Rossini In Wildbad
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Rossini In Wildbad
Rossini in Wildbad is a bel canto opera festival in Bad Wildbad, Baden-Württemberg, specialising in the lesser-known operas of Gioachino Rossini and his contemporaries. The festival commemorates a stay by Rossini at the town's spa in 1856, which apparently invigorated him enough to start composing again."Rossini and Contemporaries, Snuggly at Home in the Black Forest"
George Loomis, ''
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Bad Wildbad Kurtheater 2008
Bad or BAD may refer to: Common meanings *Evil, the opposite of moral good * Erroneous, inaccurate or incorrect *Unhealthy, or counter to well-being *Antagonist, the threat or obstacle of moral good Acronyms * BAD-2, a Soviet armored trolley car * Bank account debits tax, an Australian tax * Bcl-2-associated death promoter, a pro-apoptotic protein * Team B.A.D., a professional wrestling tag team Films * ''Andy Warhol's Bad'', a 1977 film * ''Bad'', an unfinished film by Theo van Gogh Music Performers * B. A. D., the Taiwanese boy band, who formed in 1998 * Big Audio Dynamite, Mick Jones' post-Clash band, from London * Royce da 5'9", the American rapper known as Bad, in the group Bad Meets Evil Albums * ''Bad'' (album), a 1987 album by Michael Jackson * ''BAD'', or ''Bigger and Deffer'', the second album by LL Cool J, 1987 Songs * "Bad" (U2 song), 1984 * "Bad" (Michael Jackson song), 1987 * "Bad", from the 2011 album ''Symphony Soldier'' by The Cab * "Bad" (Wale song ...
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Sigismondo
''Sigismondo'' is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto by Giuseppe Maria Foppa. The opera was not a success and Rossini later re-used some of its music in ''Elisabetta, regina d'Inghilterra'', ''The Barber of Seville'', and ''Adina''. Performance history ''Sigismondo'' was first performed at the Teatro La Fenice, Venice, on 26 December 1814, with revivals in Cremona, Reggio Emilia, Padua and Senigallia (all in 1819), Florence and Siena (both in 1820) and finally in Bologna (1827). Its modern revival took place in Rovigo in 1992 (see recording details below). Synopsis :Time: 16th Century :Place: PolandOsborne, Charles, p. 43 Roles Recordings References Notes Sources * Gossett, Philip; Brauner, Patricia (2001), " ''Sigismondo'' " in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. * Osborne, Charles (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', London: Methuen; Portland, Oregon ...
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Adina (opera)
''Adina'' is an operatic farsa in one act by Gioachino Rossini with a libretto by Marchese Gherardo Bevilacqua-Aldobrandini. The opera develops the popular theme of the "abduction from the seraglio". The première took place on 22 June 1826 at the Teatro Nacional de São Carlos, Lisbon. Composition history ''Adina'' was commissioned in 1818 by Diego Ignazio de Pina Manique, police superintendent of Lisbon and inspector of Portuguese theatres. The opera was intended as a gift for a now unknown soprano who had apparently enthralled the superintendent with her performances at São Carlos. The contract Rossini made was for a quick completion of the work, and the opera was finished in the same year it was commissioned. Rossini did not write an overture for the opera because none was specified in the contract and took little interest in the project. The plot is very similar to that of Francesco Basili's 1819 opera, ''Il califfo e la schiava'', for which the libretto was written by F ...
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Deutschlandfunk
Deutschlandfunk (DLF, ''Broadcast Germany'') is a public-broadcasting radio station in Germany, concentrating on news and current affairs. It is one of the four national radio channels produced by Deutschlandradio. History Broadcasting in the Federal Republic of Germany is reserved under the Basic Law (constitution) to the states. This means that all public broadcasting is regionalised. National broadcasts must be aired through the national consortium of regional public broadcasters ( ARD) or authorized by a treaty negotiated between the states. In the 1950s, the German Democratic Republic (GDR) began broadcasting its Deutschlandsender station on longwave. In response to this, the then-Nordwestdeutscher Rundfunk applied for a licence to operate a similar longwave service on behalf of the ARD. This was granted in 1956 and operated as Deutscher Langwellensender ("German Longwave Station"). On 29 November 1960, the federal government under Konrad Adenauer created ''Deutschlan ...
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I Briganti (Mercadante)
''I briganti'' is an opera (''melodramma'') in three acts by Saverio Mercadante, first performed on 22 March 1836 by the Théâtre-Italien in Paris, with an Italian libretto by based on Schiller's ''Die Räuber''. The lead roles were written for bass Luigi Lablache, tenor Giovanni Battista Rubini, baritone Antonio Tamburini and soprano Giulia Grisi. The opera did not do well in Paris, and the cast departed for London. Ashbrook 1983, p. 233. "On the strength of these scores Mercadante was invited in 1836 by Rossini to compose for the Theatre-Italien. In the same way that Rossini had offered advice and practical suggestions to Bellini for I puritani and to Donizetti for Marin Faliero, so he performed the same office for Mercadante with I briganti, and it seems indisputable that this experience formed the point of departure for Mercadante's ..." Performance history The opera was also performed in Italian at The King's Theatre in London with the same lead singers, beginning on 2 Jul ...
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Ricciardo E Zoraide
''Ricciardo e Zoraide'' (''Ricciardo and Zoraide'') is an opera in two acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa. The text is based on cantos XIV and XV of '' Il Ricciardetto'', an epic poem by Niccolò Forteguerri. Performance history ''Ricciardo e Zoraide'' was first performed at the Teatro San Carlo, Naples, on 3 December 1818. It continued to be performed until 1846 but fell out of favor afterwards and was not performed in public again until its revival at the Pesaro Rossini Opera Festival in 1990. The Rossini Opera Festival featured a new production of the opera in 2018. Among other performances, the opera received a production at the Rossini in Wildbad festival in 2013. Roles Synopsis :Place: the city of Dongola in ancient Nubia. :Time: The time of the Crusades The Nubian King Agorante, who is infatuated with Zoraide, has defeated her father, Ircano and captured her. Ricciardo, a Christian knight and Zoraide's lover, accompanies a ...
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William Tell (opera)
''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play ''Wilhelm Tell,'' which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he lived for nearly 40 more years. Fabio Luisi said that Rossini planned for ''Guillaume Tell'' to be his last opera even as he composed it. The often-performed overture in four sections features a depiction of a storm and a vivacious finale, the "March of the Swiss Soldiers". Paris Opéra archivist Charles Malherbe discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the Paris Conservatoire. Performance history ''Guillaume Tell'' was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829, but within three performances cuts we ...
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Adelaide Di Borgogna
''Adelaide di Borgogna, ossia Ottone, re d'Italia'' (''Adelaide of Burgundy, or Otto, King of Italy'') is a two-act opera composed by Gioachino Rossini (with contributions by Michele Carafa) to a libretto by Giovanni Schmidt. It was premièred at the Teatro Argentina in Rome on 27 December 1817. Performance history 20th century and beyond Performances have included concert versions with Della Jones as Ottone and Eiddwen Harrhy as Adelaide given at London's Queen Elizabeth Hall in November 1978, and another at Usher Hall in Edinburgh on 19 August 2005Tim Ashley"''Adelaide di Borgogna'' Usher Hall, Edinburgh" ''The Guardian'' (London), 22 August 2005 with the Scottish Chamber Orchestra and Chorus with Jennifer Larmore as Ottone and Majella Cullagh as Adelaide. The Festival della Valle d'Itria in Martina Franca in Italy presented staged performances in August 1984, with Ottone sung by Martine Dupuy and Adelaide by Mariella Devia. In addition, the Rossini Opera Festival sta ...
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Il Viaggio A Reims
''Il viaggio a Reims, ossia L'albergo del giglio d'oro'' (''The Journey to Reims, or The Hotel of the Golden Fleur-de-lis'') is an operatic dramma giocoso, originally performed in three acts,Janet Johnson: ''A Lost Masterpiece Recovered'', pp. 37–38 of the liner notes to the 1984 DG recording. by Gioachino Rossini to an Italian libretto by Luigi Balocchi, based in part on ' by Germaine de Staël. Rossini's last opera in the Italian language (all of his later works were in French) premiered under the title ''Le voyage à Reims, ou l'Hôtel du Lys-d'Or''. It was commissioned to celebrate the coronation of French King Charles X in Reims in 1825 and has been acclaimed as one of Rossini's finest compositions. A demanding work, it requires 14 soloists (three sopranos, one contralto, two tenors, four baritones, and four basses). At its premiere, it was sung by the greatest voices of the day. Since the opera was written for a specific occasion, with a plot about European aristocrats ...
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L'italiana In Algeri
''L'italiana in Algeri'' (; ''The Italian Girl in Algiers'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies. Composition history Rossini wrote ''L'italiana in Algeri'' when he was 21. Rossini stated that he composed the opera in 18 days, though other sources claim that it took him 27 days. Rossini entrusted the composition of the recitatives as well as the aria "Le femmine d'Italia" to an unknown collaborator. The opera is notable for Rossini's mixing of opera seria style with opera buffa. The overture is widely recorded and performed today, known for its distinct opening of slow, quiet pizzicato basses, leading to a sudden loud burst of sound from the full orchestra. This "surp ...
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Bianca E Falliero
''Bianca e Falliero, ossia Il consiglio dei tre'' (English: ''Bianca and Falliero, or The Counsel of Three'') is a two-act operatic ''melodramma'' by Gioachino Rossini to an Italian libretto by Felice Romani. The libretto was based on Antoine-Vincent Arnault's play ''Les Vénitiens, ou Blanche et Montcassin''. Performance history The opera premiered on 26 December 1819 at La Scala. Giuseppe Fioravanti, a popular basso buffo of the day and the son of composer Valentino Fioravanti, sang in the premiere.Warrack & West 1992, pp. ? Carolina Bassi, Italian contralto considered one of the best in her day, also created a role in this opera. The work was performed thirty times during the initial season in Milan and was performed throughout Italy and elsewhere to some extent before largely disappearing into obscurity after 1846. It was revived at the Rossini Opera Festival in Pesaro in 1986 with Katia Ricciarelli, Marilyn Horne, and Chris Merritt. The opera is considered very dif ...
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