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Scherzo à La Russe (ballet)
''Scherzo à la Russe'' is a ballet choreographed by George Balanchine to Stravinsky's music of the same name. The ballet was created for New York City Ballet's Stravinsky Festival, a tribute to the composer after his death, and premiered on June 21, 1972, at the New York State Theater, with the two lead roles originated by Karin von Aroldingen and Kay Mazzo. Production Stravinsky and Balanchine collaborated for many years until the former's death in 1971. The latter then decided to have the New York City Ballet hold the week-long Stravinsky Festival to honor the composer. There were at least 20 premieres, seven of which were choreographed by Balanchine. One of the ballets made for the festival is set to '' Scherzo à la Russe'', which Stravinsky wrote in 1925, for a film project that was abandoned. The four-minute long ballet is performed by an all-female cast, with two principal dancers and a corps de ballet of sixteen. Karin von Aroldingen and Kay Mazzo originated the two lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze;, Romanization of Georgian, : April 30, 1983) was a Georgian-American ballet choreographer, recognized as one of the most influential choreographers of the 20th-century. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.'' HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Russia, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway theatre, Broadway and in Cinema of the United States, Hollywood, creating his signature " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of American Ballet
The School of American Ballet (SAB) is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18. Graduates of the school achieve employment with leading ballet companies worldwide, and in the United States with New York City Ballet, American Ballet Theatre, Boston Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet and Houston Ballet. History The school was founded by the Russo-Georgian-born choreographer George Balanchine, and philanthropists Lincoln Kirstein and Edward Warburg in 1934. Balanchine's self- prescribed edict, "But first, a school", is indicative of his adherence to the ideals of the training that was fostered by the Imperial Ballet School where he received his training. He realized that most great dance companies were fed by an academy closely asso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By George Balanchine
This is a list of ballets by George Balanchine (1904–1983), New York City Ballet co-founder and ballet master. Chronological *1928 ''Apollo'' *1929 ''Le Bal'' *1929 '' The Prodigal Son'' *1935 ''Serenade'' *1936 '' Slaughter on Tenth Avenue'' *1936 ''Zenobia'' *1937 '' Jeu de cartes'' *1941 ''Concerto Barocco'' *1941 '' Tschaikovsky Piano Concerto No. 2'' *1942 '' Circus Polka'' *1946 ''La Sonnambula'' *1946 '' The Four Temperaments'' *1947 ''Haieff Divertimento'' *1947 ''Symphonie Concertante'' *1947 '' Symphony in C'' *1947 '' Theme and Variations'' *1948 ''Orpheus'' *1948 ''Pas de Trois'' (Minkus) *1949 ''Bourrée fantasque'' *1949 ''The Firebird'' *1950 ''Sylvia Pas de Deux'' *1951 ''À la Françaix'' *1951 '' La Valse'' *1951 ''Swan Lake'' (Act 2) *1952 ''Bayou'' *1952 ''Concertino'' *1952 '' Caracole'' *1952 '' Harlequinade Pas de Deux'' *1952 ''Metamorphoses'' *1952 '' Scotch Symphony'' *1954 '' Ivesiana'' *1954 ''The Nutcracker'' *1954 ''Western Symphony'' *1955 '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1972 Ballets
Year 197 ( CXCVII) was a common year starting on Saturday of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an artificial canal between the Tigris a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrushka (ballet)
''Petrushka'' (; ) is a ballet by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. ''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg. Petrushka is in love with the Ballerina, but she rejects him as she prefers the Moor. Petrushka is angry and hurt, and curses the Charlatan for bringing him into the world with only pain and suffering in his miserable life. Because of his anger, he challenges the Moor as a result. The Moor, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Fokine
Michael Fokine ( – 22 August 1942) was a Russian choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in '' The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in '' Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreographer He became frustrated with the life of a dancer and began considering other paths, including painting. In 1902, he was offered a teaching position at the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clive Barnes
Clive Alexander Barnes (13 May 1927 – 19 November 2008) was an English writer and critic. From 1965 to 1977, he was the dance and theater critic for ''The New York Times'', and, from 1978 until his death, the ''New York Post''. Barnes had significant influence in reviewing new Broadway productions and evaluating the international dancers who often perform in New York City. Barnes was a member of the executive committee of the Writers and Artists for Peace in the Middle East, a pro-Israel group. Background Barnes was born in Lambeth, London, the only child of ambulance driver Arthur Lionel Barnes (1898–1940) and Freda Marguerite, née Garratt. After their divorce when he was seven, he was raised by his mother. Barnes was educated at Emanuel School in Battersea and St Catherine's College, Oxford. He served in the Royal Air Force for two years. Career Barnes began writing dance criticism in 1949, during his time at Oxford, and afterward, he was a writer and editor for ''Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the ''Times'' serves as one of the country's Newspaper of record, newspapers of record. , ''The New York Times'' had 9.13 million total and 8.83 million online subscribers, both by significant margins the List of newspapers in the United States, highest numbers for any newspaper in the United States; the total also included 296,330 print subscribers, making the ''Times'' the second-largest newspaper by print circulation in the United States, following ''The Wall Street Journal'', also based in New York City. ''The New York Times'' is published by the New York Times Company; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo à La Russe (Stravinsky)
''Scherzo à la russe'' is a composition by Russian expatriate composer Igor Stravinsky. It was initially published by Chappell & Co. in 1945 and premiered in March 1946 by the San Francisco Symphony Orchestra, conducted by the composer himself. It was later published by Boosey & Hawkes. Composition Stravinsky had been going through economical problems since he moved to America, partially because he lost the royalties from his works in Europe and had to compose more works to exploit them in America. The ''Scherzo à la russe'' was first conceived as a work for film use, as it was intended to be featured in '' The North Star''. When the film project was aborted, Stravinsky decided to re-orchestrate it for Paul Whiteman Band. The only two conditions were: the piece had to be easy-listening and it had to fit on a 78 rpm disc. This version for jazz orchestra was premiered in 1944 by Blue Network but, according to Stravinsky scholar Eric Walter White, it didn't seem to be a success. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century classical music, composers of the 20th century and a pivotal figure in modernism (music), modernist music. Born to a musical family in Saint Petersburg, Russia, Stravinsky grew up taking piano and music theory lessons. While studying law at the Saint Petersburg State University, University of Saint Petersburg, he met Nikolai Rimsky-Korsakov and studied music under him until the latter's death in 1908. Stravinsky met the impresario Sergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes's Paris seasons: ''The Firebird'' (1910), ''Petrushka (ballet), Petrushka'' (1911), and ''The Rite of Spring'' (1913), the last of which caused a List of classical music concerts with an unruly audience respons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Ballet
Neoclassical ballet is the style of 20th-century classical ballet exemplified by the works of George Balanchine. The term "neoclassical ballet" appears in the 1920s with Sergei Diaghilev's Ballets Russes, in response to the excesses of romanticism and post-romantic modernism. It draws on the advanced technique of 19th-century Russian Imperial dance, but strips it of its detailed narrative and heavy theatrical setting while retaining many key techniques, such as pointe technique. History and development Neoclassical ballet is a genre of dance that emerged in the 1920s and evolved throughout the 20th century. Artists of many disciplines in the early 1900s began to rebel against the overly dramatized style of the Romantic Period. As a result, art returned to a more simplistic style reminiscent of the Classical Period, except bolder, more assertive and free of distractions. This artistic trend came to be known as Neoclassicism. The ballet choreographer who most exemplified thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kay Mazzo
Kay Mazzo (born January 17, 1946) is an American former ballet dancer and educator. In 1961, she joined Jerome Robbins' company, Ballets USA. The following year, she joined the New York City Ballet and was promoted to principal dancer in 1969. She created roles for George Balanchine and Robbins, before retiring from performing in 1981. She then joined the permanent faculty of the School of American Ballet in 1983, named co-chairman of faculty in 1997 and chair of faculty in 2018. She stepped down from the position in June 2022, but continues to teach. Early life Mazzo was born on January 17, 1946, in Chicago, Illinois. She started taking dance lessons at age six and entered the School of American Ballet in New York in 1959, when she was thirteen. Mazzo graduated from the Rhodes Preparatory School. Career She joined Jerome Robbins' touring company, Ballets USA, in 1961. She was a New York City Ballet apprentice at the time, but after learning that George Balanchine decided not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
