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Il Viaggio A Reims
''Il viaggio a Reims, ossia L'albergo del giglio d'oro'' (''The Journey to Reims, or The Hotel of the Golden Fleur-de-lis'') is an operatic dramma giocoso, originally performed in three acts,Janet Johnson: ''A Lost Masterpiece Recovered'', pp. 37–38 of the liner notes to the 1984 DG recording. by Gioachino Rossini to an Italian libretto by Luigi Balocchi, based in part on ' by Germaine de Staël. Rossini's last opera in the Italian language (all of his later works were in French) premiered under the title ''Le voyage à Reims, ou l'Hôtel du Lys-d'Or''. It was commissioned to celebrate the coronation of French King Charles X in Reims in 1825 and has been acclaimed as one of Rossini's finest compositions. A demanding work, it requires 14 soloists (three sopranos, one contralto, two tenors, four baritones, and four basses). At its premiere, it was sung by the greatest voices of the day. Since the opera was written for a specific occasion, with a plot about European aristocrats, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's '' L'italiana in Algeri'' (1813) and '' La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Gossett
Philip Gossett (September 27, 1941 – June 12, 2017) was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th-century Italian opera began with listening to Metropolitan Opera broadcasts in his youth. ''Divas and Scholars: Performing Italian Opera'', a major work on the subject, won the Otto Kinkeldey Award of the American Musicological Society as best book on music of 2006. Philip Gossett's contributions to opera scholarship and how they can influence operatic performance may best be summed up by ''Newsdays comment that "some encomiasts claim that soprano Maria Callas did as much for Italian opera as Arturo Toscanini or Verdi. Musicologist Philip Gossett arguably has done as much for Italian opera as any of those geniuses." Career Gossett earned degrees from the Juilliard School, Amherst College, and Princeton University. He studied in Paris on a Fulbright Scholarship. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Valentini Terrani
Lucia Valentini Terrani (29 August 1946 in Padua – 11 June 1998 in Seattle) was an Italian coloratura mezzo-soprano, particularly associated with Rossini roles. Life and career Born Lucia Valentini, she studied first at the Padua Music Conservatory, and later at the Conservatorio di Musica Benedetto Marcello in Venice. She made her stage debut in Brescia, as Angelina in ''La cenerentola'', a role with which she would remain closely associated throughout her career. She made her debut at La Scala in 1973, again as Angelina, and quickly established herself in the Rossini repertoire, singing in ''L'italiana in Algeri'', ''Il barbiere di Siviglia'', ''Il viaggio a Reims''. She also sang the many " trouser roles" such as ''Tancredi'', Malcolm in ''La donna del lago'', Pippo in ''La gazza ladra, ''Calbo in '' Maometto secondo, ''Arsace in ''Semiramide'', Isolier in ''Le comte Ory'', etc. She also sang a few roles of the baroque repertory, notably Medea in Cavalli's ''Giasone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katia Ricciarelli
Catiuscia Maria Stella Ricciarelli (born 16 January 1946), known as Katia Ricciarelli (), is an Italian soprano and actress. Biography Born in Rovigo, Veneto, to a very poor family, she struggled during her younger years when she studied music. She studied at the Benedetto Marcello Conservatory in Venice, won several vocal competitions in 1968, and made her professional debut as Mimì in ''La bohème'' in Mantua in 1969, followed by a 1970 appearance in ''Il trovatore'' in Parma. In the following year, she won RAI's "Voci Verdiane" award. Between 1972 and 1975, engagements followed in the major European and American opera houses, including Lyric Opera of Chicago (1972); Teatro alla Scala (1973); Royal Opera House, Covent Garden (1974); and the Metropolitan Opera in 1975. In 1981, she began a decade-long association with the Rossini Opera Festival in Pesaro, thus broadening her repertoire of Rossini's operas. Beside her many opera performances, she also appeared as Des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Ramey
Samuel Edward Ramey (born March 28, 1942) is an American operatic bass. At the height of his career, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing the music of Handel, Mozart and Rossini, yet with power enough to handle the more overtly dramatic roles in Verdi and Puccini. Early life Ramey graduated from Colby High School in Colby, Kansas in 1960. He studied music in high school and in college at Kansas State University, as well as at Wichita State with Arthur Newman. In college at Kansas State, he was a member of the Kappa Sigma Fraternity. After further study in Central City (where he was in the chorus of ''Don Giovanni'' in 1963, with Norman Treigle in the title role) and as an apprentice with the Santa Fe Opera, he went to New York City where he worked for an academic publisher before he had his first breakthrough at the New York City Opera, debuting on March 11, 1973, as Zun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Raimondi
Ruggero Raimondi (born 3 October 1941) is an Italian bass-baritone opera singer who has also appeared in motion pictures. Life and career Early training and career Ruggero Raimondi was born in Bologna, Italy, during World War II. His voice matured early into its adult timbre, and at the age of 15, he auditioned for conductor Francesco Molinari-Pradelli, who encouraged him to pursue an operatic career. He began vocal studies with Ettore Campogalliani, and was accepted at age 16 as a student at the Giuseppe Verdi Conservatory in Milan. He then continued his studies in Rome, under the guidance of Teresa Pediconi and Armando Piervenanzi. After having won the National Competition for young opera singers in Spoleto, he made his debut in the same city in the role of Colline in ''La bohème'' in the Festival dei Due Mondi. Subsequently, an opportunity arose for him at the Teatro dell'Opera in Rome when he was called upon to substitute in the role of Procida in Giuseppe Verdi's ''I ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Nucci
Leo Nucci (born 16 April 1942) is an Italian operatic baritone, particularly associated with Verdi and ''Verismo'' roles. Biography Born at Castiglione dei Pepoli, near Bologna, Nucci studied with Giuseppe Marchese. He made his stage debut in 1967 in Spoleto as Figaro in ''Il barbiere di Siviglia''. He then joined the chorus of La Scala in Milan, going on to make his solo debut there in 1975, again as Rossini's Figaro. Nucci's career quickly took an international turn. He debuted at London's Royal Opera House in 1978, as Miller in ''Luisa Miller'', and at New York's Metropolitan Opera in 1980, as Renato/Ankarström in ''Un ballo in maschera''. Renato was also his debut role at the Paris Opéra in 1981, and at the Salzburg Festival in 1989, under Herbert Von Karajan. His career is remembered for high-profile performances in opera including appearances with Luciano Pavarotti, Joan Sutherland and Plácido Domingo. On 6 June 2003 Leo Nucci performed at the Herbert von Kara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Matteuzzi
William Matteuzzi (born 12 December 1957 in Bologna, Italy) is an Italian operatic tenor renowned for his impressive vocal range and prominent upper register, reaching a high F (above the tenor high C) in full voice, which enabled him to participate in the recent revival of the tenore contraltino repertoire. he is nicknamed "the King of the high F". He is also admired as a fine musician and elegant vocalist. He won the Enrico Caruso Singing Competition in 1980, which led him to Teatro alla Scala. He has sung a wide repertoire ranging from Claudio Monteverdi or Antonio Vivaldi ('' Orlando furioso'') to Wolfgang Amadeus Mozart ('' Così fan tutte''), Vincenzo Bellini (''I Puritani'' and ''La Sonnambula''), Gaetano Donizetti (''La fille du régiment'') and Giovanni Pacini (''L’ultimo giorno di Pompei''). A highly respected Rossini specialist, he made his Metropolitan Opera debut in 1988 as Count Almaviva in ''Il barbiere di Siviglia''. He has performed Rossini's comic operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Gasdia
Cecilia Gasdia (; born 14 August 1960, Verona) is an Italian operatic soprano. Biography Gasdia studied music and piano at the Conservatorio di Verona, graduating in 1980. That same year she won the first prize in the "''New Voices for Opera''" competition dedicated to Maria Callas. In 1981 she made her operatic debut in Florence as Giulietta in Vincenzo Bellini, Bellini's ''I Capuleti e i Montecchi'' and rose to prominence following her successful debut at La Scala in 1982 when at very short notice she replaced Montserrat Caballé in the title role of Donizetti's ''Anna Bolena''. Following her debut at the Rossini Opera Festival in Pesaro in 1983 she became a well-known singer in Rossini's operas during the 1980s, with 14 different Rossinian roles in her repertoire. She made her American debut on 5 October 1985 as Gilda in a concert performance of ''Rigoletto'' in Philadelphia conducted by Riccardo Muti (repeated on 8 October at Carnegie Hall). In the same year she made her Lyric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enzo Dara
Enzo Dara (13 October 1938 – 25 August 2017) was an Italian basso buffo. '' Opera News'' described him as "one of the most famous Italian basses on the opera stage nown forportraying a cluster of touchstone roles that highlighted his natural gifts for comedy, rapid-fire patter and bel canto technique." He is particularly admired for his performances in operas by Rossini. Career Dara began his professional life as a journalist before deciding to pursue a career as an opera singer. He studied singing with Bruno Sutti in Mantua, and made his professional debut as Colline in Puccini's ''La Bohème'' in 1960 in Fano, a town and commune in the Marche region of Italy. He performed at the Metropolitan opera in New York 59 times. In Reggio Emilia, in 1967, Dara played Don Bartolo in ''Il barbiere di Siviglia''. At the Festival of the Due Mondi in Spoleto in 1969, he was Mustafà in ''L'Italiana in Algeri'', and at La Scala, two years later, again Don Bartolo in ''Il barbiere di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lella Cuberli
Lella Cuberli (September 29, 1945) is an American soprano, particularly associated with the Belcanto repertory. Born Lela Alice Terrell in Austin, Texas, she studied in Dallas and later in Milan. She made her professional debut in Siena, in 1973, and for some years pursued her career mainly in Italy, making her mark in Rossini, Donizetti and Bellini operas. She sang at Martina Franca from 1976 to 1982, as Amenaide, Adalgisa, and in Paisiello operas. She appeared at La Scala from 1978 to 1985, as Aminta, Ginevra, Rodelinda, Giunia, Contessa di Folleville . Other roles at the major opera houses of Italy have included; Donna Anna, Fiordiligi, Rossini's Elisabetta and Desdemona, etc. She also appeared at the Paris Opéra, the Aix-en-Provence Festival, the Vienna State Opera and the Salzburg Festival. Returning to the United States, she made her debut at the Lyric Opera of Chicago in 1989, as Amenaide, and at the Metropolitan Opera in 1990, as Semiramide. In 1990, she also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Araiza
José Francisco Araiza Andrade (born 4 October 1950), is a Mexican operatic tenor and lied singer who has sung as soloist in leading concert halls and in leading tenor operatic roles in the major opera houses of Europe and North America during the course of a lengthy career. Born in Mexico City, he studied singing at the Conservatorio Nacional de Música de México and later in Germany, with Mozartian tenor Richard Holm, and lieder interpretation with Erik Werba. He made his operatic debut in 1970 in Mexico City as First Prisoner in Beethoven's ''Fidelio''. Araiza initially came to international prominence singing in Mozart and Rossini operas, but in the 1980s broadened his repertoire to include Italian and French lyric tenor roles and Wagnerian roles such as Lohengrin and Walther von Stolzing. He was made a Kammersänger of the Vienna State Opera in 1988. Now retired from the opera stage, he teaches singing and serves on the juries of several international singing competitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
