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Shinden-zukuri
''Shinden-zukuri'' (寝殿造) refers to an architectural style created in the Heian period (794-1185) in Japan and used mainly for palaces and residences of nobles. In 894, Japan abolished the ''kentōshi'' (Japanese missions to Tang China), distanced itself from Chinese culture, and brought into bloom a culture called Kokufu bunka'' (lit., national culture), which was in keeping with the Japanese climate and aesthetic sense. This style was an expression of ''Kokufu bunka'' in architecture, clearly showing the uniqueness of Japanese architecture and defining the characteristics of later Japanese architecture. Its features include an open structure with few walls that can be opened and closed with doors, '' shitomi'' and ''sudare'', a structure in which people take off their shoes and enter the house on stilts, sitting or sleeping directly on '' tatami'' mats without using chairs or beds, a roof made of laminated ''hinoki'' (Japanese cypress) bark instead of ceramic tiles, a ...
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Byōbu
are Japanese folding screens made from several joined panels, bearing decorative painting and calligraphy, used to separate interiors and enclose private spaces, among other uses. History are originated in Han dynasty China and are thought to have been imported to Japan in the 7th or 8th century (Nara period). The oldest surviving produced in Japan, the , produced in the 8th century, is kept in the Shōsōin Treasure Repository. Nara-period retained their original form of a single, free-standing, legged panel. In the 8th century, multi-paneled made their appearance, and were used as furnishings in the imperial court, mainly in important ceremonies. Schools like Shoga, Kano, Tosa, Maruyama and Rimpa produced painted fusuma (cupboard door panel painting) over many generations for the decoration of private homes and castles. The six-paneled were the most common in the Nara period, and were covered in silk and connected with leather or silk cords. The painting on each p ...
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Shoin-zukuri
is a style of Japanese architecture developed in the Muromachi period, Muromachi, Azuchi–Momoyama period, Azuchi–Momoyama and Edo period, Edo periods that forms the basis of today's traditional-style Japanese houses. Characteristics of the development were the incorporation of square posts and floors, i.e. those completely covered with tatami.Kodansha Encyclopedia of Japan, entry for "shoin-zukuri". The style takes its name from the , a term that originally meant a study and a place for lectures on ''sutras'' in a temple, but which later came to mean just a drawing room or study. History The foundations for the design of today's traditional Japanese residential houses with tatami floors were established in the late Muromachi period (approximately 1338 to 1573) and refined during the ensuing Momoyama period. , a new architectural style influenced by Zen Buddhism, developed during that time from the of the earlier Heian period's palaces and the subsequent residential st ...
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List Of Partitions Of Traditional Japanese Architecture
Traditional Japanese architecture uses post-and-lintel structures – vertical posts, connected by horizontal beams. Rafters are traditionally the only structural member used in Timber framing#Japanese, Japanese timber framing that are neither horizontal nor vertical. The rest of the structure is Load-bearing wall, non-load-bearing. While fixed walls are used, a variety of movable partitions are also used to fill the spaces between the pillars. They may be free-standing, hung from lintels, or, especially in later buildings, sliding panels which can readily be removed from their grooves. Their type, number, and position are adjusted according to the weather without and the activities within. They are used to modify the view, light, temperature, humidity, and ventilation, and to divide the interior space.
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ...
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Hisashi (architecture)
In Japanese architecture the term has two meanings: # As more commonly used, the term indicates the eaves of a roof, that is, the part along the edge of a roof projecting beyond the side of the building to provide protection against the weather. # The term is however also used in a more specialized sense to indicate the area surrounding the ''moya (architecture), moya'' (the core of a building) either completely or on one, two, or three sides.Iwanami Japanese dictionary, 6th Edition (2008), DVD version It is common in ''Zen'' Buddhist temples where it is a 1 ''ken (architecture), ken'' wide aisle-like area and at the same level as the ''moya''. Pagodas called ''tahōtō'' also have a ''hisashi''. Open corridors or verandas under extended or additional roofs are also sometimes referred to as ''hisashi''. In temples constructed in the hip-and-gable style (''irimoya-zukuri''), the gabled part usually covers the ''moya (architecture), moya'' while the hipped part covers th ...
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Kichō
A is a portable multi-paneled silk partition supported by a T-pole. It came into use in aristocratic households during and following the Heian period (794–1185) in Japan when it became a standard piece of furniture. are similar in appearance to a , but are mounted on a free-standing stand rather than a lintel beam. They are less similar to , which do not include streamers to tie them up, and are generally used in different social settings. Construction The curtain or veil () hangs via ribbons or other decorative cording from the top crosspiece () which is supported by the vertical bars () which are supported by the pedestal at the base (). The fabric is generally in two layers: a plain silk back lining, and a fabric with a design on it facing outward. Colorful ribbons of fabric are generally hung in the center of each vertical panel on top of the outer fabric. The ribbons are held in place with a (traditionally) red decorative stitching which runs horizontally a little b ...
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Misu (sudare Blind)
are traditional Japanese screens or blinds, made of horizontal slats of decorative wood, bamboo, or other natural material, woven together with simple string, colored yarn, or other decorative material to make nearly solid blinds can be either rolled or folded up out of the way. They are also sometimes called , particularly if they have a green fabric hem. , non-hanging , are made of vertical slats of common reed and used as screen. are used in many Japanese homes to shield the verandah and other openings of the building from sunlight, rain, and insects. They are normally put up in spring and taken down again in autumn. Their light structure allows breezes to pass through, a benefit in the hot Japanese summers. Since the building materials are easy to find, can be made cheaply. Elaborate for palaces and villas used high-quality bamboo, with expensive silk and gold embroidery worked in. Sometimes they featured paintings, most often on the inside; some Chinese screens had ...
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Hajitomi
''Shitomi'' (蔀), also called hajitomi (半蔀) are square-lattice shutters or doors found on older-style Japanese buildings. They are characteristic of the Shinden style, and the Heian Period (794-1185). They were used in aristocrats' palaces, and more rarely occur in temple buildings. They were replaced by sliding panels in the Shoin style. They are usually split and hinged horizontally; when open, the upper shutter was held up at 90 degrees to the wall with hooks, and the lower half could either be lifted out or folded parallel to the upper shutter. This makes it possible to take down the entire wall and just leave the pillars. They are occasionally referenced in modern architecture. Extant examples *Ujigami Shrine *Osaka Temmangu Shrine *Kinkaku-ji *Ninna-ji *Hōryū-ji Gallery File:G323-HR07-sd2.jpg, Hook for suspending upper half. File:G353-41JR-08.jpg, Shitomi, with only the top half opened. There are shōji behind. File:G322-HR07-14.jpg, Hajitomi are split, and hinged, ...
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JAANUS
Japanese Architecture and Art Net Users System, or JAANUS, is an online dictionary of Japanese architecture and art terms compiled by Dr. Mary Neighbour Parent. It contains approximately eight thousand entries. It is searchable in both English and romaji and contains many hyperlinks and illustrations An illustration is a decoration, interpretation, or visual explanation of a text, concept, or process, designed for integration in print and digitally published media, such as posters, flyers, magazines, books, teaching materials, animations, vi .... See also * Japanology References External links * Japanese studies Architecture in Japan Japanese art {{Japan-art-stub ...
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Baldachin
A baldachin, or baldaquin (from ), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent Architecture, architectural feature, particularly over Altar, high altars in cathedrals, where such a structure is more correctly called a Ciborium (architecture), ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour or cloth of estate is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimat ...
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