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Robert Henryson
Robert Henryson (Middle Scots: Robert Henrysoun) was a poet who flourished in Scotland in the period c. 1460–1500. Counted among the Scots ''makars'', he lived in the royal burgh of Dunfermline and is a distinctive voice in the Northern Renaissance at a time when the culture was on a cusp between medieval and renaissance sensibilities. Little is known of his life, but evidence suggests that he was a teacher who had training in law and the humanities, that he had a connection with Dunfermline Abbey and that he may also have been associated for a period with Glasgow University. His poetry was composed in Middle Scots at a time when this was the state language. His writing consists mainly of narrative works. His surviving body of work amounts to almost 5000 lines. Works Henryson's surviving canon consists of three long poems and around twelve miscellaneous short works in various genres. The longest poem is his '' Morall Fabillis,'' a tight, intricately structured set of th ...
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The Morall Fabillis Of Esope The Phrygian
''The Morall Fabillis of Esope the Phrygian'' is a work of Northern Renaissance literature composed in Middle Scots by the fifteenth century Scottish makar, Robert Henryson. It is a cycle of thirteen connected narrative poems based on fables from the European tradition. The drama of the cycle exploits a set of complex ethics, moral dilemmas through the figure of animals representing a full range of human psychology. As the work progresses, the stories and situations become increasingly dark. The overall structure of the ''Morall Fabillis'' is symmetrical, with seven stories modelled on fables from Aesop (from the Romulus (fabulist), elegiac Romulus manuscripts, medieval Europe's standard fable text, written in Latin), interspersed by six others in two groups of three drawn from the more profane beast epic tradition. All the expansions are rich, wry and highly developed. The central poem of the cycle takes the form of a dream vision in which the narrator meets Aesop in person. A ...
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History Of Glasgow
This article deals with the history of the city of Glasgow, Scotland. See also Timeline of Glasgow history. Founding of the city The present site of Glasgow has been settled since prehistoric times, being the furthest downstream fording point of the River Clyde, at its confluence with the Molendinar Burn. The Romans built outposts in the area and constructed the Antonine Wall to keep Roman Britannia separate from Celtic and Pictish Caledonia. Items from the wall, such as altars from Roman forts, including Balmuildy, can be seen in the Hunterian Museum. After the Romans withdrew from Caledonia, the village was part of the large Kingdom of Strathclyde, whose capital was at Dumbarton downstream. It merged in the 9th century with other regions to create the united Kingdom of Scotland.The City of Glasgow – The Third Statistical Account of Scotland, published 1958 The origins of Glasgow as an established city derive from its medieval position as Scotland's second largest b ...
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Subtext
Subtext is any content of a creative work, which is not announced explicitly (by characters or author), but is implicit, or becomes something understood by the audience. Subtext has been used historically to imply controversial subjects without drawing the attention (or wrath) of censors. This has been especially true in comedy; it is also common in science fiction, where it can be easier—and/or safer—to deliver a social critique if, e.g., set in a time other than the (author's) present. Definitions Subtext is content "sub" i.e. "under" (with the sense of "hidden beneath") the verbatim wording; readers or audience must "gather" subtext "reading between the lines" or inferring meaning, a process needed for a clear and complete understanding of the text. A meaning stated explicitly is, by definition not subtext (for lack of hiding), and writers may be criticized for failure artfully to create and use subtext; such works may be faulted as too "on the nose", with the charact ...
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Bubonic Plague
Bubonic plague is one of three types of plague caused by the plague bacterium ('' Yersinia pestis''). One to seven days after exposure to the bacteria, flu-like symptoms develop. These symptoms include fever, headaches, and vomiting, as well as swollen and painful lymph nodes occurring in the area closest to where the bacteria entered the skin. Acral necrosis, the dark discoloration of skin, is another symptom. Occasionally, swollen lymph nodes, known as " buboes," may break open. The three types of plague are the result of the route of infection: bubonic plague, septicemic plague, and pneumonic plague. Bubonic plague is mainly spread by infected fleas from small animals. It may also result from exposure to the body fluids from a dead plague-infected animal. Mammals such as rabbits, hares, and some cat species are susceptible to bubonic plague, and typically die upon contraction. In the bubonic form of plague, the bacteria enter through the skin through a flea bite a ...
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Blessed Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ...
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Flyting
Flyting or fliting is a contest consisting of the exchange of insults between two parties, often conducted in verse. Etymology The word ''flyting'' comes from the Old English verb meaning 'to quarrel', made into a noun with the suffix -''ing''. Attested from around 1200 in the general sense of a verbal quarrel, it is first found as a technical literary term in Scotland in the sixteenth century. The first written Scots example is William Dunbar, '' The Flyting of Dunbar and Kennedie'', written in the late fifteenth century. Description Flyting is a ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion. Norse literature contains stories of the ...
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Pastourelle
The pastourelle (; also ''pastorelle'', ''pastorella'', or ''pastorita'' is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a battle of wit and who displays general coyness. The narrator usually has sexual relations, either consensual or rape, with the shepherdess, and there is a departure or escape. Later developments moved toward pastoral poetry by having a shepherd and sometimes a love quarrel. The form originated with the troubadour poets of the 12th century and particularly with the poet Marcabru (pastorela). This troubadour form melded with goliard poetry and was practiced in France and Occitania until the ''Carmina Burana'' of ''c.'' 1230. In Spanish literature, the pastourelle influenced the '' serranilla'', and fifteenth century pastourelles exist in French, German, English, and Welsh. One short Scots example is ''Robene and Makyne''. Adam de la Halle's ...
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Robene And Makyne
"Robene and Makyne" is a short poem by the 15th-century Scottish makar Robert Henryson. It is an early example of Scottish '' pastourelle'' written in a form of ballad stanza and is almost unique of its kind. Very simple in structure and plot, yet highly compressed, multi-layered and open in its possible interpretations, it exemplifies Henryson's ability to combine complexity and restraint. The brevity and balanced structure of the poem creates effects that invite comparisons with music. Outline Robene and Makyne (also spelt ''Mawkin'') are stock names for peasant characters, a shepherd and a country maiden. Henryson presents the two characters in the sparest of terms and much in the poem has to be inferred. Strictly speaking, nothing in the text verifies precisely who Makyne might be. In the first half of the poem she declares longstanding love for Robene but he is indifferent to her feelings. Minds quickly change and in the closing arc the hopeless declaration is from Ro ...
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Geoffrey Chaucer
Geoffrey Chaucer (; – 25 October 1400) was an English poet, author, and civil servant best known for '' The Canterbury Tales''. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific '' A Treatise on the Astrolabe'' for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament. Among Chaucer's many other works are '' The Book of the Duchess'', '' The House of Fame'', '' The Legend of Good Women'', and '' Troilus and Criseyde''. He is seen as crucial in legitimising the literary use of Middle English when the dominant literary languages in England were still Anglo-Norman French and Latin. Chaucer's contemporary Thomas Hoccleve hailed him as "the firste fyn ...
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Conceit
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle). These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways. History of meaning In the Renaissance, the term (which is related to the word concept) indicated the idea that informed a literary work--its theme. Later, it came to stand for the extended and heightened metaphor common in Renaissance poetry, and later still it came to denote the even more elaborate metaphors of 17th century poetry. The Renaissance conceit, given its importance in Petrarch's ''Il Canzoniere'', is also referred to as Petrarchan conceit. It is a comparison in which human experiences are described in terms of an outsized met ...
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Testament Of Cresseid
''The Testament of Cresseid'' is a narrative poem of 616 lines in Middle Scots, written by the 15th-century Scottish makar Robert Henryson. It is his best known poem. It imagines a tragic fate for Cressida in the medieval story of ''Troilus and Criseyde'' which was left untold in Geoffrey Chaucer's version. Henryson's cogent psychological drama, in which he consciously resists and confronts the routine depiction of Cressida (Cresseid) as simply 'false', is one of the features that has given the poem enduring interest for modern readers and it is one of the most admired works of northern renaissance literature. A modern English translation by Seamus Heaney, which also included seven of Henryson's fables from '' The Morall Fabillis'', was published in 2009. Narrative outline Diomedes, an Achaean hero with whom Cresseid begins a romantic relationship after being separated from and subsequently losing romantic interest in Troilus, banishes Cresseid from his company thereby lea ...
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