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Runje Shaw
Runje Shaw (1896–1975), also known as Shao Zuiweng (C.W. Shaw) and Shao Renjie, was a Chinese film entrepreneur, producer and director. The eldest of the Shaw brothers, in 1925 he founded Tianyi Film Company (also called Unique Film Productions) in Shanghai, which became one of the top three film production companies in pre-WWII Republic of China, and the beginning of the Shaw Brothers media empire. Under Runje's leadership, his younger brothers Runde Shaw, Runde, Runme Shaw, Runme, and Run Run Shaw, Run Run established branches of Tianyi in Hong Kong and Singapore. Runje retired from filmmaking after Tianyi's Shanghai base was destroyed in 1937 during the Battle of Shanghai, Japanese invasion, but his younger brothers, particularly Sir Run Run, rebuilt Tianyi's offshoots in Hong Kong and Singapore, of which Shaw Brothers Studio came to dominate filmmaking in Hong Kong. Early life Shaw was born in 1896 in Zhenhai, Ningbo city, Zhejiang. His birth name was Shao Tongzhang (邵� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shao
Shao (; HKG Romanisation: Shiu; Gwoyeu Romatzyh: Shaw) is a common Chinese family name. It is the 86th most populous family name in China. It corresponds to last name So in Korean; Thiệu or Thiều in Vietnamese; Zau in Wu Chinese/Shanghainese and Siu, Chow, or Sho in other Chinese romanisations. The origin of the family name Shao is thought to have come from the royal lines of the Zhou dynasty in ancient China. The King's loyal subject Duke of Shao (), was thought to have originated the Shao lines. Notable people * Shao Yong (; 1011–1077), philosopher, cosmologist, poet and historian who greatly influenced the development of Neo-Confucianism in China during the Song dynasty * Shao Mi (; 1592–1642), Chinese landscape painter, calligrapher, and poet during the Ming dynasty * Shao Jiayi (), Chinese soccer player *Shao Ning (born 1982), Chinese judoka * Shao Xunmei a.k.a. Zau Sinmay, Chinese poet and publisher * Shao Tong (1994–2014), Chinese student murdered in Iowa *The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mingxing Film Company
The Mingxing Film Company ( zh, c=明星影片公司, p=Míngxīng Yǐngpiàn Gōngsī), also credited as the Star Motion Picture Production Company, was a production company active in the Republic of China (1912–1949), Republic of China between 1922 and 1937. Established by a consortium of creative professionals, including film director Zhang Shichuan, dramatist Zheng Zhengqiu, and critic Zhou Jianyun, Mingxing initially produced comedy films that drew little audience attention. Facing insolvency in 1923, the company used the last of its capital to produce ''Orphan Rescues Grandfather'', which released to massive commercial success and provided the company with the revenue needed to expand and hire new talent. In the mid-1920s, Mingxing acquired new studios and made its initial public offering, growing rapidly even in the face of emerging competition. It adapted several novels to film, with its ''Lonely Orchid'' (1926) being one of the most successful Chinese films of the si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese-language cinema, alongside the cinema of China and the cinema of Taiwan. As a former Crown colony, Hong Kong had a greater degree of artistic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema, and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now a part of the cultural mainstream, widely available and imitated. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of China
The cinema of China is the filmmaking and film industry of mainland China, one of three distinct historical threads of Chinese languages, Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan. China is the home of the largest movie and drama production complex and film studios in the world, the Oriental Movie Metropolis and Hengdian World Studios. In 2012 the country became the second-largest market in the world by box office receipts behind only the United States. In 2016, the gross box office in China was (). China has also become a major hub of business for Hollywood studios. In November 2016, China passed Censorship in China, a film law banning content deemed harmful to the "dignity, honor and interests" of the People's Republic and encouraging the promotion of Core Socialist Values, core socialist values, approved by the National People's Congress Standing Committee. History Beginnings Motion pictures were introduced to China in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese People's Political Consultative Conference
The Chinese People's Political Consultative Conference (CPPCC) is a political advisory body in the People's Republic of China and a central part of the Chinese Communist Party (CCP)'s United front (China), united front system. Its members advise and put proposals for political and social issues to government bodies. However, the CPPCC is a body without real legislative power. While consultation does take place, it is supervised and directed by the CCP. The organizational hierarchy of the CPPCC consists of a National Committee of the Chinese People's Political Consultative Conference, National Committee and regional committees. Regional committees extend to the Provinces of China, provincial, Prefecture-level divisions of China, prefecture, and Counties of China, county level. According to the Charter of the Chinese People's Political Consultative Conference, charter of the CPPCC, the relationship between the National Committee and the regional committees is one of guidance and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hu Die
Hu Die (; 1907–08 — April 23, 1989), also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in ''Rear Door''. Biography Early life Hu Die was born Hu Ruihua () in Shanghai in 1907 or 1908, and moved to Guangzhou (Canton) when she was nine. Her father then became the general inspector of the Beijing–Fengtian Railway. She spent much of her adolescence in northern cities including Beijing, Tianjin and Yingkou, and learned to speak perfect Mandarin, which later proved to be a great advantage when the cinema of China transitioned from silent films to talkies. In 1924, Hu Ruihua moved back to Shanghai with her family. When China (Zhonghua) Film School, the country's first film actor training school, opened, she was the first student to enroll. She adopted the professional name "Hu Die", mean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lianhua Film Company
The United Photoplay Service Company () was one of the three dominant production companies based in Shanghai, China during the 1930s, the other two being the Mingxing Film Company and the Tianyi Film Company, the forerunner of the Hong Kong–based Shaw Brothers Studio. Names The original name of the company was Lianhua Productions. It is also known by a large number of translated names, notably China Film Company, United China Film Company and United Photoplay Service. The full name of the limited company later on was called "Lianhua Film Production and Processing Company, Ltd." History Lianhua was formally registered in March 1930 in Hong Kong by Luo Mingyou (Law Ming-yau) and his partner, director Li Minwei (Lai Man-Wai). In order to resist the invasion of American films that dominated the box office in Shanghai and other cities, Luo realized he would have to produce films that were equally attractive artistically and equally rigorous in the business of production and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Pingqian
Li Pingqian (1902 – 18 November 1984), also known as Jack Pingqian Li, was a Chinese filmmaker who directed over 100 films in his career in mainland China and Hong Kong. He is probably best known for his works with actresses Gong Qiuxia and Xia Meng, who each starred in more than a dozen of his films. Moreover, his 1964 Huangmei opera film ''Three Charming Smiles'' starring Chen Sisi was a huge hit in China. Life Li was born in Hangzhou and was originally given the name Chunchou. He moved to Shangai in the 1920s to begin a career in filmmaking after leaving Hujiang University in 1919, where he studied sociology but did not graduate. In 1924, he co-founded Shenzhou Film Company with Wu Xuchang. The company went bankrupt in 1927 and Li joined Tianyi Film Company. He eventually moved on to Mingxing Film Company, until that was destroyed by Japanese bombardments during World War II. In the 1950s, Li moved to Hong Kong and became directing Cantonese films for companies such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legend Of The White Snake
The Legend of the White Snake is a Chinese legend centered around a romance between a man named Xu Xian and a female snake spirit named Bai Suzhen. It is counted as one of China's Four Great Folktales, the others being '' Lady Meng Jiang'', '' Butterfly Lovers'', and '' The Cowherd and the Weaver Girl''. Early versions "Li Huang" The Tang-dynasty story collection ''Boyi zhi'' (; "Vast Records of the Strange"), from the early 9th century, contains a '' chuanqi'' tale about a man named Li Huang () meeting an attractive woman clad in white (whose aunt is clothed in blue-green). After mating with the beauty at her residence, he returns home and falls ill, his body dissolving into water. His family searches for the woman and discovers that she is a giant white snake. "The Three Pagodas of West Lake" In the Ming dynasty, some time before 1547, a collection of early '' huaben'' tales was printed by Hong Pian (); in it was "The Three Pagodas of West Lake" (), likely the first work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liang Shanbo And Zhu Yingtai
The Butterfly Lovers is a Chinese legend centered around the tragic romance between Liang Shanbo () and Zhu Yingtai (), whose names form the Chinese title of the story. The title is often abbreviated as Liang Zhu (). The story was selected as one of China's Four Great Folktales by the "Folklore Movement" in the 1920s—the others being the Legend of the White Snake (''Baishezhuan''), Lady Meng Jiang, and The Cowherd and the Weaving Maid (''Niulang Zhinü''). Six cities in China collaborated in 2004 on a formal application for the Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity on the legend at UNESCO, submitted in 2006 through the Chinese Ministry of Culture. Legend The legend of Liang Shanbo and Zhu Yingtai is set in the Eastern Jin dynasty (266–420 AD). Zhu Yingtai is the ninth child and only daughter of the wealthy Zhu family of Shangyu, Zhejiang. Although women are traditionally discouraged from taking up scholarly pursuits, Zhu manages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial Arts Film
Martial arts films are a subgenre of action films that feature martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include hand-to-hand combat along with other types of action, such as stuntwork, chases, and gunfights. Sub-genres of martial arts films include kung fu films, wuxia, karate films, and martial arts action comedy films, while related genres include gun fu, jidaigeki and samurai films. Notable actors who have contributed to the genre include Bruce Lee, Jet Li, Jackie Chan, Jean-Claude Van Damme, Tony Jaa, Sammo Hung, Chuck Norris, Toshiro Mifune, Donnie Yen, Gordon Liu, Robin Shou, and Wesley Snipes, among others. Women have also played key roles in the genre, including such actresse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
