Semiramide (Mysliveček)
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Semiramide (Mysliveček)
''Semiramide'' is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first set to music in 1729. For a performance in the 1760s, it would only be expected that a libretto by Metastasio would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1766 performance of Mysliveček's opera are not attributable.Detailed documentation concerning eighteenth-century performances of Mysliveček's ''Semiramide'', along with extensive musical excerpts, are found in Daniel E. Freeman, ''Josef Mysliveček, "Il Boemo"'' (Sterling Heights, Mich.: Harmonie Park Press, 2009). Performance history The opera was the first one ever composed by Mysliveček, just three years after he moved permanently from Prague to Italy, and just five years after he began composition lessons at the age of 24. As such, it represents an extraordinary achievement. ...
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Jan Vilímek - Josef Mysliveček
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a minim ...
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Semiramide Riconosciuta (Meyerbeer)
''Semiramide riconosciuta'' (''Semiramis recognised'') is a dramma per musica in two acts by Giacomo Meyerbeer. It is the composer's fifth opera and the second that he composed for a theatre in Italy. The text is an adaptation of a pre-existing libretto by Pietro Metastasio that had already been set to music Semiramide riconosciuta, by numerous other composers. The opera had its premiere at the Teatro Regio (Turin), Teatro Regio in Turin on 3 February 1819.MusicAndHistory.com – 1819
. Accessed 18 August 2016


Background

Born in Berlin to a wealthy family, as a young man, Giacomo Meye ...
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1766 Operas
Events January–March * January 1 – Charles Edward Stuart ("Bonnie Prince Charlie") becomes the new Stuart claimant to the throne of Great Britain, as King Charles III, and figurehead for Jacobitism. * January 14 – Christian VII becomes King of Denmark-Norway. * January 20 – Burmese–Siamese War: Outside of the walls of the Thailand capital of Ayutthaya, tens of thousands of invaders from Burma (under the command of General Ne Myo Thihapate and General Maha Nawatra) are confronted by Thai defenders led by General Phya Taksin. The defenders are overwhelmed and the survivors take refuge inside Ayutthaya. The siege continues for 15 months before the Burmese attackers collapse the walls by digging tunnels and setting fire to debris. The city falls on April 9, 1767, and King Ekkathat is killed. * February 5 – An observer in Wilmington, North Carolina reports to the Edinburgh newspaper ''Caledonian Mercury'' that three ships have been seized ...
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Operas By Josef Mysliveček
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Italian-language Operas
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Italy, San Marino, Switzerland ( Ticino and the Grisons), and Vatican City; it has official minority status in Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Tereza, Encantado, and Venda Nova do Imigrante in Brazil. Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia. Some speakers of Italian are native bilinguals of both Italian (either in its standard form or regional varieties) and a local language of Italy, most frequently the language spoken at home in their place of origin. Italian is a major language in Europe, being one of the offici ...
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Semiramis
Semiramis (; ''Šammīrām'', ''Šamiram'', , ''Samīrāmīs'') was the legendary Lydian- Babylonian wife of Onnes and of Ninus, who succeeded the latter on the throne of Assyria, according to Movses Khorenatsi. Legends narrated by Diodorus Siculus, who drew primarily from the works of Ctesias of Cnidus,Diodorus Siculus: The Library of History, Book II, Chapters 1-22 describe her and her relationships to Onnes and King Ninus. Armenians and the Assyrians of Iraq, northeast Syria, southeast Turkey, and northwest Iran still use ''Shamiram'' and its derivative ''Samira'' as a given name for girls. The real and historical Shammuramat, the original Akkadian form of the name, was the Assyrian wife of Shamshi-Adad V (ruled 824 BC–811 BC). She ruled the Neo-Assyrian Empire as its regent for five years, before her son Adad-nirari III came of age and took the reins of power. She ruled at a time of political uncertainty, which may partly explain why Assyrians may have accepted ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Breeches Role
In theater, a breeches role or breeches part (also pants role, pants part, trouser role, trouser part, and Hosenrolle) is a role in which a female actor performs in male clothing. Breeches, tight-fitting knee-length pants, were a standard male garment when these roles were introduced. The theatrical term '' travesti'' covers both this sort of cross-dressing and also male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: '' The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters ( ...
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Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ...
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Castrato
A castrato (Italian; : castrati) is a male singer who underwent castration before puberty in order to retain a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice can also occur in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either twisting the testicles until they atrophied, or complete removal via surgical cutting was performed (however the comp ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Caterina Galli
Caterina Galli (c. 1723 – 1804) was an Italian operatic mezzo-soprano. She first rose to fame in England in the 1740s and early 1750s where she was particularly admired for her performances in the works of George Frideric Handel. She then enjoyed success in her native country in the 1750s and 1760s, before returning to England, where she remained active as a performer up through 1797. Early life and career Nothing is known of Galli's early training and career other than it took place in her native country. The first definitive account of the singer was in 1742 when she arrived in London with fellow opera singer Giulia Frasi. She made her first appearance on the London stage on 12 December 1742 as Artaserse in the world premiere of Giuseppe Ferdinando Brivio's ''Mandane''. Music historian Charles Burney wrote that, "Galli, after transplantation from Italy, took root in this country, and remained here in great public favor for many years." Her operatic repertoire consisted mainly ...
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