Santa Maria Assunta, Settignano
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Santa Maria Assunta, Settignano
Santa Maria Assunta is a Roman Catholic parish church located in Settignano, a frazione of Florence in the region of Tuscany, Italy. Description A church at this site was originally founded in the 12th century, but underwent a reconstruction in 1518. In 1595, two naves were added under the direction of Alessandro di Francesco Bandini. Among the ancient Florentine families who patronized the church were the Alessandri, Alamanni, Giugni, and Falconieri. The external facade is plain with only an early 16th-century terracotta with a ''Virgin and child with young St John''. Also in 14th century, a series of facial masks are embedded in walls. The interior contains a fresco of the ''Resurrection'' by Maso da San Friano; in the chapel of the Holy Sacrament is a ''Last Supper'' (1615) by Andrea Commodi. The church also has frescoes (1593) by Santi di Tito also with a statue of Santa Lucia. The main altar has a 15th-century crucifix and the apse cupola frescoes were painted by Pier Dandi ...
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Santa Maria Assunta A Settignano 03
Santa Claus (also known as Saint Nicholas, Saint Nick, Father Christmas, Kris Kringle or Santa) is a legendary figure originating in Western Christianity, Western Christian culture who is said to Christmas gift-bringer, bring gifts during the late evening and overnight hours on Christmas Eve. Christmas elf, Christmas elves are said to make the gifts in Santa's Santa's workshop, workshop, while Santa Claus's reindeer, flying reindeer pull his sleigh through the air. The popular conception of Santa Claus originates from Saint Nicholas (European folklore), folklore traditions surrounding the 4th-century Christian bishop Saint Nicholas, the patron saint of children. Saint Nicholas became renowned for his reported generosity and secret gift-giving. The image of Santa Claus shares similarities with the English figure of Father Christmas, and they are both now popularly regarded as the same person. Santa is generally depicted as a portly, jolly, white-bearded man, often with spectac ...
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Bernardo Buontalenti
Bernardo Timante Buonacorsi ( – June 1608), known as Bernardo Buontalenti () and sometimes by the nickname "Bernardo delle Girandole", was an Italian Scenic design, stage designer, architect, theatrical designer, Military engineering, military engineer and artist. Biography Buontalenti was born in Florence . He entered the service of the Medici as a youth and remained with them the rest of his life. He is said to have been instructed in painting by Francesco de' Rossi (Il Salviati), Salviati and Bronzino, in sculpture by Michelangelo, in architecture by Giorgio Vasari, and in miniature painting under Giulio Clovio. He executed a number of miniatures for Francesco I de' Medici, Grand Duke of Tuscany, Francesco, the son of Cosimo I. More than a painter, he was celebrated as an architect; in this role he was much employed in the design of fortifications, villas, and gardens and is considered one of the most important architects of the Mannerist period. He was also a great mechanic, ...
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16th-century Roman Catholic Church Buildings In Italy
The 16th century began with the Julian calendar, Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian calendar, Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first ...
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Roman Catholic Churches In Florence
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter written by Paul, found in the New Testament of the Christian Bible * Ar-Rum (), the 30th sura of the Quran. Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People * Roman (given name), a given name, including a list of people and fictional characters * Roman (surnam ...
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Leopoldo Costoli
Leopoldo Costoli (c.1850–1908) was an Italian sculptor. He was born in Florence, Grand Duchy of Tuscany. He studied and worked with his father Aristodemo Costoli Aristodemo Costoli (1803–1871) was an Italian sculptor who spent his entire career in the city of Florence. He is also known for attempting in 1843 to clean and conserve the famed Renaissance-era sculpture ''David (Michelangelo), David'' by .... References *Mackay, James, ''The Dictionary of Sculptors in Bronze'', Antique Collectors Club, Woodbridge, Suffolk 1977 1850s births 1908 deaths Sculptors from Florence 19th-century Italian sculptors Italian male sculptors 20th-century Italian sculptors 20th-century Italian male artists 19th-century Italian male artists Artists from the Grand Duchy of Tuscany {{Italy-sculptor-stub ...
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Niccolò Tommaseo
Niccolò Tommaseo (; 9 October 1802 – 1 May 1874) was a Dalmatian Italian linguist, journalist and essayist, the editor of a (''A Dictionary of the Italian Language'') in eight volumes (1861–74), of a dictionary of synonyms (1830) and other works. He is considered a precursor of the Italian irredentism. Biography Born at Sebenico (Šibenik), which was in quick succession under Venetian, Napoleonic and Habsburg domain, Tommaseo was culturally and ethnically Italian, but expressed also a genuine interest in the Illyrian popular culture. His education, pursued at Spalato ( Split), was a humanistic one with a sound Catholic basis. He moved to Italy to graduate in law at the University of Padua in 1822. He then spent several years as a journalist roving between Padua and Milan, where he came in contact with Alessandro Manzoni and Antonio Rosmini-Serbati. In this period of life, he began his collaboration in the ''Antologia'' of Giovan Pietro Vieusseux, founder of the Gabin ...
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Desiderio Da Settignano
Desiderio da Settignano, real name Desiderio de Bartolomeo di Francesco detto Ferro ( 1428 or 1430 – 1464) was an Italian Renaissance sculptor active in north Italy. Biography He came from a family of stone carvers and stonemasons in Settignano, near Florence. Although his work shows the influence of Donatello, specifically in his use of low reliefs, it is most likely that he received his training in the large Florentine workshop run by Bernardo and Antonio Rossellino. Desiderio matriculated into the Arte dei Maestri di Pietra e Legname, Florence's guild of Stone and Woodworkers, in 1453 and shortly thereafter already was supplying cherub head medallions for the frieze running across the front of the Pazzi Chapel in the second cloisteryard of the Basilica of Santa Croce. ''Memorial Tomb for Carlo Marsuppini,'' 1453–55, Santa Croce, Florence It is rather surprising that he would have received such an important commission as the monumental tomb of Carlo Marsuppini so ear ...
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Cigoli
Lodovico or Ludovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Biography Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the " Counter-''Maniera''" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. For the Roman patron, Massimo Massimi, he painted an '' Ecce Homo'' (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominen ...
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Gherardo Silvani
Gherardo Silvani (14 December 1579 – 23 November 1675) was an Italian architect and sculptor, active mainly in Florence and other sites in Tuscany during the Baroque period. Biography His son Pierfrancesco also became an architect. He worked on the Palazzo Corsini al Prato, Palazzo Capponi-Covoni (1623), Palazzo Fenzi (1634), Palazzo Pallavicini, Palazzo di San Clemente. He also helped design and construct the altar of the Basilica di Santo Spirito. He helped in the reconstruction of the churches of San Frediano, Santi Simone e Giuda, Sant'Agostino, and the Chiesa di Santa Maria Maggiore (Florence), among others. He helped design the façade of the Basilica of Santa Maria at Impruneta. His model for the façade of the cathedral of Florence Florence Cathedral (), formally the Cathedral of Saint Mary of the Flower ( ), is the cathedral of the Catholic Archdiocese of Florence in Florence, Italy. Commenced in 1296 in the Gothic style to a design of Arnolfo di Cambi ...
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Ciborium (architecture)
In Church architecture, ecclesiastical architecture, a ciborium (Greek language, Greek: κιβώριον; ) is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a church architecture, church. It may also be known by the more general term of baldachin, though ''ciborium'' is often considered more correct for examples in churches. A baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or, as at St. Peter’s Basilica, Saint Peter’s in Rome, imitate one. There are exceptions; St. Peter's Baldachin, Bernini's structure in Saint Peter's, Rome is always called the baldachin. Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizin ...
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Roman Catholic
The Catholic Church (), also known as the Roman Catholic Church, is the largest Christian church, with 1.27 to 1.41 billion baptized Catholics worldwide as of 2025. It is among the world's oldest and largest international institutions and has played a prominent role in the history and development of Western civilization. O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' (autonomous) churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies around the world, each overseen by one or more bishops. The pope, who is the bishop of Rome, is the chief pastor of the church. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the one, holy, catholic and apostolic church founded by Jesus Christ in his Great Commission, that its bishops are the successors of Christ's apostles, and that the pope is the successor of Saint Peter, upo ...
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Andrea Della Robbia
Andrea della Robbia (20 October 14354 August 1525) was an Italian Renaissance sculptor, especially in ceramics. Biography Born in Florence, Robbia was the son of Marco della Robbia, whose brother, Luca della Robbia, popularized the use of glazed terra-cotta for sculpture. Andrea became Luca's pupil, and was the most important artist of ceramic glaze of the times. He carried on the production of the enamelled reliefs on a much larger scale than his uncle had ever done; he also extended its application to various architectural uses, such as friezes and to the making of lavabos, fountains and large retables. One variety of method was introduced in his enamelled work. Sometimes he omitted the enamel on the face and hands of his figures, especially in those cases where he had treated the heads in a realistic manner; as, for example, in the tympanum relief of the meeting of St Domenic and St Francis in the loggia of the Florentine hospital of San Paolo, a design suggested by a f ...
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