Répertoire International De La Presse Musicale
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Répertoire International De La Presse Musicale
Répertoire international de la presse musicale (Retrospective Index to Music Periodicals, Internationales Repertorium der Musikzeitungen), commonly known as RIPM, provides access to music periodical literature published between 1750 and 1966 through an annotated index, RIPM Retrospective Index to Music Periodicals, and two full-text publication series, RIPM Retrospective Index to Music Periodicals with Full Text and RIPM Preservation Series. RIPM also provides access to full-text jazz publications from 1914 to the 2000s through RIPM Jazz Periodicals. Organization Founded in 1980 by H. Robert Cohen with the collaboration of Marcello Conati, Elvidio Surian, and Christoph-Helmut Mahling, RIPM is one of the four Répertoires (or "R" projects) established by the International Musicological Society ( IMS) and the International Association of Music Libraries, Archives, and Documentation Centres ( IAML); these include Le Répertoire international des sources musicales (RISM RISM may re ...
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Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ...
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Periodical Literature
A periodical literature (also called a periodical publication or simply a periodical) is a published work that appears in a new edition on a regular schedule. The most familiar example is a newspaper, but a magazine or a Academic journal, journal are also examples of periodicals. These publications cover a wide variety of topics, from academic, technical, trade, and general interest to leisure and entertainment. Article (publishing), Articles within a periodical are usually organized around a single main subject or theme and include a title, date of publication, author(s), and brief summary of the article. A periodical typically contains an editorial section that comments on subjects of interest to its readers. Other common features are reviews of recently published books and films, columns that express the author's opinions about various topics, and advertisements. A periodical is a serial publication. A book is also a serial publication, but is not typically called a periodical ...
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Christoph-Hellmut Mahling
Christoph-Hellmut Mahling (25 May 1932 – 13 February 2012) was a German musicologist and lecturer at various universities. Life and career Born in Berlin, Mahling studied musicology by Walter Gerstenberg, Georg Reichert, Joseph Müller-Blattau, and Walter Salmen at the University of Tübingen and the Saarland University (Saarbrücken) from 1957 to 1962. In 1962 he obtained his doctorate of phil. (Dissertation: ''Studien zur Geschichte des Opernchors'') and became assistant at the Musicological Institute of the Saarland University in 1963. In 1972, he won his habilitation there with Walter Wiora for the subject Musicology (Habil.-Schrift: ''Orchester und Orchester-Musiker in Deutschland von 1700 bis 1850''). In the same year he was appointed Scientific Councilor and Professor. Since 1981 he had a professorship at the Johannes Gutenberg University Mainz; until March 2000 he was director of the musicological institute there. From 1987 to 1992 Mahling was president of the Inter ...
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International Musicological Society
The International Musicological Society (IMS) is a membership-based organisation for musicology at the international level, with headquarters in Basel, Switzerland. It seeks the advancement of musicological research through international cooperation. Overview The International Musicological Society was founded on 30 September 1927 on the initiative of Henry Prunières, during the celebration of the centenary of the death of Ludwig van Beethoven. His proposal aimed to resurrect the International Music Society, which had dissolved in 1914, and was met with great interest. The IMS organizes an international congress every five years, in years ending on 2 or 7. At these congresses, members elect the directorium. The most recent congress took place iTokyo in 2017 The next congress will be in Athens in 2022. In between these congresses, they also sponsor international symposia on specialized subjects. The IMS collaborates closely with the International Association of Music Libraries, ...
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IAML
The International Association of Music Libraries, Archives and Documentation Centres (IAML), also known as ''Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux'' (AIBM) and ''Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren'' (IVMB), is an organisation of libraries with music departments, music conservatory libraries, radio and orchestra archives, university institutes, music documentation centers, music publishers, and music dealers that fosters international cooperation and promotes music bibliography and music library science. It was founded in Paris in 1951 and its three official languages are English, German, and French. History IAML was founded after World War II to "promote international cooperation and standardization in such matters as cataloging, standards of service, personnel training and the exchange of materials between libraries."Anders Lönn, "International Association of Music Li ...
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Répertoire International Des Sources Musicales
A repertoire () is a list or set of dramas, operas, musical compositions or roles which a company or person is prepared to perform. Musicians often have a musical repertoire. The first known use of the word ''repertoire'' was in 1847. It is a loanword from the French language, as (), with a similar meaning in the arts. This word, in turn, has its origin in the Late Latin word ''repertorium''. The concept of a basic repertoire has been extended to refer to groups which focus mainly on performing standard works, as in repertory theater or repertoire ballet. See also * setlist – a list of works for a specific performance * playlist – a list of works available to play * signature song A signature (; from la, signare, "to sign") is a Handwriting, handwritten (and often Stylization, stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and ... – a musical composition most associate ...
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List Of Music Periodicals Treated By RIPM
{{PAGENAME:List of Music Periodicals Treated by RIPM Below is a list of music periodicals treated by RIPM including those available in full-text. Titles are arranged by chronologically by language. ''FT'' indicates the full-text of the periodical is available through RIPM. Descriptions of journals and scholarly introductions for most titles are available on RIPM'website Bulgarian ''Gusla'' (Plovdiv, Sofia, 1891), ''FT'' ''Muzikalna misŭl’ / Музикална мисъль'' (Sofia, 1929), ''FT'' ''А. С. О.: Периодическо Списание на Академическия Симфониченъ Оркестъръ за Музикална Култура и Критика = O. S. A.: Revue périodique de l’orchestre ...'' (Sofia, 1934–1935), ''FT'' ''Muzikalna misŭl’ / Музикална мисъль'' (Sofia, 1936–1939), ''FT'' Catalan ''Revista Musical Catalana'' (Barcelona, 1904-1923 1936, ''FT'' ''Fruïcions: Portaveu de l’Associcaió Obrera de Concerts ...
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