascribed to John of Fécamp. Melody and musical settings The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's ''Neues vollkömmliches Gesangbuch Augsburgischer Confession''. The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, two movements of the St John Passion, and three of the ''St Matthew Passion''. BWV2a (1998), p. 475 Johannes Brahms used it for one of his Eleven Chorale Preludes for organ, Op. 122: No. 2.). Max Reger's ''Pass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stille Nacht
Stille may refer to: Geography *Stille (river), a river near Schmalkalden, Thuringia, Germany *Stille Musel, a river of Baden-Württemberg, Germany Science *Stille reaction History * Stille Omgang, a religious procession in the Netherlands * Stille Hilfe, an aid organization for SS members after WWII Music *"Die Stille" (the silence), song by Fanny Mendelssohn *Stille (Lacrimosa album) *Stille (Chima album) *Stille (Saints & Lovers album) *''Stille'', album by Åse Teigland on NorCD, see list of NorCD albums People with that surname * (1814–93), Swedish ínstrument maker and entrepreneur * Alfred Stillé (1813-1900), American physician * Alexander Stille, American writer * (1863–1922), Swedish historian * (1888–1970), Swedish architect * Ben Stille (born 1997), American football player * Christoph Ludwig von Stille (1696–1752), Prussian general major * (1873–1957), inventor of the Textophon * Giles Stille (1958) English footballer in Sweden * (1845–1920), phys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vom Himmel Hoch, Da Komm Ich Her
"" ("From Heaven Above to Earth I Come") is a hymn text relating to the Nativity of Jesus, written by Martin Luther in 1534. The hymn is most often sung to the melody, Zahn No. 346, which first appeared in a 1539 songbook and was probably also composed by Luther. This classic Christmas carol remains popular and has inspired many choral and organ works by other composers. History In an account not confirmed by contemporary sources Martin Luther would have written "Vom Himmel hoch" in 1534 for the Christmas celebration in family circle.Vom Himmel hoch: Wie Martin Luther mit seinem Lied in Widerspruch zu sich selbst geriet in '' |
Es Kommt Ein Schiff, Geladen
"" ("A ship is coming, laden"), is an Advent season chorale and Marian Hymn. It is one of the oldest religious songs of German origin. History The oldest existing text source is a manuscript dated before 1450. It was found in the Strasbourg Dominican convent of St. Nikolaus in undis. Due to the fact that the mystic Johannes Tauler visited this convent frequently, the lyrics of this song are attributed to him. Reference is the word "enphohet" (received) which is characteristically used by Tauler very often. The lyrics are typical for the allegory in the Middle Ages as a vital element in the synthesis of biblical and classical traditions. Biblical motifs compare the pregnant Virgin Mary with a loaded entering ship. The ship is set in motion under sail (correspondent to love) and mast (correspondent to the Holy Spirit).) The oldest source of the melody is included in ''Andernacher Hymns'' (1608). The song is found there in bilingual text under the title "" as well as the Lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advent Song
Advent songs () are songs and hymns intended for Advent, the four weeks of preparation for Christmas. Topics of the time of expectation are the hope for a Messiah, prophecies, and the symbolism of light, among others. Several of the songs are part of hymnals such as the German Catholic ''Gotteslob'' (GL) and the Protestant ''Evangelisches Gesangbuch'' (EG). ''This is a Wikipedia:WikiProject Lists#Incomplete lists, dynamic list and may never be able to satisfy particular standards for completeness.'' 4th century * Veni redemptor gentium 6th century * O Antiphons * Vox clara ecce intonat 12th century * Veni, Veni, Emmanuel, Veni, veni, Emmanuel (the most common Musical setting, setting in the English-speaking world, Anglophone world dates to the 19th century) 13th century * Angelus ad virginem * Gabriel's Message 14th century * Sei uns willkommen, Herre Christ 15th century * Adam lay ybounden * The Cherry-Tree Carol * Es kommt ein Schiff, geladen * Trinity Carol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lobe Den Herren, Den Mächtigen König Der Ehren
"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. John Julian in his ''A Dictionary of Hymnology'' calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first rank in its class." The melody used by Neander, first published in 1665, exists in many versions and is probably based on a folk tune. It is catalogued as Zahn number 1912c with several variants. The text paraphrases Psalm 103 and Psalm 150. Catherine Winkworth published her English translation of Neander's hymn in 1863. History The common name given to this melody is "Lobe den Herren". Several variants were published with various secular texts between 1665 and 1680, when Joachim Neander published his German hymn "Lobe den Herren, den mächtigen König der Ehren", using its meter. It was the favorite hymn of King Frederick William III o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Was Gott Tut, Das Ist Wohlgetan
"" (What God Ordains Is Always Good) is a Lutheran chorale, Lutheran hymn written by the pietist German poet and schoolmaster Samuel Rodigast in 1675. The melody has been attributed to the Cantor (Christianity)#Protestantism, cantor Severus Gastorius. An earlier hymn with the same title was written in the first half of the seventeenth century by the theologian Michael Altenburg. History As described in , an apocryphal account in the 1687 ''Nordhausen Gesangbuch'' (Nordhausen songbook) records that the hymn text was written by Samuel Rodigast in 1675 while his friend, the Cantor (Christianity)#Protestantism, cantor Severus Gastorius, whom he knew from school and university, was "seriously ill" and confined to his bed in Jena. The account credits Gastorius, believing himself to be on his death bed, with composing the hymn melody as music for his funeral. When Gastorius recovered, he instructed his choir in Jena to sing the hymn each week "at his front door ... to make it better kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
