|
Rustaveli Theatre
Rustaveli National Theatre ( ka, შოთა რუსთაველის სახელობის აკადემიური თეატრი ) is the largest and one of the oldest theaters of Georgia, located in its capital Tbilisi on Rustaveli Avenue. Housed in an ornate Rococo-style edifice, the theatre was founded in 1887 and since 1921 has carried the name of Georgia's national poet Rustaveli. History and architecture The building was founded in 1887 as an "Artists' Society". Upon request of the Artists' Society, several celebrated artists were commissioned to paint frescoes on the walls and ceilings of the basement. These artists included prominent Georgian painters Lado Gudiashvili and David Kakabadze, as well as theatre set designer Serge Sudeikin, who is known for his work for the Ballets Russes and the Metropolitan Opera. Two other important Georgian painters, Mose and Iracly Toidze, eventually joined the project as well. The masterpieces that once adorned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksander Szymkiewicz
Aleksander Szymkiewicz (12 November 1858, in Saint Petersburg – 1908, in Tbilisi) was a Polish architect who worked in Georgia (primarily in Tbilisi) in the 1880s–1900s. He was a member of the City Council and municipal architect of Tbilisi from 1885 to 1891. In Tbilisi, he designed, among others, the building of the Supreme Court of Georgia, the Conservatoire building, the building of the Caucasian Silk Station (now the State Silk Museum), the building of the Rustaveli Theatre (with Cornell K. Tatishchev), and various townhouses, including the Andreoletti's house. He also designed the building of the Shota Rustaveli State University in Batumi and the Court of Appeals in Kutaisi. His designs combined baroque and classical elements. Biography Born in 1858 (according to other sources - in 1860) in a noble family. Father, a civil lawyer, came from the Kovno province. Mother, Emilia-Anna Maria Petrovna, née Gurskalin, of Swedish-German origin, ancestors have lived in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Kakabadze
Davit' Kakabadze ( ka, დავით კაკაბაძე) (August 20, 1889 – May 10, 1952) was a leading Georgian avant-garde painter, graphic artist and scenic designer. A multi-talent, he was also an art scholar and innovator in the field of cinematography as well as an amateur photographer. Kakabadze's works are notable for combining innovative interpretation of European "Leftist" art with Georgian national traditions, on which he was an expert. Kakabadze was born into a poor peasant family in the village of Kukhi near the town of Khoni. Sponsored by local philanthropists, he studied natural sciences at St. Petersburg University from which he graduated in 1916. At the same time, he attended painting classes at the studio of Dmitroyev-Kavkazsky and did a research in old Georgian arts. After a brief period of working as a painter and educator in Tbilisi, he went to Paris where he lived from 1919 to 1927. He partook in the Société des Artistes Indépendants exhibitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Venues In Tbilisi
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Box Theater
A black box theater is a simple performance space, typically a square room with black walls and a flat floor. The simplicity of the space allows it to be used to create a variety of configurations of stage and audience interaction. The black box is a relatively recent innovation in theatre. History Black box theaters have their roots in the American avant-garde of the early 20th century. The black box theaters became popular and increasingly widespread in the 1960s as rehearsal spaces. Almost any large room can be transformed into a "black box" with the aid of paint or curtains, making black box theaters an easily accessible option for theater artists. Sets are simple and small and costs are lower, appealing to nonprofit and low-income artists or companies. The black box is also considered by many to be a place where more "pure" theatre can be explored, with the most human and least technical elements in focus. The concept of a building designed for flexible staging techn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bidzina Ivanishvili
Bidzina Ivanishvili ( ka, ბიძინა ივანიშვილი, also known as Boris Grigoryevich Ivanishvili ; born 18 February 1956) is a Georgian politician, billionaire businessman and philanthropist, who served as Prime Minister of Georgia from October 2012 to November 2013. Having amassed his fortune in Russia during the privatization era, Ivanishvili returned to Georgia in 2003. He entered the politics in 2012, when he founded the Georgian Dream-Democratic Georgia party. Ivanishvili became the leader of the coalition of opposition parties, and won a victory in the 2012 Georgian parliamentary election against the United National Movement party of incumbent Prime Minister Vano Merabishvili and President Mikheil Saakashvili. In late 2012, Ivanishvili took office as Prime Minister. In 2013, however, Ivanishvili resigned, claiming to have left politics. In 2018, he returned to politics and was elected as the chairman of the Georgian Dream-Democratic Georgia p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Mantashev
Alexander Mantashev (, Aleksandr Mantashiants; , Aleksandr Ivanovich Mantashev; 3 March 1842 – 19 April 1911) was a prominent Russian oil magnate, industrialist, financier, and a philanthropist of the Armenian origin. By the end of his life he had become one of the world's wealthiest individuals. Early life Born in Tiflis, Tiflis Governorate, Russian Empire, Mantashev spent most of his childhood in Tabriz, in northern Iran, where his father was involved in the cotton and textile trade. Being the only son, he was involved in his father's business affairs early on. In 1869, he moved to Manchester (known as Cottonopolis in the 19th century), a major center of cotton and textile processing industries, from where he helped ship goods to his father in Tabriz. Mantashev's stay in Manchester played an important role in the development of his character. Not only did he learn the secrets and crafts of the textile industry in Manchester, but he also delved into the intricacies o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, completely rei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Sudeikin
Sergey Yurievich Sudeikin, also known as Serge Soudeikine (19 March 1882 in Smolensk – 12 August 1946 in Nyack, New York), was a Russian artist and set-designer associated with the Ballets Russes and the Metropolitan Opera. Biography Having been banned from the Moscow School of Painting, Sculpture and Architecture for his "obscene drawings", Sudeikin joined the Mir Iskusstva movement. His close friends included the poet Mikhail Kuzmin and the impresario Serge Diaghilev, at whose invitation he came to Paris in 1906 for the Salon d'Automne Exhibition, where his work was first shown abroad. From 1907 to 1918 he was married to actress Olga Glebova (1885–1945), one of the famed beauties of St Petersburg and the closest friend of Anna Akhmatova. Glebova-Sudeikina is the principal character and addressee of Akhmatova's longest work, ''The Poem Without Hero'' (1940–65). Sudeikin designed the sets and costumes for Diaghilev's production of ''La tragédie de Salomé'' by Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lado Gudiashvili
Lado Gudiashvili ( ka, ლადო გუდიაშვილი; 30 March 1896 – 20 July 1980) was a Georgian artist of the 20th century. Gudiashvili was born into a family of a railroad employee. He studied in the Tbilisi school of sculpture and fine art (1910–1914), where he met the Armenian artist Alexander Bazhbeuk-Melikyan, and later in Ronson's private academy in Paris (1919–1926). For a while, Gudiashvili belonged to a group of Georgian poets called "The Blue Horns" (1914–1918), who were trying to connect organically the Georgian national flavour with the creative structure of French symbolism. In Paris, he was a constant customer of the famous "La Ruche," a colony of painters where he met Ignacio Zuloaga, Amedeo Modigliani, Natalia Goncharova, and Mikhail Larionov. Gudiashvili's work was greatly influenced by Niko Pirosmanashvili. Filled with the charm of Georgian life, the painter's early works combine dramatic grotesque with the charm of poetic mystery (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Fresco")