Seasonal Wardrobe Change In Japan
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Seasonal Wardrobe Change In Japan
There are typically two types of clothing worn in Japan: traditional clothing known as , including the national dress of Japan, the kimono, and which encompasses all else not recognised as either national dress or the dress of another country. Traditional Japanese fashion represents a long-standing history of traditional culture, encompassing colour palettes developed in the Heian period, silhouettes adopted from Tang dynasty clothing and cultural traditions, motifs taken from Japanese culture, nature and traditional literature, the use of types of silk for some clothing, and styles of wearing primarily fully-developed by the end of the Edo period. The most well-known form of traditional Japanese fashion is the kimono, with the term ''kimono'' translating literally as "something to wear" or "thing worn on the shoulders".Assmann, Stephanie. "Between Tradition and Innovation: The Reinvention of the Kimono in Japanese Consumer Culture." ''Fashion Theory: The Journal of Dress, Body & ...
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Issey Miyake
was a Japanese fashion designer. He was known for his technology-driven clothing designs, exhibitions and fragrances, such as '' L'eau d'Issey'', which became his best-known product. Early life and education Miyake was born on 22 April 1938 in Hiroshima. He was still living in the city seven years later when the U.S. military dropped an atomic bomb there in August 1945. He first disclosed this in 2009, when Barack Obama advocated for global nuclear disarmament. As a child, Miyake wanted to become a dancer. His interest in fashion started by studying his sister's fashion magazines. He studied graphic design at the Tama Art University in Tokyo, graduating in 1964. He entered designs into fashion competition at the Bunka Fashion College in Tokyo. However, he did not win a competition due to his lack of pattern-making or sewing skills. After graduation, he enrolled in the '' Chambre syndicale de la couture parisienne'' school in Paris and was apprenticed to Guy Laroche as assis ...
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Yayoi People Attires
The Yayoi period (弥生時代, ''Yayoi jidai'') (c. 300 BC – 300 AD) is one of the major historical periods of the Japanese archipelago. It is generally defined as the era between the beginning of food production in Japan and the emergence of keyhole-shaped burial mounds (前方後円墳, ''zenpō-kōen-fun''). Chronologically, it spans from around the 10th century BCE or 9th–8th century BCE to the mid-3rd century CE. Following the Jōmon period, which was characterized by a hunter-gatherer economy, the Yayoi period marked the transition to a productive economy based on wet-rice agriculture. In the latter half of the late Yayoi period (around the 1st century CE), large regional powers emerged throughout western Japan, including the Tokai and Hokuriku regions. By the end of the 2nd century, the political entity known as Wa-koku (倭国) had formed. It is generally considered that the Yayoi period transitioned into the Kofun period around the mid-3rd century, although the pr ...
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Cultural Appropriation
Cultural appropriation is the adoption of an element or elements of one culture or cultural identity, identity by members of another culture or identity in a manner perceived as inappropriate or unacknowledged. Such a controversy typically arises when members of a dominant culture borrow from minority groups, minority cultures. When cultural elements are copied from a minority culture by members of a dominant culture, and these elements are used outside of their original cultural context – sometimes even against the expressly stated wishes of members of the originating culture – the practice is often received negatively. On imitation Native headdresses as "the embodiment of cultural appropriation ... donning a highly sacred piece of Native culture like a fashion accessory". Cultural appropriation can include the exploitation of another culture's religious and cultural traditions, customs, dance steps, fashion, symbols, language, history and music. Cultural appropriat ...
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La Japonaise (painting)
is an 1876 oil painting by the French Impressionism, Impressionist painter Claude Monet. Painted on a canvas, the full-length portrait depicts a European woman in a red kimono standing in front of a wall decorated by uchiwa, Japanese fans. Monet's first wife Camille Doncieux modeled for the painting. The painting was first exhibited in the second Impressionism exhibition of 1876, and is now exhibited at the Museum of Fine Arts, Boston. Description In the painting, Monet depicts Camille in a padded, heavily decorated red kimono (an ) belonging to a famous Japanese actor, standing on a Japanese-style tatami mat and in front of a wall decorated by Japanese ' fans. Camille, whose hair is dark, wears a blonde wig, emphasizing her identity as a European woman, indicating that the painting shows the performance and appropriation of Japanese culture rather than an authentic Japanese environment. Camille's body, turned in profile, shows her face turned towards the viewer, a gesture li ...
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