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Shakespeare's Funerary Monument
The Shakespeare funerary monument is a memorial to William Shakespeare located inside Holy Trinity Church at Stratford-upon-Avon in Warwickshire, the church in which Shakespeare was baptised and where he was buried in the chancel two days after his death. The monument, carved in pale blue limestone,Honan, Park. ''Shakespeare: A Life''. Oxford University Press. 1998. p. 402 is mounted on the north wall of the chancel. It has traditionally been identified as the work of the sculptor Gerard Johnson, but this attribution is challenged by Lena Cowen Orlin, who argues that it was more likely modelled from life by Gerard's brother, Nicholas Johnson. The monument features a demi-figure of the poet holding a real quill pen in one hand and a piece of paper resting on a cushion in the other. The style, which was popular from the early- to the mid-17th century, was most commonly used to memorialize divines, academics, and those professions with pretensions of learning. The buttoned dou ...
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Arms (heraldry)
A coat of arms is a heraldic visual design on an escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments), originating in Europe. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger (e.g. an individual person, family, state, organization, school or corporation). The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter. Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a noble family, and therefore its genealogy across time. History Heraldic designs came into general use among European nobility in ...
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Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ...
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Architrave
In classical architecture, an architrave (; , also called an epistyle; ) is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan order, it only consists of a plain face, crowned with a fill ...
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Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ...
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Sandstone
Sandstone is a Clastic rock#Sedimentary clastic rocks, clastic sedimentary rock composed mainly of grain size, sand-sized (0.0625 to 2 mm) silicate mineral, silicate grains, Cementation (geology), cemented together by another mineral. Sandstones comprise about 20–25% of all sedimentary rocks. Most sandstone is composed of quartz or feldspar, because they are the most resistant minerals to the weathering processes at the Earth's surface. Like uncemented sand, sandstone may be imparted any color by impurities within the minerals, but the most common colors are tan, brown, yellow, red, grey, pink, white, and black. Because sandstone beds can form highly visible cliffs and other topography, topographic features, certain colors of sandstone have become strongly identified with certain regions, such as the red rock deserts of Arches National Park and other areas of the Southwestern United States, American Southwest. Rock formations composed of sandstone usually allow the p ...
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Putti
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent a sort of baby angel in religious art, often called a cherub (plural cherubim), though in traditional Christian theology a cherub is actually one of the most senior types of angel. The same figures were also seen in representations of classical myth, and increasingly in general decorative art. In Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, '' ...
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Marble
Marble is a metamorphic rock consisting of carbonate minerals (most commonly calcite (CaCO3) or Dolomite (mineral), dolomite (CaMg(CO3)2) that have recrystallized under the influence of heat and pressure. It has a crystalline texture, and is typically not Foliation (geology), foliated (Layered intrusion, layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. The extraction of marble is performed by quarrying. Marble production is dominated by four countries: China, Italy, India and Spain, which account for almost half of world production of marble and decorative stone. Because of its high hardness and strong wear resistance, and because it will not be deformed by temperature, marble is often used in Marble sculpture, sculpture and construction. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shin ...
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Shakespeare Coat Of Arms
The Shakespeare coat of arms is an English Coat_of_arms#British_heraldry, coat of arms. It was granted to John Shakespeare ( 1531 – 1601), a glover from Stratford-upon-Avon, Warwickshire, in 1596, and was used by his son, the playwright William Shakespeare (1564 – 1616), and other descendants. History John Shakespeare made enquiries concerning a coat of arms around 1575. Possibly he met the herald Robert Cooke (officer of arms), Robert Cooke of the College of Arms when Cooke Heraldic visitation, visited Warwickshire. Cooke may have designed the "pattern" that was later granted. John had been a bailiff and had the social standing and marriage that made such a request possible. Nothing came of it, presumably because of economic difficulties; such applications were expensive. In 1596, the application was renewed, either by John or by his son William on John's (and probably William's own) behalf. As the eldest son, William could make a request for his family to be granted a coat o ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ...
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Human Skull
The skull, or cranium, is typically a bony enclosure around the brain of a vertebrate. In some fish, and amphibians, the skull is of cartilage. The skull is at the head end of the vertebrate. In the human, the skull comprises two prominent parts: the neurocranium and the facial skeleton, which evolved from the first pharyngeal arch. The skull forms the frontmost portion of the axial skeleton and is a product of cephalization and vesicular enlargement of the brain, with several special senses structures such as the eyes, ears, nose, tongue and, in fish, specialized tactile organs such as barbels near the mouth. The skull is composed of three types of bone: cranial bones, facial bones and ossicles, which is made up of a number of fused flat and irregular bones. The cranial bones are joined at firm fibrous junctions called sutures and contains many foramina, fossae, processes, and sinuses. In zoology, the openings in the skull are called fenestrae, the ...
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Torch
A torch is a stick with combustible material at one end which can be used as a light source or to set something on fire. Torches have been used throughout history and are still used in processions, symbolic and religious events, and in juggling and entertainment. In some countries, notably the United Kingdom and Australia, "torch" in modern usage is also the term for a battery-operated portable light. Etymology From the Old French "''torche''" meaning "twisted thing", hence "torch formed of twisted tow dipped in wax", probably from Vulgar Latin *''torca'', alteration of Late Latin ''torqua'', variant of classical Latin ''torques'' "collar of twisted metal", from ''torquere'' "to twist". Torch construction Torch construction has varied through history depending on the torch's purpose. Torches were usually constructed of a wooden stave with one end wrapped in a material which was soaked in a flammable substance. In the United States, black bear bones may have been used. ...
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