Rotte (psaltery)
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Rotte (psaltery)
:''See Rotte (lyre) for the medieval lyre, or Rote for the fiddle'' During the 11th to 15th century A.D., rotte (German) or rota (Spanish) referred to a triangular psaltery illustrated in the hands of King David and played by jongleurs (popular musicians who might play the music of troubadours) and cytharistas (Latin word for a musician who plays string instruments). Besides being played in popular music, the church may have used them as well; a letter from Cuthbert, Abbot of Jarrow, England survives, in which he asks an archbishop to send him a ''cytharista'' to play the ''rotta''. The instruments least 10 strings on each side and were held like a harp in front of the musician. Rottes were also described as having 17 stings and 22 strings on each side. The playing position was different from other psalteries, as the Rotte might be held like a harp, leaned sideways (flat against the musician's chest), or rested on the lap. Two styles of rotte have been inferred from images: the f ...
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Rotte (lyre)
:''See Rotte (psaltery) for the medieval psaltery, or Crwth, Rote for the fiddle'' Rotte or rotta is a historical name for the List of early Germanic peoples, Germanic lyre, used in northwestern Europe in the early medieval period (circa 450 A.D.) into the 13th century. The plucked variants declined in the medieval era (spreading less often in manuscripts in the 13th century), while bowed variants have survived into modern times. Non-Greek or Roman lyres were used in pre-Christian Europe as early as the 6th century B.C. by the Hallstatt culture, by Celtic peoples as early as the 1st century B.C., and by Germanic peoples. They were played in Anglo-Saxon England, and more widely, in Germanic regions of northwestern Europe. Their existence was recorded in the Scandinavian and Old-English story ''Beowulf'', set in pre-Christian times (5th-6th century A.D.) and written or retold by a Christian scribe about 975 A.D. The Germanic lyre has been thought to be a descendant of Lyre#Ancient ...
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