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Rucellai Maestà
The ''Rucellai Madonna'' is a panel painting representing the Virgin and Child enthroned with Angels by the Sienese list of Italian painters, painter Duccio, Duccio di Buoninsegna. The original contract for the work is dated 1285; the painting was probably delivered in 1286. The painting was commissioned by the Laudesi confraternity of Florence to decorate the chapel they maintained in the Dominican Order, Dominican church of Santa Maria Novella (in 1591, the painting was moved to the adjacent, much larger Rucellai family chapel, hence the modern title of convenience). It was transferred to the Uffizi, Galleria degli Uffizi in the 19th century. The ''Rucellai Madonna'' is the largest 13th-century panel painting extant. History The ''Rucellai Madonna'' is the earlier of the two works by Duccio for which there is written documentation (the other is the ''Maestà (Duccio), Maestà'' of 1308–11). The altarpiece was commissioned by the ''Compagnia dei Laudesi'', a lay confraternity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duccio
Duccio di Buoninsegna ( , ; – ), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio ''Encyclopedia Britannica''. and is credited with creating the painting styles of Trecento Gothic art, Gothic style and the Sienese school. Biography Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as un ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lauds
Lauds is a canonical hour of the Divine office. In the Roman Rite Liturgy of the Hours it is one of the major hours, usually held after Matins, in the early morning hours (between 3:00:00 and 5:59:59). Name The name is derived from the three last psalms of the psalter (148, 149, 150), the Laudate psalms, which in former versions of the Lauds of the Roman Rite occurred every day, and in all of which the word ''laudate'' is repeated frequently. At first, the word ''Lauds'' designated only the end, that is to say, these three psalms. Over time, ''Lauds'' came to be applied to the whole office. History Lauds, or the morning prayer or Office of Aurora, is one of the most ancient offices and can be traced back to Apostolic times. The earliest evidence of Lauds appears in the second and third centuries in the Canons of Hippolytus and in writings by St. Cyprian, and the Apostolic Fathers. Descriptions during the fourth and fifth centuries appear in writings by Ss. John Cassian, Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bole (color)
Bole is a shade of reddish brown. The color term derives from Latin ' (or dirt) and refers to a kind of soft fine clay whose reddish-brown varieties are used as pigments, and as a coating in panel paintings and frames underneath the paint or gold leaf. Under gold leaf, it "warms" the colour, which can have a greenish shade otherwise. However, bole in art is a good deal more red and less brown than the modern shade; it is often called Armenian bole. Although ''bole'' also means the trunk (botany), trunk of a tree, these words are simply homographs that do not share an etymological origin. Overview Another name for the color ''bole'' is terra rosa. The color name ''terra rosa'' has been used as a synonym for bole since 1753. The color terra rosa is classified a warm red color. In art, it's classified as being similar to Venetian red, but more pink or salmon (color), salmon. ''Bole'' is one of the oldest color names in English language, English. The first recorded use of ''bole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azurite
Azurite or '' Azure spar''''Krivovichev V. G.'' Mineralogical glossary. Scientific editor A. G. Bulakh. — St.Petersburg: St.Petersburg Univ. Publ. House. 2009. — 556 p. — ISBN 978-5-288-04863-0. ''(in Russian)'' is a soft, deep-blue copper mineral produced by weathering of copper ore deposits. During the early 19th century, it was also known as chessylite, after the type locality at Chessy-les-Mines near Lyon, France. The mineral, a basic carbonate with the chemical formula Cu3(CO3)2(OH)2, has been known since ancient times, and was mentioned in Pliny the Elder's '' Natural History'' under the Greek name (κυανός: "deep blue," root of English cyan) and the Latin name '' caeruleum''. Copper (Cu2+) gives it its blue color. Mineralogy Azurite has the formula Cu3(CO3)2(OH)2, with the copper(II) cations linked to two different anions, carbonate and hydroxide. It is one of two relatively common basic copper(II) carbonate minerals, the other being bright green malach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lapis Lazuli
Lapis lazuli (; ), or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. Originating from the Persian word for the gem, ''lāžward'', lapis lazuli is a rock composed primarily of the minerals lazurite, pyrite and calcite. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines,David Bomford and Ashok Roy, ''A Closer Look- Colour'' (2009), National Gallery Company, London, () in Shortugai, and in other mines in Badakhshan province in modern northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley civilisation. Lapis was highly valued by the Indus Valley Civilisation (3300–1900 BC). Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun (1341–1323 BC). By the end of the Middle A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. ''Tempera'' also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Wickhoff
Franz Wickhoff (7 May 1853 – 6 April 1909) was an Austrian art historian, and is considered a member of the Vienna School of Art History. Early life Franz Wickhoff was born on 7 May 1853 in Steyr. He studied at the University of Vienna under Alexander Conze and Moritz Thausing. Career In 1879 he received a position at the k.k. Österreichisches Museum für Kunst und Industrie (today the Museum für angewandte Kunst) in Vienna, where he met Giovanni Morelli and became interested in his theories of connoisseurship. In 1882 Wickhoff began to teach at the University of Vienna. In 1895 Wickhoff published his major work, ''Die Wiener Genesis'', a study of the development of Roman art from the time of Augustus to that of Constantine I. The book was significant for its appreciation of both "high imperial" Roman art, and indeed also late antique art, both of which had previously, under the overwhelming influence of Johann Joachim Winckelmann, been considered as stages of progre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimabue's Celebrated Madonna
''Cimabue's Celebrated Madonna'', originally called ''Cimabue's elebratedMadonna sCarried in Procession through the Streets of Florence'', is an oil painting by English artist Frederic Leighton. Measuring more than two metres tall and more than five metres wide, the canvas was painted by Leighton from 1853 to 1855 in Rome as his first major work. Since 1988 the work has been displayed in the National Gallery, London, on long-term loan from the Royal Collection, where it was long hung prominently, high above the main vestibule, directly beyond the entrance to the gallery, but more recently it has been in Room 45. In 2018 it was displayed at the top of the Sainsbury Wing staircase. In 2025 the work is no longer on display. Leighton House has an oil sketch for the painting, and several preparatory drawings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
