|
Samba-canção
Samba-canção () (literally 'samba song') is, in its most common acceptance or interpretation, the denomination for a kind of Brazilian popular songs with a slow-paced samba rhythm. History It appeared after the World War II, at the end of the 1940s, and practically disappeared in the middle of the 1960s when majority of composers began to present their songs without category denomination. The name is somewhat arbitrary, adopted by the music industry, that is, publishers and record companies, and some composers. Like many popular songs of the world, Samba-canção (plural 'sambas-canções')'s principal theme is the love relationship, typically moaning for a lost love. Tempo is moderate or a little slower. The denomination suggests that the song is more sophisticated, less earthy, than ordinary samba songs. Composition It has, in most cases, two parts. They are repeated totally. Almost always it has a small introduction (no lyrics here) and sometimes short additional ending ( c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Música Popular Brasileira
Música popular brasileira (, ''Popular Brazilian Music'') or MPB is a trend in post- bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock. This movement has produced and is represented by many Brazilian artists, such as Jorge Ben Jor, Ivan Lins, Novos Baianos, Belchior and Dominguinhos, whose individual styles generated their own trends within the genre. The term is often also used to describe any kind of music with Brazilian origins and "voice and guitar style" that arose in the late 1960s. Variations within MPB were the short-lived but influential artistic movement known as tropicália, and the music of samba rock. MPB songs are in part characterized by their harmonic complexity and their elaborate lyrics, which call back to a connection between Brazil’s popular music and poetry that has been culturall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto Mende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartola
Angenor de Oliveira, known as Cartola (Portuguese for top hat), (; October 11, 1908 – November 30, 1980) was a Brazilian singer, composer and poet considered to be a major figure in the development of samba. Cartola composed, alone or with partners, more than 500 songs. Biography The third son of Sebastião Joaquim de Oliveira and Aida Gomes de Oliveira, Angenor was born at Rua Ferreira Viana, 74, in the Catete district of Rio de Janeiro. His parents named him ''Agenor,'' but a transcription error on his birth certificate rendered it ''Angenor'', which he learned when he was 55. His nickname was bestowed by friends when he was 15: A construction worker, he always wore a hat—which he called a ''cartola'' (top hat)—to protect his hair and clothes. When Cartola was eight, his family moved to the Laranjeiras neighborhood in Rio; financial difficulties necessitated another move, to Mangueira hill in 1919, where a small favela (an unregulated slum, typically without public s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () ( Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango (music) Tango is a style of music in or time that originated among European and African immigrant populations of Argentina and Uruguay (collectively, the " Rioplatenses"). It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the '' orquesta típica'', which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world. Origins Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain,José Luis Ortiz Nuevo ''El origen del tango americano'' Madrid and La Habana 1849 while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. All sources stress the influence of African communities and their r ... |
