|
Sainte-Madeleine Church, Strasbourg
The Sainte-Madeleine Church (''Église Sainte-Madeleine'', German: ''Magdalenenkirche'') is a Catholic church in Strasbourg, France, which was built in Gothic style in the late 15th century, but largely rebuilt in a style close to Jugendstil after a devastating fire in 1904. Destroyed again during World War II, the church was re-constructed in its modern form. This is the fourth building dedicated to Mary Magdalene built in the city since the 13th century. The church is classified as a historic monument by a decree of 6 December 1898. Eglise Sainte-Madeleine History and architecture The first convent dedicated to Mary Magdalene was built in 1225 on the outskirts of the city of Strasbourg, on the site of the current ''place de la République''. The institution, which welcomed repentant prostitutes, was evacuated and then destroyed around 1470, since the city feared imminent invasion by the armies of the Duke of Burgundy. A new convent was rebuilt in the Krutenau district. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonization
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. For example, using an Ionian (major scale) * the root note would become the I major chord, * the second note the ii minor chord, * the third note the iii minor chord, * the fourth note the IV major chord, * the fifth note the V major chord (or even a dominant 7th), * the sixth note the vi minor chord, * the seventh note the vii diminished chord and * the octave would be a I major chord. Using the minor (aeolian mode) one would have: * i minor, * ii diminished, * ()III major, * iv minor, * v minor, * ()VI major, * ()VII major and * the i minor an octave higher. Reharmonization Reharmonization is the technique of taking an existing me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Chapuis (organist)
Michel Léon Chapuis () (15 January 1930 – 12 November 2017) was a French classical organist and pedagogue. He was especially known as an interpreter of the French and the German Baroque masters and dedicated to historically informed performances. Biography Chapuis was born in Dole, Jura, and had his early training there, on the organ of the Cathedral of Dole. In 1943, he studied the piano with Émile Poillot in Dijon. In 1945 came his first serious study of the organ with Jeanne Marguillard, organist of the Besançon Cathedral. He then studied at the École César Franck in Paris under René Mahlherbe (composition) and Édouard Souberbielle (organ). He had further studies with Marcel Dupré at the Conservatoire de Paris and won prizes in organ and improvisation in 1951 (the Prix Périlhou et Guilmant). Chapuis was organist for the Paris churches of St Germain l'Auxerrois 1951-54 and St Nicolas des Champs 1954-72, accompanied at Notre Dame 1955-64, and was titular organist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lampertheim
Lampertheim is a town in the Bergstraße district in Hesse, Germany. In 1984, the town hosted the 24th ''Hessentag'' state festival. Geography Location Lampertheim lies in the southwest corner of Hesse in the Rhine rift at the Biedensand Conservation Area (an old arm of the Rhine) and borders on Baden-Württemberg and Rhineland-Palatinate. It is on the right bank of the Rhine across from Worms (Rhineland-Palatinate), roughly north of Mannheim (Baden-Württemberg). The town is broadly, but visibly surrounded by the Odenwald and the Palatinate Forest. Neighbouring communities Lampertheim is one of Hesse’s southernmost towns and borders on Bürstadt, Lorsch, Viernheim and Mannheim (Baden-Württemberg). Constituent communities Lampertheim has the outlying centres of Hofheim, Hüttenfeld, Neuschloß and Rosengarten, which are all '' Stadtteile''. Furthermore, there are residential neighbourhoods named Heide, Oberlach-Rosenau, Am Küblinger Damm, Lache, An der Wormser Straße, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Keyboard
A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music. A pedalboard has long, narrow lever-style keys laid out in the same semitone scalar pattern as a manual keyboard, with longer keys for C, D, E, F, G, A and B, and shorter, raised keys for C, D, F, G and A. Training in pedal technique is part of standard organ pedagogy in church music and art music. Pedalboards are found at the base of the console of most pipe organs, pedal pianos, theatre organs, and electronic organs. Standalone pedalboards such as the 1970s-era Moog Taurus bass pedals are occasionally used in progressive rock and fusion music. In the 21st century, MIDI pedalboard controllers are used with synthesizers, electronic Hammond-style organs, and with digital pipe organs. Pedalboards are also used with pedal pianos and with some harps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell (carillon), or, on electric and electronic keyboards, completing a circuit ( Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the ''piano keyboard''. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale: C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Echo (phenomenon)
In audio signal processing and acoustics, an echo is a reflection of sound that arrives at the listener with a delay after the direct sound. The delay is directly proportional to the distance of the reflecting surface from the source and the listener. Typical examples are the echo produced by the bottom of a well, by a building, or by the walls of an enclosed room and an empty room. A true echo is a single reflection of the sound source. The word ''echo'' derives from the Greek ἠχώ (''ēchō''), itself from ἦχος (''ēchos''), "sound". Echo in the Greek folk story is a mountain nymph whose ability to speak was cursed, leaving her able only to repeat the last words spoken to her. Some animals use echo for location sensing and navigation, such as cetaceans (dolphins and whales) and bats in a process known as echolocation. Echoes are also the basis of Sonar technology. Acoustic phenomenon Acoustic waves are reflected by walls or other hard surfaces, such as mountains and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manual (music)
A manual is a musical keyboard designed to be played with the hands, on an instrument such as a pipe organ, harpsichord, clavichord, electronic organ, melodica, or synthesizer. The term "manual" is used with regard to any hand keyboard on these instruments to distinguish it from the pedalboard, which is a keyboard that the organist plays with their feet. It is proper to use "manual" rather than "keyboard", then, when referring to the hand keyboards on any instrument that has a pedalboard. Music written to be played only on the manuals (instead of using the pedals) can be designated by manualiter (first attested in 1511, but particularly common in the 17th and 18th centuries). Overview Organs and synthesizers can, and usually do, have more than one manual; most home instruments have two manuals, while most larger organs have two or three. Elaborate pipe organs and theater organs can have four or more manuals. The manuals are set into the organ console (or "keydesk"). The la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Silbermann
Andreas Silbermann (16 May 1678 – 16 March 1734) was a German organ builder, who was involved in the construction of 35 organs, mostly in Alsace. Andreas also established the Silbermann family tradition of organ building, training his brother Gottfried and his son Johann Andreas in the profession. Biography Silbermann was born on 16 May 1678 in Kleinbobritzsch, near Frauenstein, Saxony, the son of a joiner. He himself trained as a joiner in Freiberg under George Lampertius, but soon afterwards learnt the art of organ building, moving to Alsace in 1699. The exact timing and source of his training is unknown, with proposed names of his mentor including Friederich Ring and Daniel Übermann. During his early work in Alsace, Silbermann carried out renovation work on the organ constructed by Johann-Jacob Baldner in the church of St Léger in Bouxwiller. After this, he moved to work with Strasbourg organ builder Friderich Ring, settling permanently in the city in 1701 and rece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which like the accordion and mouth organs (both Eastern and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrel Vault
A barrel vault, also known as a tunnel vault, wagon vault or wagonhead vault, is an architectural element formed by the extrusion of a single curve (or pair of curves, in the case of a pointed barrel vault) along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design. The barrel vault is the simplest form of a vault: effectively a series of arches placed side by side (i.e., one after another). It is a form of barrel roof. As with all arch-based constructions, there is an outward thrust generated against the walls underneath a barrel vault. There are several mechanisms for absorbing this thrust. One is to make the walls exceedingly thick and strong – this is a primitive and sometimes unacceptable method. A more elegant method is to build two or more vaults parallel to each other; the forces of their outward thrusts will thus negate each other. This method was most often used in construction of churches, where sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Sainte-Madeleine Church, Strasbourg")
.jpg "Click for more on -> Barrel Vault")