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Saint-Thégonnec Parish Close
The Saint-Thégonnec Parish close (Enclos paroissial) is located at Saint-Thégonnec (Sant Tegoneg in Breton) in the arrondissement of Morlaix in Brittany (administrative region), Brittany in north-western France. The enclos paroissial comprises the parish church of Notre-Dame, a triumphal arch and enclosure wall, an ossuary and the famous calvary (Calvary at Saint-Thégonnec). It is a listed Monument historique, historical monument. Eglise Notre-Dame There is a second calvary set into the enclosure wall and the war memorial dedicated to those lost in the 1914-1918 war is also set into another section of the wall. On 8 June 1998, a fire destroyed a part of the north aisle and an extensive programme of restoration was finished in 2005. The Gothic bell-tower and Renaissance tower dates from 1563 and was finished in 1626. The porch has a sculpture depicting Saint Thégonnec in the attire of a bishop and inside the porch, statues of some of the apostles lead towards the door into t ...
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Bretagne Finistere SThegonnec1 Tango7174
Bretagne may refer to: Places *Brittany, the historic province in northwestern France called ''Bretagne'' in French *Brittany (administrative region), the present-day French region, also called ''Bretagne'' in French, smaller than the historic province *Bretagne, Indre, a French village in the Indre department *Bretagne, Territoire de Belfort, a French village in the Territoire de Belfort department *Bretagne-d'Armagnac, a commune in the Gers department *Bretagne-de-Marsan, a commune in the Landes department *Dol-de-Bretagne, a commune in the Ille-et-Vilaine department *Bretagne, a station on Île-de-France tramway Line 7 ''Bretagne'' may also refer to Great Britain in relation to the Matter of Britain (). Ships *French ship Bretagne, French ship ''Bretagne'', several ships of the French Navy, including: **French ship Bretagne (1766), French ship ''Bretagne'' (1766), a large 110-gun French ship of the line **French ship Bretagne (1855), French ship ''Bretagne'' (1855), a fast 130- ...
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Pilaster
In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition A pilaster is foremost a load-bearing architectural element used widely throughout the world and its history where a structural load is carried by a thickened section of wall or column integrated into a wall. It is also a purel ...
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Caryatid
A caryatid ( ; ; ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or atlantid or telamon is a male version of a caryatid, ''i.e.'', a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that certain female figures represented the punishment of the women of Caryae, a town near Sparta in Laconia, who were cond ...
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Landivisiau
Landivisiau (; ) is a Communes of France, commune in the Finistère Departments of France, department of Brittany (administrative region), Brittany in north-western France. The journalist Luc Le Vaillant, winner of the 1998 Albert Londres Prize was born in Landivisiau. Landivisiau is twinned with Bideford in north Devon. Geography Climate Landivisiau has an oceanic climate (Köppen climate classification ''Cfb''). The average annual temperature in Landivisiau is . The average annual rainfall is with December as the wettest month. The temperatures are highest on average in August, at around , and lowest in February, at around . The highest temperature ever recorded in Landivisiau was on 18 July 2022; the coldest temperature ever recorded was on 13 January 1987. Landivisiau Naval Air Base Landivisiau is home to the . A squadron of 25× Air-Sol Moyenne Portée nuclear armed Dassault Rafale, Rafale M from the French Navy is based at Landivisiau. International relations It is ...
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Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ...
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Saint-Thégonnec Eglise La Chaire
Saint-Thégonnec (; ) is a former commune in the Finistère department in Brittany in northwestern France. On 1 January 2016, it was merged into the new commune Saint-Thégonnec Loc-Eguiner.Arrêté préfectoral
23 December 2015 The village is noted for its very elaborate , one of a number in the area, which include and Lampaul-Guimiliau.


Population

Inhabitants of Saint-Thégonnec are called ''Saint- ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late Middle Ages, late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the Church (congregation), congregation below, especially prior to the invention of modern audio equipment. Most pulpits have one or more book-stands for the preacher to rest his bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not a ...
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007 Tryptique De Saint Thégonnec
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube (algebra), cube. As an early prime number in the series of positive integers, the number seven has symbolic associations in religion, mythology, superstition and philosophy. The seven classical planets resulted in seven being the number of days in a week. 7 is often considered lucky in Western culture and is often seen as highly symbolic. Evolution of the Arabic digit For early Brahmi numerals, 7 was written more or less in one stroke as a curve that looks like an uppercase vertically inverted (ᒉ). The western Arab peoples' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arab peoples developed the digit from a form that looked something like 6 to one that looked like an uppercase V. Both modern Arab forms influenced the European form, a two-stroke form cons ...
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Tree Of Jesse
The Tree of Jesse is a depiction in art of the ancestors of Jesus Christ, shown in a branching tree which rises from Jesse (biblical figure), Jesse of Bethlehem, the father of King David. It is the original use of the family tree as a schematic representation of a genealogy. The Tree of Jesse originates in a passage in the biblical Book of Isaiah which describes metaphorically the descent of the Messiah and is accepted by Christians as referring to Jesus. The various figures depicted in the lineage of Jesus are drawn from those names listed in the Gospel of Matthew and the Gospel of Luke. The subject is often seen in Christian art, particularly in that of the Medieval art, medieval period. The earliest example is an illuminated manuscript that dates from the 11th century. There are many examples in medieval psalters, because of the relation to King David, son of Jesse, and writer of the Psalms. Other examples include stained glass windows, stone carvings around the portals of ...
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Yann Larhantec
Yann Larc'hantec or Yann Larhantec was a Bretons, Breton sculptor born in Plougonven on 30 May 1829. He died in Landerneau on 11 January 1913. Biography Yann Larc'hantec or Yann Larhantec was born on 30 May 1829 in Plougonven and died on 11 January 1913 in Landerneau. He was the son of farmers Jean-Marie and Françoise Guillou. He spent most of his life in Morlaix and most of his work involved crosses and calvaries and he was entrusted with the repair and restoration of many of the great Breton calvaries of the 15th and 16th centuries. His main works are listed below. Main works ;Note: "Enclos paroissial" In the text below there are several references to an "enclos paroissial" and this French term can be translated as parish close. These are not uncommon in Finistère and were built in the 16th and 17th centuries. The enclosure comprises an elaborately decorated parish church surrounded by an entirely walled churchyard with gateway, often an arched gateway. In England cathedral ...
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Speech Scroll
In art history, a speech scroll (also called a banderole or phylactery). is an illustrative device denoting speech, song, or other types of sound. Developed independently on two continents, the device was in use by artists within Mesoamerican cultures from as early as 650 BC until after the Spanish conquest in the 16th century, and 13th and 14th century European painters. While European speech scrolls were drawn as if they were an actual unfurled scroll or strip of parchment, Mesoamerican speech scrolls are scroll-''shaped'', looking much like a question mark. It is used in heraldry for mottos or slogans and war-cries. Mesoamerica Speech scrolls are found throughout the Mesoamerica area. An early example is a Olmec ceramic cylinder seal dated to , where two lines emit from a bird's mouth followed by glyphs proposed to be "''3 Ajaw''," a ruler's name. The murals of the Classic era site at Teotihuacan are filled with speech scrolls, in particular tableaus in the Tepantitla co ...
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John The Evangelist
John the Evangelist ( – ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although there is no consensus on how many of these may actually be the same individual. Identity The exact identity of John – and the extent to which his identification with John the Apostle, John of Patmos and John the Presbyter is historical – is disputed between Christian tradition and scholars. The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light o ...
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