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Self-Portrait (Titian, Berlin)
''Self-Portrait'' is an oil on canvasKaminski, 98 self-portrait by the Venetian painter Titian, from ''c.'' 1546-1547.Jaffe, 142 While he painted a number of independent self-portraits in various formats, this is one of only two painted examples to survive. The other is in Madrid, dated . Both share a somber and reserved palette, although this example is richer in tonal variation and colour harmonisation.Phillips, 183 It is unfinished, with his left hand, areas of his clothing only sketched and only roughly sketched. It has been suggested that the canvas is a modello, or study, for another now lost work. Another theory is that it was painted for family members for his memory after he died. Thematically and stylistically, the work can be associated with his 1545 '' Portrait of Pietro Aretino''. A number of versions or variants exist, including drawings from his own hand, and paintings attributed to his workshop. Origin and purpose Parts of the canvas are unfinished, especia ...
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Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ...
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Hair Loss
Hair loss, also known as alopecia or baldness, refers to a loss of hair from part of the head or body. Typically at least the head is involved. The severity of hair loss can vary from a small area to the entire body. Inflammation or scarring is not usually present. Hair loss in some people causes psychological distress. Common types include male- or female-pattern hair loss, alopecia areata, and a thinning of hair known as telogen effluvium. The cause of male-pattern hair loss is a combination of genetics and male hormones; the cause of female pattern hair loss is unclear; the cause of alopecia areata is autoimmune; and the cause of telogen effluvium is typically a physically or psychologically stressful event. Telogen effluvium is very common following pregnancy. Less common causes of hair loss without inflammation or scarring include the pulling out of hair, certain medications including chemotherapy, HIV/AIDS, hypothyroidism, and malnutrition including iron def ...
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Paintings In The Gemäldegalerie, Berlin
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Portraits By Titian
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East ...
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16th-century Portraits
The 16th century began with the Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first thermometer and made substantial contributions in the fields of phy ...
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1540s Paintings
Year 154 ( CLIV) was a common year starting on Monday of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Lateranus (or, less frequently, year 907 ''Ab urbe condita''). The denomination 154 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * King Eupator of Bosphorus pays tribute to Rome, due to the threat posed by the Alani. * The Antonine Wall is completed. Asia * Last (2nd) year of ''Yongxing'' era of the Chinese Han Dynasty. * Adalla becomes ruler of the Korean kingdom of Silla. By topic Religion * Anicetus becomes pope of Rome (approximate date). * Anicetus meets with Polycarp of Smyrna to discuss the Computus, the date of Easter in the Christian liturgical calendar. * Change of Patriarch of Constantinople from Patriarch Euzois to Patriarch Laurence. Births * July 11 – Ba ...
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List Of Works By Titian
This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. List of works by year References

{{Lists of paintings Lists of works of art, Titian Paintings by Titian, * Portraits by Titian, * Lists of paintings, Titian ...
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Edward Solly
Edward Solly (25 April 1776 – 2 December 1844) was an English merchant living in Berlin, who amassed an unprecedented collection of Italian Trecento and Quattrocento paintings and outstanding examples of Early Netherlandish painting, at a time when those schools were still largely unappreciated. In 1821, following negotiations by his associate Benjamin Wegner, Solly sold his collection of about 3000 works to the Prussian king; 677 of them formed a core of the Gemäldegalerie, Berlin. Solly acquired a second collection during his years in London after 1821. Solly is also credited for having undertaken a perilous journey to deliver the first news of Napoleon's defeat at the Battle of Leipzig to the English. Life Solly was a younger brother in an English merchant family headed by Isaac Solly that were engaged in the Baltic timber trade, with offices in the city of London. As Non-Conformists the family suffered social restrictions in the higher levels of English society. During ...
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Cristoforo Barbarigo
Cristoforo is a male given name, an Italian variant of Christopher Christopher is the English language, English version of a Europe-wide name derived from the Greek language, Greek name Χριστόφορος (''Christophoros'' or ''Christoforos''). The constituent parts are Χριστός (''Christós''), "Jesus .... {{given name Italian masculine given names Masculine given names ...
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Pomponio Vecellio
Pomponio is a historic Italian first name which may refer to a number of Italian historical figures: Historic *Julius Pomponius Laetus * Pomponio Algerio * Pomponio Amidano *Pomponio Nenna Pomponio Nenna (baptized 13 June 1556 – 25 July 1608) was a Neapolitan Italian composer of the Renaissance. He is mainly remembered for his madrigals, which were influenced by Gesualdo, and for his polychoral sacred motets, posthumously p ... * Pomponio Amalteo Additionally Pomponio is the common name of an early California rebel/bandit: * José Pomponio Lupugeym Contemporary * Dion Pomponio (musician) {{Disambig Italian masculine given names Masculine given names ...
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Tizian 090
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo described Titian as " ...
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