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Sean-nós Dance
dance ( ; , ) is an older style of traditional solo Irish dance. It is a casual dance form, as opposed to the more formal and competition-oriented form of Irish stepdance. in Irish means 'old style', and is applied to the dance form as well as a style of singing. These now less-common forms of Irish dance and traditional Irish singing have been documented in Irish history and by ethnomusicologists, but are still alive in parts of the Irish music scene. Characteristics Sean-nós dance is characterised by its "low to the ground" footwork, improvised steps, free movement of the arms, and an emphasis upon a "batter" (which sounds out more loudly the accented beat of the music). Because sean-nós dancing is improvisational, it is not necessary for a pre-arranged routine or choreography to be decided upon by the dancer. Spontaneous expression is highly valued. Therefore, it is less common to see groups performing synchronised sean-nós dance (which requires choreography in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Dance
Irish dance refers to the traditional dance forms that originate in Ireland, including both solo and group dance forms, for social, competitive, and performance purposes. Irish dance has evolved over centuries and is believed to have its roots in ancient Celtic dance. In the 17th and 18th centuries, dance was taught by "travelling dance masters" across Ireland, and separate dance forms developed according to regional practice and differing purposes. Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements. From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles. Irish dancers who compete for competitive reasons dance in a dance style that is more modern than traditional Irish dance. It is mainly done solo, but there is some team dancing in groups of 2, 3, 4, 6, 8, 10, 16 and even numbers onwards. Solo Irish dance includes the most w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Set Dancing
Irish set dancing, sometimes called "Irish sets", is a popular form of folk dancing in Ireland danced to Irish tunes in groups of eight or four dancers. It is also sometime named set dance, but this name refers more often to a kind of dance in Irish stepdance. History Set dancing is based on quadrilles, which were court dances. These were transformed by the Irish into a unique folk dance of the Irish rural communities. When the Gaelic League was formed in 1897, it sought to discourage set dancing, because it was perceived as being of foreign origins, and consequently at odds with the League's nationalist agenda. In its place, the League promoted ceili dance, a process which continued during the 1930s and 1940s with the support of the Catholic Church in the form of the Public Dance Halls Act 1935. The rise of rock and roll in the 1950s caused the popularity of set dancing to fade. However, in the 1980s a revival started and many sets that have not been done for forty years or more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stepping (African-American)
Stepping or step-dancing (a type of step dance) is a form of percussive dance in African-American culture. The performer's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps. Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations. Stepping may also draw from elements of gymnastics, break dance, tap dance, march, or African and Caribbean dance, or include stunts as a part of individual routines. The speed of the step depends upon the desired beat and rhythm of the performers. Some forms of stepping include the use of props, such as canes, rhythm sticks and/or fire and blindfolds. The dance tradition of stepping draws from a variety of roots in American and African culture but was fostered and popularized by African American fraternities and sororities, beginning in the 1900s. These group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klompendansen
Traditional dancing in the Netherlands is often called "''Folkloristisch''", sometimes "''Boerendansen''" ("farmer-dancing") or "'' Klompendansen''" (clog dancing). Wooden shoes are worn as an essential part of the traditional costume for Dutch clogging, or ''klompendanskunst''. Clogs for dancing are made lighter than the traditional 700-year-old design. The soles are made from ash wood, and the top part is cut lower by the ankle. Dancers create a rhythm by tapping the toes and heels on a wooden floor. In 2006, nearly 500 teenagers attempted the "Guinness Book of World Records" bid for the largest number of clog dancers. It took place in The Hague. They were dancing the ballet version of the Dutch clog dance rather than the folk version. The ballet ''La fille mal gardée'' contains a well-known clog dance. For this specific dance the choreography was created by Stanley Holden (1928–2007), though Frederick Ashton took overall responsibility for it. See also * Dutch folk dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welsh Stepdance
The Welsh stepdance () or Welsh clog dance () is a traditional Welsh form of dance involving clog shoes and percussive movement of the feet and athletic movements. It is typically done to Welsh traditional music and wearing traditional Welsh costume, but not always. The Welsh stepdance is an unbroken tradition that was typically performed by slate quarry workmen and farmers. Dancers would often compete with each other to prove who had the most impressive dancing, stamina and athleticism. Welsh clog dancing also includes "tricks" which makes it unique compared to other forms of step dancing such as Irish dancing, Scottish dancing and English clog dancing. These tricks can include, but are not limited to; snuffing out a candle flame using the wooden soles of the shoes, toby stepping (kicking legs out in a squat position similarly to Cossack dancing) and high leaps into the air such as straddle jumping. Clogging does not simply involve dancing whilst wearing clogs. Clogging inv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clog Dancing
Clog dancing is a form of step dance characterised by the wearing of inflexible, Clog (British), wooden soled clogs. Clog dancing developed into differing intricate forms both in Wales and also in the North of England. Welsh clog dancing mainly originates from various slate mines where workers would compete against each other during work breaks. Northern English traditional clog dancing originates from Lancashire, Yorkshire, County Durham, Northumberland and the Lake District. Welsh and English clogs, with leather uppers and a sole cut from alder or sycamore were the regular, everyday footwear for working people all over Britain until the 1920s. Dancing clogs are close fitting which allows the dancer more control over the movements of their feet. English clogs with an iron or rubber protective layer on the sole are also worn for Morris dance#North West, North West morris. The main focus of a step dancer is in the footwork: dancers can create many different types of sound using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Step Dance
Step dance is a generic term for dance styles in which footwork is considered to be the most important part of the dance and limb movements and styling are either restricted or considered irrelevant. Step-dancing is a percussive form of dance that employs hard-soled shoes and is synchronized with music played at a specified tempo using instruments like pipes, whistles, fiddles, or puirt-a-beul (mouth music). It entails producing rhythmic beats through intricate and diverse footwork, involving striking heels, toes, and feet, all the while ensuring impeccable timing with the musical rhythms found in strathspey, reel, and jig compositions. The terminology used in percussive dance styles reflects a wide range of naming conventions, highlighting both shared features and unique distinctions. The umbrella term "percussive dance" encompasses dance forms where the foot serves as an intentional source of rhythmic sound, akin to a percussion instrument. The specific footwear associate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo Dance
A solo dance is a dance done by an individual dancing alone, as opposed to couples dancing together but independently of others dancing at the same time, if any, and as opposed to groups of people dancing simultaneously in a coordinated manner. Solo dancers are usually the best dancers in a group or dance school. Most solo dancers start after about 6–7 years of dance or sooner. Most soloists are company kids from their dance school. They are usually in more than one dance. In Comparsas, there are various soloists who strut in front. They usually dance at the edges of the street so that the viewing public can appreciate their moves. Most male soloists carry a large lantern-like artifact on a large pole, resting on an oily pouch, which they spin at will. Dance is a way to express emotions. See also *Sean-nós dance * Sean-nós dance in America *Irish dance Irish dance refers to the traditional dance forms that originate in Ireland, including both solo and group dance form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Stepdance
Irish stepdance is a style of performance dance with its roots in traditional Irish dance. It is generally characterized by a stiff upper body and fast and precise movements of the feet. It can be performed solo or in groups. Aside from public dance performances, there are also stepdance competitions all over the world. These competitions are often called Feiseanna (singular Feis). In Irish dance culture, a Feis is a traditional Gaelic arts and culture festival. Contemporarily, costumes are considered important for stage presence in competition and performance Irish stepdance. In many cases, costumes are sold at high prices and can even be custom made. Each costume is different, with varying colors and patterns, designed to attract the judge's eye in competitions and the audience's eye in performance. General appearance beside the costume is also equally important. Female dancers would typically curl their hair before each competition or wear curled wigs, while male dancers wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tap Dance
Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be performed with no musical accompaniment; the sound of the taps is its own music. It is an American artform that evolved alongside the advent of jazz music. Tap is a type of step dance that began with the combination of Southern American and Irish dance traditions, such as Irish soft-shoe and hard-shoe step dances, and a variety of both slave and freeman step dances. The fusion of African rhythms and performance styles with European techniques of footwork led to the creation of tap dance. This fusion began in the mid-17th century but did not become popular until the mid-19th century. There are two major versions of tap dance: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
