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San Paolo, Parma
Entrance to the monastery. San Paolo is a former convent in central Parma, Emilia-Romagna, northern Italy. It is best known for housing the ''Camera di San Paolo'' (Chamber of St Paul), decorated by a masterpiece of fresco work (1519) by Correggio. History Tradition holds that the monastery was erected on the spot where Godescalco, the son-in-law of the Lombard king Agilulf, converted to Christianity and took the name Paolo. Supposedly he endowed the convent after his young wife had died during childbirth between 599 and 602. However, documents speak of a Benedictine convent, one of nearly a handful in Parma, present around the year 1000, and it was adjacent to the former and contemporary church of San Ludovico, now also deconsecrated. The convent mainly admitted women from aristocratic or wealthy lineage. It was to this monastery that Margherita Farnese (1567–1643), daughter of the Duke of Parma and great-granddaughter of Charles V, Holy Roman Emperor, was admitted after the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monastero Di San Paolo, Ingresso
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Monastero is an Italian word meaning Monastery. It may refer to several Italian municipalities of Piedmont: *Monastero Bormida, in the Province of Asti *Monastero di Lanzo, in the Province of Turin *Monastero di Vasco, in the Province of Cuneo * Villa Monastero in Varenna, Italy See also *Monasterolo (other) Monasterolo may refer to several places in Italy: *Monasterolo Casotto Monasterolo Casotto is a ''comune'' (municipality) in the Province of Cuneo in the Italian region Piedmont, located about south of Turin and about east of Cuneo. Monasterolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caterina D'Alessandria
Catherine of Alexandria (also spelled Katherine); grc-gre, ἡ Ἁγία Αἰκατερίνη ἡ Μεγαλομάρτυς ; ar, سانت كاترين; la, Catharina Alexandrina). is, according to tradition, a Christian saint and virgin, who was martyred in the early fourth century at the hands of the emperor Maxentius. According to her hagiography, she was both a princess and a noted scholar who became a Christian around the age of 14, converted hundreds of people to Christianity and was martyred around the age of eighteen. More than 1,100 years after Catherine's martyrdom, Joan of Arc identified her as one of the saints who appeared to and counselled her.Williard Trask, ''Joan of Arc: In Her Own Words'' (Turtle Point Press, 1996), 99 The Eastern Orthodox Church venerates her as a Great Martyr and celebrates her feast day on 24 or 25 November, depending on the regional tradition. In Catholicism, Catherine is traditionally revered as one of the Fourteen Holy Helpers and sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun '' guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescos (1615–1616) of Casa Pannini in Cento, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Schedoni
Bartolomeo Schedoni (sometimes Schedone) (1578 – 23 December 1615) was an Italian early Baroque painter from Modena. Biography He was born in Modena, and moved to Parma with his father, a mask-maker who served the Farnese court. In 1595 Schedoni traveled to Rome, where he apprenticed briefly under Federico Zuccari with the sponsorship of Ranuccio I Farnese, Duke of Parma.Miller, Dwight C. "Schedoni, Bartolomeo". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Web. After falling ill, he returned to Parma. The baroque art historian Count Carlo Cesare Malvasia (1616–1693) claims that Schedoni trained under Annibale Carracci in Bologna, although this is questionable; his early work reveals instead his study of Correggio's works in Parma. Schedoni's earliest known commission was in 1598. He left Parma after an imprisonment for assault, and relocated to Modena. There he served as painter to the court of Cesare d’Este, and collaborated with Ercole dell'Abate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a storm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian (Florentine) painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the three paintings representing the battle of San Romano, which were wrongly entitled the ''Battle of Sant'Egidio of 1416'' for a long period of time. Paolo worked in the Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Di Giovanni Di Ambrogio
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta Bartolomeo della Gatta (1448–1502), born Pietro di Antonio Dei, was an Italian (Florentine) painter, illuminator, and architect. He was the son of a goldsmith. He was a colleague of Fra Bartolommeo. In 1468, Bartolomeo became a monk in the O ... (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Di Tommaso
Niccolò di Tommaso (active 1346–1376) was an Italian painter active in Florence, Naples and Pistoia. He is documented as joining the Arte dei Medici e Speziali around 1346. He shows the influence of Maso di Banco, but worked with Nardo di Cione on the Strozzi chapel in Santa Maria Novella by 1370. That same year he worked in the church of San Giovanni Fuorcivitas in Pistoia. In 1371 he travelled to Naples to paint a polyptych for the church of Sant’Antonio Abate. On his return to Tuscany, Niccolò frescoed for the Church of Tau, Pistoia. He painted a ''Coronation of the Virgin'' ( Accademia, Venice), and ''The Massacre of the Innocents'' (Uffizi The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums ..., Florence). He also painted a ''Madonna del Parto'' in the church of San Lore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bicci Di Lorenzo
Bicci di Lorenzo (1373–1452) was an Italian painter and sculptor, active in Florence. He was born in Florence in 1373, the son of the painter, Lorenzo di Bicci, whose workshop he joined. He married in 1418, and in 1424 was registered in the Guild of Painters at Florence. His son, Neri di Bicci was also a painter and took over the family workshop. Bicci di Lorenzo died in Florence in 1452 and was buried in Santa Maria del Carmine. Following early work – largely frescoes – in collaboration with his father, he received a number of important commissions, including, according to Vasari, from the Medici for a cycle of frescoes of ''Illustrious Men'' for the Palazzo Medici. For the Opera del Duomo, he painted frescoes of the apostles. And he painted a ''Saints Cosmas and Damian'' and frescoes representing the dedication of the church itself for Sant'Egidio in the hospital of Santa Maria Nuova. Among his major works are an ''Enthroned Madonna'' now in the National Gall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestro Della Misericordia
Maestro (; from the Italian ''maestro'' , meaning "master" or "teacher") is an honorific title of respect (plural: maestros or maestri). The term is most commonly used in the context of Western classical music and opera, in line with the ubiquitous use of Italian musical terms. In music The word ''maestro'' is most often used in addressing or referring to conductors. Less frequently, one might refer to respected composers, performers, impresarios, musicologists, and music teachers. In the world of Italian opera, the title is also used to designate a number of positions within the orchestra and company that have specific duties during rehearsal and performance. These include: * Maestro sostituto or maestro collaboratore: musicians who act as ''répétiteurs'' and assistant conductors during performances. * Maestro concertatore, the keyboard continuo player, who prepares singers and leads rehearsals. * Maestro direttore: the leader of the first violins of the orchestra (see c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_The_Prodigal_Son_-_732311_-_National_Trust.jpg "Click for more on -> Sebastiano Ricci")
