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Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play's mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kylix By Makron Mainade Satyros Staatliche Antikensammlungen 480BC Kat 94 02
In the pottery of ancient Greece, a kylix ( , ; ; also spelled ''cylix''; : kylikes , ) is the most common type of cup in the period, usually associated with the drinking of wine. The cup often consists of a rounded base and a thin stem under a basin. The cup is accompanied by two handles on opposite sides. The inner basin is often adorned in the bottom so that as the liquid is consumed an image is revealed; this adornment is usually in a circular frame and called a Tondo (art), tondo. There are many variations of the kylikes, other cups available in the era include the skyphos, or the Kantharos, kantharoi. Kylikes were also popular exports, being the most common pottery import from Attica found in Etruscan civilization, Etruscan settlements. Etymology The Greek language, Greek word ''kylix'', meaning 'cup', could refer to both a drinking vessel as well as the cup shape of a flower. It is possibly related to the Latin word ''calix'', also meaning 'cup', and may have original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odysseus
In Greek mythology, Greek and Roman mythology, Odysseus ( ; , ), also known by the Latin variant Ulysses ( , ; ), is a legendary Greeks, Greek king of Homeric Ithaca, Ithaca and the hero of Homer's Epic poetry, epic poem, the ''Odyssey''. Odysseus also plays a key role in Homer's ''Iliad'' and other works in that same epic cycle. As the son of Laertes (father of Odysseus), Laërtes and Anticlea, husband of Penelope, and father of Telemachus, Acusilaus, and Telegonus (son of Odysseus), Telegonus, Odysseus is renowned for his intellectual brilliance, guile, and versatility (''polytropos''), and he is thus known by the epithet Odysseus the Cunning (). He is most famous for his ''nostos'', or "homecoming", which took him ten eventful years after the decade-long Trojan War. Name, etymology, and epithets The form ''Odys(s)eus'' is used starting in the epic period and through the classical period, but various other forms are also found. In vase inscriptions, there are the varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclops (play)
''Cyclops'' (, ''Kyklōps'') is an ancient Greek satyr play by Euripides, based closely on an episode from the ''Odyssey''. It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in Fifth-century Athens, 5th Century BC Athens, although its intended and actual performance contexts are unknown. The date of its composition is unknown, but it was probably written late in Euripides' career. It is the only complete satyr play extant. Plot The play is set in Sicily at Mount Etna. Silenus explains that he and his sons, the chorus, are slaves to the Cyclopes, Cyclops Polyphemus. The chorus enter with singing and sheep. Silenus tells them to stop singing and send the sheep into the cave because he can see a Greek ship by the coast and men coming to the cave. Odysseus enters with his men and asks where they can find water and if anyone will sell them food. Silenus questions Odysseus and Odysseus questions Silenus. On learning that he will pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor As Papposilen Antikensammlung Berlin
An actor (masculine/gender-neutral), or actress (feminine), is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of acting pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret C
Margaret is a feminine given name, which means "pearl". It is of Latin origin, via Ancient Greek and ultimately from Old Iranian. It has been an English name since the 11th century, and remained popular throughout the Middle Ages. It became less popular between the 16th and 18th century, but became more common again after this period, becoming the second-most popular female name in the United States in 1903. Since this time, it has become less common, but was still the ninth-most common name for women of all ages in the United States as of the 1990 census. Margaret has many diminutive forms in many languages, including Daisy, Greta, Gretchen, Maggie, Madge, Maisie, Marge, Margie, Margo, Margot, Marnie, Meg, Megan, Molly, Peggy, and Rita. Etymology Margaret is derived via French () and Latin () from (), via Persian ''murwārīd'', meaning "pearl". Margarita (given name) traces the etymology further as مروارید, ''morvārīd'' in modern Persian, derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silenus
In Greek mythology, Silenus (; , ) was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue ('' thiasos''), and sometimes considerably older, in which case he may be referred to as a Papposilenus. ''Silen'' and its plural ''sileni'' refer to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction. Silenus presides over other daimons and is related to musical creativity, prophetic ecstasy, drunken joy, drunken dances and gestures. In the decorative arts, a "silene" is a Silenus-like figure, often a "mask" (face) alone. Evolution The original Silenus resembled a folkloric man of the forest, with the ears of a horse and sometimes also the tail and legs of a horse. The later sileni were drunken followers of Dionysus, usually bald and fat with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maenads
In Greek mythology, maenads (; ) were the female followers of Dionysus and the most significant members of his retinue, the ''thiasus''. Their name, which comes from :wikt:μαίνομαι#Ancient Greek, μαίνομαι (''maínomai'', “to rave, to be mad; to rage, to be angry”), literally translates as 'raving ones'. Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of Ecstasy (emotion), ecstatic frenzy through a combination of dancing and alcohol intoxication, intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythology, mythologized a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcestis (play)
''Alcestis'' (; , ''Alkēstis'') is an Classical Athens, Athenian tragedy by the Classical Greece, ancient Greek playwright Euripides. It was first produced at the Dionysia, City Dionysia festival in 438 BC. Euripides presented it as the final part of a tetralogy of unconnected plays in the competition of tragedies, for which he won second prize; this arrangement was exceptional, as the fourth part was normally a satyr play. Its Ambiguity, ambiguous, Tragicomedy, tragicomic Tone (fiction), tone—which may be "cheerfully romantic" or "bitterly ironic"—has earned it the label of a "problem play." ''Alcestis'' is, possibly excepting the ''Rhesus (play), Rhesus'', the oldest surviving work by Euripides, although at the time of its first performance he had been producing plays for 17 years. Events prior to the start of the play Long before the start of the play, King Admetus was granted by the Moirai, Fates the privilege of living past the allotted time of his death. The Fates were p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sisyphus Fragment
The Sisyphus fragment is a fragment from Classical Attic drama which is thought to contain an early argument for atheism, claiming that a clever man invented "the fear of the gods" in order to frighten people into behaving morally. The fragment was preserved in the works of the Pyrrhonist philosopher Sextus Empiricus. In antiquity, its authorship was disputed and is attributed in one tradition to Euripides, in another Critias, but the fragment indicates clear intellectual influences that are less under dispute. This includes the thought of Democritus, as Charles H. Kahn has argued. Like the Sisyphus fragment, Democritus wrote that early humans believed in the gods through fear of natural celestial phenomena: Text The Greek text is conserved in Sextus Empiricus ''Against the Physicists'' Book 1 Section 54 Several English versions exist. That by R. G. Bury runs:- :::::A time there was when anarchy did rule :::::The lives of men, which then were like the beasts, :::::Enslav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theristai
''Theristai'' (, also known as ''Reapers'' or ''Harvesters''), is a lost satyr play by Attic playwright Euripides. It was initially performed at the Dionysia in Athens in 431 BCE along with the tragedies ''Medea'', ''Philoctetes'' and ''Dictys''. The tetralogy finished in 3rd place, behind tetralogies by Euphorion (Aeschylus' son), who won 1st prize, and Sophocles. The play was recorded as having been lost as early as 200 BCE by Aristophanes of Byzantium in his hypothesis A hypothesis (: hypotheses) is a proposed explanation for a phenomenon. A scientific hypothesis must be based on observations and make a testable and reproducible prediction about reality, in a process beginning with an educated guess o ... for ''Medea''. No fragments have been assigned to Theristai. It has been suggested that this play may be an alternate title for Euripides' lost play '' Syleus'', for which several fragments are extant. References {{Authority control Lost plays Plays b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
