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Raymond Hains
Raymond Hains (9 November 1926 – 28 October 2005) was a prominent French visual artist and a founder of the Nouveau réalisme movement. In 1960, he signed, along with Arman, François Dufrêne, Yves Klein, Jean Tinguely, Jacques Villeglé and Pierre Restany, the ''Manifesto of New Realism''."New Realism - Chronology"
, Centre Pompidou, Retrieved 3 March 2019.
In 1976, the first retrospective exhibition dedicated to Hains’ work was organized by Daniel Abadie at the National Center of Art and Culture (C.N.A.C.) in Paris. Hains named the show, which was the last one to be displayed at the C.N.A.C., ''La Chasse au C.N.A.C.'' (''Hunt at the C.N.A.C''). For it,

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Saint-Brieuc
Saint-Brieuc (, Breton: ''Sant-Brieg'' , Gallo: ''Saent-Berioec'') is a city in the Côtes-d'Armor department in Brittany in northwestern France. History Saint-Brieuc is named after a Welsh monk Brioc, who Christianised the region in the 6th century and established an oratory there. Bro Sant-Brieg/Pays de Saint-Brieuc, one of the nine traditional bishoprics of Brittany which were used as administrative areas before the French Revolution, was named after Saint-Brieuc. It also dates from the Middle Ages when the "pays de Saint Brieuc," or Penteur, was established by Duke Arthur II of Brittany as one of his eight "battles" or administrative regions. Geography Overview The town is located by the English Channel, on the Bay of Saint-Brieuc. Two rivers flow through Saint-Brieuc: the Goued/Gouët and the Gouedig/ Gouédic. Other towns of notable size in the ''département'' of Côtes d'Armor are Gwengamp/Guingamp, Dinan, and Lannuon/Lannion all ''sous-préfectures''. In 2009, lar ...
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Côtes-d'Armor
The Côtes-d'Armor (, ; ; br, Aodoù-an-Arvor, ), formerly known as Côtes-du-Nord ( br, Aodoù-an-Hanternoz, link=no, ), are a department in the north of Brittany, in northwestern France. In 2019, it had a population of 600,582.Populations légales 2019: 22 Côtes-d'Armor
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History

Côtes-du-Nord was one of the original 83 departments created on 4 March 1790 following the . It was made up from the near entirety of the ancient Pays de Saint-Brieuc, most of historical

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Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves ( French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim ...
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Apollinaire
Guillaume Apollinaire) of the Wąż coat of arms. (; 26 August 1880 – 9 November 1918) was a French poet, playwright, short story writer, novelist, and art critic of Polish descent. Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement, the term Orphism in 1912, and the term "Surrealism" in 1917 to describe the works of Erik Satie. He wrote poems without punctuation attempting to be resolutely modern in both form and subject. Apollinaire wrote one of the earliest Surrealist literary works, the play '' The Breasts of Tiresias'' (1917), which became the basis for Francis Poulenc's 1947 opera ''Les mamelles de Tirésias''. Influenced by Symbolist poetry in his youth, he was admired during his lifetime by the young poets who later formed the nucleus of the Surrealist group ...
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Hypnagogic
Hypnagogia is the experience of the transitional state from wakefulness to sleep: the ''hypnagogic'' state of consciousness, during the Sleep onset, onset of sleep. Its opposite state is described as the transitional state from sleep into wakefulness. Mental phenomena that may occur during this "threshold consciousness" phase include hypnagogic hallucinations, lucid thought, exploding head syndrome, lucid dreaming, and sleep paralysis. The latter two phenomena are themselves separate sleep conditions that are sometimes experienced during the hypnagogic state. Definitions The word ''hypnagogia'' is sometimes used in a restricted word sense, sense to refer to the onset of sleep, and contrasted with ''hypnopompia'', Frederic William Henry Myers, Frederic Myers's term for waking up. However, ''hypnagogia'' is also regularly employed in a more general sense that covers both falling asleep and waking up. Indeed, it is not always possible in practice to assign a particular episode of any ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ...
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Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophagi an ...
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André Breton
André Robert Breton (; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first ''Surrealist Manifesto'' (''Manifeste du surréalisme'') of 1924, in which he defined surrealism as "Surrealist automatism, pure psychic automatism". Along with his role as leader of the surrealist movement he is the author of celebrated books such as ''Nadja (novel), Nadja'' and ''L'Amour fou''. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature. Biography André Breton was the only son born to a family of modest means in Tinchebray (Orne) in Normandy, France. His father, Louis-Justin Breton, was a policeman and atheism, atheistic, and his mother, Marguerite-Marie-Eugénie Le Gouguès, was a former seamstress. Breton attended medical school, where he developed a parti ...
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Photogram
A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it to light. The usual result is a negative shadow image that shows variations in tone that depends upon the transparency of the objects used. Areas of the paper that have received no light appear white; those exposed for a shorter time or through transparent or semi-transparent objects appear grey, while fully exposed areas are black in the final print. The technique is sometimes called cameraless photography. It was used by Man Ray in his exploration of rayographs. Other artists who have experimented with the technique include László Moholy-Nagy, Christian Schad (who called them "Schadographs"), Imogen Cunningham and Pablo Picasso. Variations of the technique have also been used for scientific purposes, in shadowgraph studies of flow in transparent media and in high-speed Schlieren photogra ...
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Emmanuel Sougez
Louis-Victor-Emmanuel Sougez (16 July 1889 - 24 August 1972) was a French photographer. Sougez was born in Bordeaux, and enrolled at age 15 at the Ecole des Beaux-Arts de Bordeaux, where he studied art, but soon abandoned that to concentrate on photography. From 1905 to 1914, he travelled widely, including Germany, Austria and Switzerland. After the First World War, became a freelance photographer, based in Paris. There he formed the group ' Le Rectangle' which exhibited modern photography and with some of its members, after the war, helped establish its successor, Le Groupe des XV, then in the 1950s joined Les 30 x 40. In 1926, Sougez founded the photographic department for the French weekly newspaper, ''L'Illustration'', and promoted the use of colour photography. Sougez's work is in the permanent collection of the Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Re ...
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Jacques De La Villeglé
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed ...
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