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Seaside (Liane Carroll Album)
''Seaside'', a studio album by the English jazz pianist and vocalist Liane Carroll. It was released on 18 September 2015 on Linn Records. Joe Stilgoe wrote the title track. Reception Reviewing the album for the Scottish national newspaper '' The Herald'', Keith Bruce described it as "not only Carroll's best disc, but one of the finest non-classical releases in the Linn catalogue". Jim Burlong, writing for ''Jazz Views'', said: "This is a wonderful album by one of our greatest jazz talents so full of quality and diversity. I doubt if there will be a better vocal based recording issued anywhere this year." Dave Gelly, who gave the album four stars in his review for ''The Observer'', described the title track as "a haunting piece, beautifully arranged, which brings out her extraordinary ability to absorb the essence of a song and deliver it with such candour that you scarcely notice the artistry involved". John Fordham, in a four-star review for ''The Guardian'', described ''S ...
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Liane Carroll
Liane Carroll (born 9 February 1964) is an English jazz vocalist, pianist and keyboardist. Early life Carroll's parents were semi-professional singers who met and sang at the Country Club in Eastbourne. She grew up in a musical householdIn a short film by Sarah Linklater about Liane Carroll and her weekly performances at Porters, a small pub in Hastings, Carroll said that her parents were both singers and her grandmother had played the piano. in Hastings and in south London. She started learning the piano at the age of three, began composing at the age of eight, and has been a professional singer, pianist and composer since she was 15. Career In 1998 Carroll joined Trevor Watts' Moiré Music band and toured overseas with them. She became a respected session musician and also worked in bands under Dave Holdsworth, Gerry Rafferty, Jerry Donohue and Long John Baldry. Carroll formed her own trio and recorded for Jazz Art, Bridge, and Ronnie Scott's Jazz Club, Ronnie Scott's Jaz ...
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The Arts Desk
''The Arts Desk'' (theartsdesk.com) is a British arts journalism website containing reviews, interviews, news, and other content related to music, theatre, television, films, and other art forms written by journalists from a variety of traditional and web-based publications. History It launched in September 2009 as a shareholder collective. In its launching year, it drew around 2000 daily visitors. From 2010 to 2013, its honorary chairman was John Tusa. Its contributing editors are made up by professional critics and veteran journalists who have worked for publications such as ''The Times'', ''The Guardian'', ''The Telegraph''. They are freelance reviewers of art, music, dance and theatre, who post reviews online. In 2019, it signed a deal with JPI Media that would allow '' I news'' to feature arts reviews and other articles written by the website's editors. Contributors to the website include Aleks Sierz, Adam Sweeting and Joe Muggs. Reception Upon its launch, ''The Telegr ...
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Mary Gauthier
Mary Veronica Gauthier ( ; born March 11, 1962) is a Grammy-nominated American folk singer-songwriter and author, whose songs have been covered by performers including Tim McGraw, Blake Shelton, Kathy Mattea, Boy George, Jimmy Buffett, Bettye Lavette, Candi Staton, and Amy Helm. Her songs often deal with marginalization, informed by her experience of adoption, addiction and recovery, and growing up gay in the deep south. Her work demonstrates an "ability to transform her own trauma into a purposeful and communal narrative", such as the lyric "we could all use, a little mercy, now", from her song " Mercy Now". Her Grammy nominated 2018 album ''Rifles & Rosary Beads'', co-written with military veterans and their families, has been hailed as a landmark achievement. She has won awards from the Americana Music Association, International Folk Music Awards, the Independent Music Awards, the GLAMA Awards, and the UK Americana Association. Early life, addiction and sobriety Gauthier ...
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Mercy Now
''Mercy Now'' is the fourth studio album by Mary Gauthier. Track listing All tracks composed by Mary Gauthier; except where indicated Personnel *Mary Gauthier - vocals, acoustic guitar *Gurf Morlix - acoustic and electric guitar, bass, lap steel, octophone, percussion, backing vocals *Rich Brotherton - acoustic guitar, banjo * Ian "Mac" Lagan - Hammond B3 organ *Rick Richards - drums *Ray Bonneville - harmonica *Brian Standefer - cello *Eamon McLoughlin - viola *Paul Mills, Patty Griffin - backing vocals Critical reception Thom Jurek at AllMusic praises "her literate American gothic songs about wasted lives, desolate characters who roam the highways like ghosts, shattered dreams, and frustrated expectations." Jon Lusk's BBC The British Broadcasting Corporation (BBC) is a British public service broadcaster headquartered at Broadcasting House in London, England. Originally established in 1922 as the British Broadcasting Company, it evolved into its current sta ... rev ...
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Fred Lavery
Lakewind Sound Studios is a studio in Canada. Artists to have their work recorded at the studio include Gordie Sampson with ''Stones'' in 1998, Damhnait Doyle with ''Davnet'' in 2003, The Cottars with '' Made in Cape Breton'' in 2002 and '' On Fire'' in 2004. Background The genesis of the studio goes back to when Fred Lavery and Gordie Sampson Gordon Francis Sampson (born July 30, 1971) is a Canadian singer-songwriter and producer from Big Pond, Nova Scotia. Beginning his career as a performer on his hometown island of Cape Breton, both in bands and on his own, Sampson has gone on t ... were performing together. This resulted in the formation of Lakewind Sound Studios. The studio has won nine ECMA’s and 5 MIANS Studio of the Year Awards. An article on the Government of Nova Scotia website dated December 7, 2006 reports that the studio had won in succession seven East Coast Music Awards in the Studio of the Year category. They had also won multiple Music Industry Associat ...
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Gordie Sampson
Gordon Francis Sampson (born July 30, 1971) is a Canadian singer-songwriter and producer from Big Pond, Nova Scotia. Beginning his career as a performer on his hometown island of Cape Breton, both in bands and on his own, Sampson has gone on to achieve international success as a songwriter in Nashville. He has written songs for Carrie Underwood, Keith Urban, Faith Hill, LeAnn Rimes, Blake Shelton, Miranda Lambert, and Rascal Flatts. He has also released albums as a solo performer. Sampson has received a Grammy Award, a Juno Award, two ASCAP Awards, East Coast Music Awards, and honorary degrees from Cape Breton University and St. Francis Xavier University. Background Sampson was born in 1971 to Francis Xavier Sampson (1946–2007) and Florence Ley. Sampson's only musical training as a child were piano lessons he took from his mother. He remembers being surrounded by fiddlers, who were very common in Cape Breton. Initially, he had no interest in fiddle music, but only wanted t ...
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Get Me Through December
Get or GET may refer to: Businesses and brands * GetTV, an American television network * Get AS, a Norwegian cable and Internet provider * GET-ligaen, a Norwegian ice hockey league (now ''Eliteserien'') * Get 27, a French mint liqueur Education * Groupe des Écoles des Télécommunications, a French collegiate university * Guaranteed Education Tuition Program, Washington, United States Other uses * Get (animal), in livestock breeding * Get (divorce document), in Jewish religious law * GET (HTTP), in Internet protocols * "Get" (song), 2010, by the Groggers * Georgia Time * Gets (people), an ancient Thracian tribe * Graded exercise therapy, for chronic fatigue syndrome * Geraldton Airport, Western Australia * GET (posting), a tradition of venerating special post numbers like 99999, 100000, or 123456 on imageboards See also * * * Geats The Geats ( ; ; ; ), sometimes called ''Geats#Goths, Goths'', were a large North Germanic peoples, North Germanic tribe who inhabit ...
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Blind Willie Johnson
Willie Johnson (January 25, 1897 – September 18, 1945), commonly known as Blind Willie Johnson, was an American gospel blues singer and guitarist. His landmark recordings completed between 1927 and 1930, thirty songs in all, display a combination of powerful chest voice singing, slide guitar skills and originality that has influenced generations of musicians. His records sold well though as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about him and his five recording sessions. A revival of interest in Johnson's music began in the 1960s following his inclusion on Harry Everett Smith, Harry Smith's ''Anthology of American Folk Music'' and by the efforts of the blues guitarist Reverend Gary Davis. Along with Davis, he has since been considered the dominant player of holy blues music which convey religious themes in a blues style, often with a blues ...
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It's Nobody's Fault But Mine
"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album '' Presence''. Lyrics and composition "It's Nobody's Fault but Mine" tells of a spiritual struggle, with reading the Bible as the path to salvation, or, rather, the failure to read it leading to damnation. Johnson was blinded at age seven when his stepmother threw a caustic solution and his verses attribute his father, mother, and sister with teaching him how to read. The context of this song is strictly religious. Johnson's song is a melancholy expression of his spirit, as the blues style echoes the depths of his guilt and his struggle. An early review called the song "violent, tortured and abysmal shouts and groans and his inspired guit ...
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Sylvia Dee
Sylvia Dee (born Josephine Moore, October 22, 1914 – June 12, 1967) was an American lyricist and novelist best known for writing the lyrics to "Too Young (Sidney Lippman and Sylvia Dee song), Too Young", a hit for Nat King Cole, "The End of the World (Skeeter Davis song), The End of the World", a hit for Skeeter Davis and "Bring Me Sunshine", which was Morecambe & Wise's signature tune. Biography Dee was born in Little Rock, Arkansas and educated at the University of Michigan. She was a copywriter for a newspaper in Rochester, New York, and wrote a number of short stories as well as the Broadway stage scores for "Barefoot Boy with Cheek, Barefoot Boy With Cheek". Joining ASCAP in 1943, her musical collaborators included Sidney Lippman, Arthur Kent (songwriter), Arthur Kent, Elizabeth Evelyn Moore, George Goehring, Al Frisch and Guy Wood. Dee wrote the words to a nonsense song that went to number 1 in 1945 called "Chickery Chick". The music was written by Sidney Lippman and it ...
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Arthur Kent (composer)
Arthur Kent (July 2, 1920, New York City – January 26, 2009, Florence, South Carolina) was an American composer of popular songs, many of which he wrote in collaboration with lyricist Sylvia Dee. Selected songs *" So They Tell Me" with lyricists Harold Mott and Jack Gale, sung by Frank Sinatra 1946 *"You Never Miss the Water (Till the Well Runs Dry)," lyricist Paul Secon for the Mills Brothers *"Don't Go to Strangers", with Redd Evans and David Mann recorded in 1960 by Etta Jones *"Take Good Care of Her", with lyricist Ed Warren, a Top Ten hit for Adam Wade *" I'm Coming Back to You", with Warren, sung by Julie London 1963 *" The End of the World", with lyricist Sylvia Dee, sung by Skeeter Davis 1963 *"Bring Me Sunshine", with Dee for Willie Nelson, and in the UK the theme tune for comedians Morecambe and WiseSounds of the Metropolis: The 19th Century Popular Music Revolution 0195309464 Derek B. Scott - 2008 - Consider, for example, how the legacy of the Viennese popu ...
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Bring Me Sunshine
"Bring Me Sunshine" is a song written in 1966 by the composer Arthur Kent, with lyrics by Sylvia Dee.Derek B. Scott, ''Sounds of the metropolis: the nineteenth-century popular music revolution in London, New York, Paris, and Vienna'', Publisher: Oxford University Press, 2008, , , 304 pagespage 7 It was first recorded by The Mills Brothers in 1968, on their album ''My Shy Violet''. In the UK, the song is associated with the popular comedy duo Morecambe & Wise, after it was adopted as their signature tune in their second series for the BBC in 1969. Musical influences Professor of Critical Musicology at the University of Leeds, Prof Derek B Scott, argues that the song is influenced by the Viennese popular style. He writes: Morecambe & Wise version Skip-dance Although the second verse was often performed by an orchestra conducted by Peter Knight over the duo's closing credits, they only ever sang the first verse, the second one being purely instrumental, with Eric and Ernie p ...
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