Sankashū
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Sankashū
is a collection of poems by Saigyō, most probably made by the poet himself, and issued . Dating Because the collection contains no poems from the last decade of Saigyō's life, 1180–90, he is thought to have closed it c.1180, and circulated it thereafter. Divisions The collection contains 1552 poems, and falls into three parts. The first (1-572) is divided into four sections containing poems of the four seasons; the second (573-1041) into two sections - Love and Miscellaneous; and the third (1042-1152) again into two sections - Miscellaneous Songs and One Hundred Songs. Quality Where much court poetry of the time was convoluted, the ''Sankashū'' is known for its directness of utterance. His early translator, Hei-Hachuro Honda, valorised Saigyō's poems of solitude over those that were involved in more communal activities. Later critics, however, have paid more attention to how his poetry was rooted both in his private life ''and'' the public life of his society. See also ...
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Saigyō
was a Japanese poet of the late Heian and early Kamakura period. Biography Born in Kyoto to a noble family, he lived during the traumatic transition of power between the old court nobles and the new samurai warriors. After the start of the age of Mappō, Buddhism was considered to be in decline and no longer as effective a means of salvation. These cultural shifts during his lifetime led to a sense of melancholy in his poetry. As a youth, he worked as a guard to retired Emperor Toba, but in 1140 at age 22, for reasons now unknown, he quit worldly life to become a monk, taking the religious name . He later took the pen name , meaning "Western Journey", a reference to Amida Buddha and the Western paradise. He lived alone for long periods in his life in Saga, Mt. Koya, Mt. Yoshino, Ise, and many other places, but he is more known for the many long, poetic journeys he took to Northern Honshū that would later inspire Bashō in his '' Narrow Road to the Interior''. He was ...
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Shika Wakashū
, abbreviated as ''Shikashū'', is an imperial anthology of Japanese waka, compiled –1154 CE at the behest of the Emperor Sutoku who ordered it in 1144. It was compiled by Fujiwara no Akisuke (1090–1155; a member of the Rokujō). It consists of ten volumes containing 411 poems. The ''Shikashū'' is the shortest of the imperial anthologies. Despite Akisuke's ostensibly conservative nature, it is rather eclectic and has a wide variety of poems, including one by Saigyo.W R Lafleur, ''Awesome Nightfall'' (2003) p. 28 See also * Sankashū * Shin Kokin Wakashū References Further reading *pg. 483 of ''Japanese Court Poetry'', Earl Miner, Robert H. Brower. 1961, Stanford University Leland Stanford Junior University, commonly referred to as Stanford University, is a Private university, private research university in Stanford, California, United States. It was founded in 1885 by railroad magnate Leland Stanford (the eighth ... Press, LCCN 61-10925 Shikashū ...
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Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa (Japan), Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a tanka, 5-7-5-7-7 metre. Up to and during the compilation of the in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the ''Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ...
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Noh Plays
is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the ''iemoto'' system. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of ...
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Tales Of The Heike
is an epic account compiled prior to 1330 of the struggle between the Taira clan and Minamoto clan for control of Japan at the end of the 12th century in the Genpei War (1180–1185). It has been translated into English at least five times. The first translation was by Arthur Lindsay Sadler, in 1918–1921. A complete translation in nearly 800 pages by Hiroshi Kitagawa & Bruce T. Tsuchida was published in 1975. It was also translated by Helen McCullough in 1988. An abridged translation by Burton Watson was published in 2006. In 2012, Royall Tyler completed his translation, which, he says, seeks to be mindful of the performance style for which the work was originally intended. Historical novelist Eiji Yoshikawa published a prose rendering in the ''Asahi Weekly'' in 1950, under the title ' (''Shin Heike Monogatari''). Background Title Heike () refers to the Taira (), ''hei'' being the ''on'yomi'' reading of the first ''kanji'' and "ke" () meaning "family". However, in the te ...
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Tanka
is a genre of classical Japanese poetry and one of the major genres of Japanese literature. Etymology Originally, in the time of the influential poetry anthology (latter half of the eighth century AD), the term ''tanka'' was used to distinguish "short poems" from the longer . In the ninth and tenth centuries, however, notably with the compilation of the '' Kokinshū'', the short poem became the dominant form of poetry in Japan, and the originally general word became the standard name for this form. Japanese poet and critic Masaoka Shiki revived the term ''tanka'' in the early twentieth century for his statement that ''waka should be renewed and modernized''. ''Haiku'' is also a term of his invention, used for his revision of standalone Hokku, with the same idea. Form Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of '' on'' (often treated as, roughly, the number of syllables per unit or line ...
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Japanese Literature
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or , a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original culture () developed and literature also established its own style, with the significant usage and development of to write Japanese literature. Following the end of the policy and especially during the increasing westernization of the Meiji era, Western literature has also had an influence on the development of modern Japanese writers, while Japanese literature has in turn become more recognized internationally, leading to two Japanese Nobel laureates in literature, namely Yasunari Kawabata and Kenzaburō Ōe. History Nara-period literature (before 794) Before the introduction of kanji ...
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Late Old Japanese Texts
Late or LATE may refer to: Everyday usage * Tardy, or late, not being on time * Late (or the late) may refer to a person who is dead Music * ''Late'' (The 77s album), 2000 * Late (Alvin Batiste album), 1993 * Late!, a pseudonym used by Dave Grohl on his '' Pocketwatch'' album * Late (rapper), an underground rapper from Wolverhampton * "Late", a song by Kanye West from ''Late Registration'' Other uses * Late (Tonga), an uninhabited volcanic island southwest of Vavau in the kingdom of Tonga * "Late" (''The Handmaid's Tale''), a television episode * LaTe, Oy Laivateollisuus Ab, a defunct shipbuilding company * Limbic-predominant age-related TDP-43 encephalopathy, a proposed form of dementia * Local-authority trading enterprise, a New Zealand business law * Local average treatment effect, a concept in econometrics * Late, a synonym for ''cooler'' in stellar classification See also * * * ''Lates'', a genus of fish in the lates perch family * Later (other) Later may ref ...
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Heian Period In Literature
The Japanese word Heian (平安, lit. "peace") may refer to: * Heian period, an era of Japanese history * Heian-kyō, the Heian-period capital of Japan that has become the present-day city of Kyoto * Heian series, a group of karate kata (forms) * Heian Shrine, a large shrine in the city of Kyoto * "Heian", a song from the 2016 Momus album '' Scobberlotchers'' See also * Ping'an (other), the Chinese pinyin transliteration of 平安 * Pyongan Pyongan Province (; ) was one of Eight Provinces of Korea during the Joseon dynasty. Pyongan was located in the northwest of Korea. The provincial capital was Pyongyang. History Pyongan Province was formed in 1413. Its name derived from the name ...
, the Korean hanja transliteration of 平安 {{disambiguation ...
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