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Sahasrārjuna
Kartavirya Arjuna (, ; also known as Sahasrabahu Arjuna or Sahasrarjuna) was a king of an ancient Haihayas kingdom with capital at Mahishmati which is on the banks of Narmada River in the current state of Madhya Pradesh. Kartavirya was son of Kritavirya, king of the Haihayas. According to the Puranas, Haihaya was the grandson of Sahasrajit, son of Yadu(king) of Yadavas}. This is his patronymic, by which he is best known; he is also referred to simply as Arjuna. He is described as having a thousand hands and a great devotee of god Dattatreya. One of the several such accounts states that Arjuna conquered Mahishmati city from Karkotaka Naga, a Naga chief and made it his fortress-capital.Pargiter, F.E. (1972) 922 ''Ancient Indian Historical Tradition'', Delhi: Motilal Banarsidass, p.265-7 Almost 100 manuscripts on the worship of Kārtavīrya have been found mostly in the royal libraries of the Hindu Rajas. The states in which the manuscripts are still available are: Udaipur, Jod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kshatriya
Kshatriya () (from Sanskrit ''kṣatra'', "rule, authority"; also called Rajanya) is one of the four varnas (social orders) of Hindu society and is associated with the warrior aristocracy. The Sanskrit term ''kṣatriyaḥ'' is used in the context of later Vedic society wherein members were organised into four classes: ''brahmin'', kshatriya, '' vaishya,'' and '' shudra''. History Early Rigvedic tribal monarchy The administrative machinery in Vedic India was headed by a tribal king called a Rajan whose position may or may not have been hereditary. The king may have been elected in a tribal assembly (called a Samiti), which included women. The Rajan protected the tribe and cattle; was assisted by a priest; and did not maintain a standing army, though in the later period the rulership appears to have risen as a social class. The concept of the fourfold varna system is not yet recorded. Later Vedic period The hymn '' Purusha Sukta'' in the ''Rigveda'' describes the symbolic crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battleaxe
A battle axe (also battle-axe, battle ax, or battle-ax) is an axe specifically designed for combat. Battle axes were designed differently to utility axes, with blades more akin to cleavers than to wood axes. Many were suitable for use in one hand, while others were larger and were deployed two-handed. Axes designed for warfare ranged in weight from just over , and in length from just over to upwards of , as in the case of the Danish axe or the sparth axe. Cleaving weapons longer than would arguably fall into the category of polearms. Overview Through the course of human history, commonplace objects have been pressed into service as weapons. Axes, by virtue of their ubiquity, are no exception. Besides axes designed for combat, there were many battle axes that doubled as tools. Axes could be modified into deadly projectiles as well (see the francisca for an example).Underwood, Richard (1999). ''Anglo-Saxon Weapons and Warfare''. p.35-37. Tempus Publishing. . Axes were often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu (; , , ), also known as Narayana and Hari, is one of the Hindu deities, principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation (sattva). Vishnu is known as ''The Preserver'' within the Trimurti, the triple deity of Para Brahman, supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' () (1996), p. 17. In Vaishnavism, Vishnu is the supreme Lord who creates, protects, and transforms the Hindu cosmology, universe. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the supreme being is with qualities (Saguna Brahman, Saguna), and has definite form, but is limitless, transcendent and unchanging absolute Brahman, and the primal Atma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daśāvatāra
The Dashavatara (, ) are the ten primary avatars of Vishnu, a principal Hindus, Hindu god. Vishnu is said to descend in the form of an avatar to restore cosmic order. The word ''Dashavatara'' derives from , meaning "ten", and , roughly equivalent to "incarnation". The list of included avatars varies across sects and regions, particularly with respect to the inclusion of Balarama (brother of Krishna) or the Buddha. In traditions that omit Krishna, he often replaces Vishnu as the source of all avatars. Some traditions include a regional deity such as Vithoba or Jagannath in penultimate position, replacing Krishna or Buddha. All avatars have appeared except one: Kalki, who will appear at the end of the ''Kali Yuga''. The order of the ancient concept of Dashavataras has also been interpreted to be reflective of modern Darwinian evolution, as a description of the evolution of consciousness. Etymology "Dashavatara" or "" (दशावतार) means "ten avatars" or "ten inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamadhenu
Kamadhenu (, , ), also known as Surabhi (, or , ), is a divine bovine-goddess described in Hinduism as the mother of all cows. She is a miraculous cow of plenty who provides her owner whatever they desire and is often portrayed as the mother of other cattle. In iconography, she is generally depicted as a white cow with a female head and breasts, the wings of a bird, and the tail of a peafowl or as a white cow containing various deities within her body. Kamadhenu is not worshipped independently as a goddess. Rather, she is honored by the Hindu veneration of cows, who are regarded as her earthly embodiments. Hindu scriptures provide diverse accounts of the birth of Kamadhenu. While some narrate that she emerged from the churning of the cosmic ocean, others describe her as the daughter of the creator god Daksha, and as the wife of the sage Kashyapa. Still other scriptures narrate that Kamadhenu was in the possession of either Jamadagni or Vashista (both ancient sages), and that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rishi
In Indian religions, a ''rishi'' ( ) is an accomplished and enlightened person. They find mention in various Vedic texts. Rishis are believed to have composed hymns of the Vedas. The Post-Vedic tradition of Hinduism regards the rishis as "great yogis" or "sages" who after intense meditation (Tapas (Sanskrit), tapas) realized the supreme truth and eternal knowledge, which they composed into hymns.Hartmut Scharfe (2002), Handbook of Oriental Studies, BRILL Academic, , pp. 13–15. The term appears in Pali literature as Ishi; in Buddhism they can be either Buddhas, Pratyekabuddha, Paccekabuddhas, Arhat, Arahats or a Buddhist monasticism, monk of high rank. Etymology According to Indian tradition, the word may be derived from two different meanings of the root 'rsh' (). Sanskrit grammarians derive this word from the second meaning: "to go, to move". V. S. Apte gives this particular meaning and derivation, and Monier-Williams also gives the same, with some qualification. Another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puranas
Puranas (Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on "Puranas", , page 915) are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), "An Overview of the Jaina Puranas" in ''Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts,'' (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Mahadevi, Devi. The Puranic genre of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varuna
Varuna (; , ) is a Hindu god. He is one of the earliest deities in pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ''ṛta'', the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans. The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the '' Itihasa-Purana'', Varuna ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; ) is the Hindu god of weather, considered the king of the Deva (Hinduism), Devas and Svarga in Hinduism. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. [3 volumes] Indra is the most frequently mentioned deity in the ''Rigveda''. He is celebrated for his powers based on his status as a god of order, and as the one who killed the great evil, an Asura (Hinduism), asura named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rain and sunshine as the saviour of mankind. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various mythological events. He is depicted as a powerful hero. According to the ''Vishnu Purana'', Indra is the title borne by the king of the gods, which changes every Manvantara – a cyclic period of time in Hindu cosmology. Each Manvantara has its own Indra and the In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vana Parva
The Vana Parva ("Book of the Forest") is the third of the eighteen ''parvas'' (books) of the Indian epic ''Mahabharata''.van Buitenen, J.A.B. (1975) ''The Mahabharata: Book 2: The Book of the Assembly Hall; Book 3: The Book of the Forest''. Chicago, IL: University of Chicago Press Vana Parva traditionally has 21 parts and 324 chapters.Dutt, M.N. (1896) ''The Mahabharata (Volume 3): Vana Parva''. Calcutta: Elysium Press The Textual criticism, critical edition of Vana Parva contains 16 parts and 299 chapters. The parva is a chronicle of the twelve-year journey of the Pandavas in a forest, where they learn life lessons and build character.Bibek Debroy (2011), The Mahābhārata, Volume 3, , Penguin Books Vana Parva contains discourses on virtues and ethics; myths of Arjuna, Yudhishthara, and Bhima; and the tales of "Nahusha the Snake and Yudhishthira" and "Ushinara and the Hawk". It also includes the love stories of "Nala and Damayanti" and "Savitri and Satyavan". Structure and chapt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaktyavesha Avatar
A shaktyavesha avatara () is the power-embodied avatara (incarnation) of a deity in the Vaishnava tradition of Hinduism. The concept refers to living beings who are empowered by a deity towards the performance of certain acts or the achievement of a given mission. A portion of the potencies of a deity is believed to be present (''āveśā'') within a shaktyavesha avatara, invested with divine power. Vyasa, the Four Kumaras, Narada, Shesha, and Brahma are generally regarded to be the shaktyavesha avatars of Vishnu or Krishna in Vaishnavism. Literature Garga Samhita The Garga Samhita states that a shaktyavesha avatara is one of the six forms of incarnation of the deity Krishna, identified with Vishnu. The purpose of such an incarnation is regarded to be to enter a jiva (living being) in order to perform a given mission, after which the deity departs from this form. Chaitanya Charitamrita The Chaitanya Charitamrita offers six categories of the shaktyavesha avatars of Krish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
